Should the close up be people oriented or scene oriented?

Whether we shoot indoors or outdoors, we take the subject of the shot, and such a portrait can be called an environmental portrait. The images we shoot must have the content of the environment. Instead of choosing a backdrop to shoot like a portrait.

Therefore, even if we shoot portraits indoors, we must reflect the characteristics of the environment, such as the home environment, the interior furniture and the design of the courtyard, etc. When shooting, pay attention to the control of the aperture, the background can be blurred, but there must be some detail. As for shooting with a small aperture or a large aperture, it depends on the specificity of the environment and the depth of field.

Decision. For example, when we shoot environmental portraits in the vast outdoors in nature, the environment is very magnificent and spectacular, and we use a small aperture to shoot the characters and such a beautiful background together.

To capture a rich set of ambient portraits, we can have multiple scenes.

Multi-angle performance. For example, a large scene dominated by a full-body portrait, a medium scene dominated by a bust, and a local environment dominated by close-ups. In this way, the characteristics of the environment are expressed from multiple perspectives, which is very impressive.

Environment: Portrait environment is the focus.

Since it is a portrait of the environment, the environment is an important element in the picture. For example, the romantic sea of flowers, the ginkgo forest in autumn, and the bluestone alleys of the ancient town. The characters are set off by the environment, and the environment renders the atmosphere of the picture.

That's what we call a blend of scenes. Therefore, when shooting environmental portraits, there must be a proportion of the environment in the frame. As for the proportion of the environment in the picture, it depends on the picture and scene you want to express.

When shooting environmental portraits, the most important thing is to represent the people, and the choice of the environment is to serve the people.

Shooting environmental portraits is about the perfect fit between people and scenery. So the model's look should match the environment and the theme. Moreover, the demeanor and movements of the model should also conform to the environment and theme, so as to achieve the goal of setting off people with scenery and moving people with emotion.

At the same time, the photographer also controls the proportion and collocation of the environment, so as not to dominate the crowd.

Human-oriented. Close-up generally refers to close-up of characters, and the scenery is a foil. The composition should be dominated by the figures, with the scenery as the background.

In the scene-based, there are generally no people in close-ups, and people can't set off the scene, because it is people who appreciate the shooting.

It depends on what you're shooting.

If the subject of the shooting is people, it must be that Jinse serves the characters, mainly focusing on the characters, so the general framing will take the kind of scenery that can show the beauty of the characters.

If you want to shoot the scenery in the first place, then the characters are an embellishment inside, and basically they will not be shot around people, and even if there are no characters in a picture, it is okay.

So whether you should shoot people or landscapes depends on what you're shooting.

The so-called close-up is to highlight the subject of the shot, if the subject is a person, then the person is the main thing, if the subject is an object (such as a flower), then the object is the main thing. Close-ups should be taken with a small depth of field, that is, the subject is clear, and the background is blurred.

Shooting close-ups should be based on environmental portraits, the most important thing is to express the characters, the choice of the environment is to serve the close-ups of the characters, and the shooting close-ups pay attention to the perfect fit between people and scenes. Therefore, the environment and the theme should be matched, and the demeanor and actions of the characters should also be in line with the environment and theme, so as to achieve the scenery against the people and move people with emotion. At the same time, it is necessary to control the proportion and collocation of the environment, and do not dominate the guests.

If you shoot close-ups, generally speaking, you should focus on people, because if you shoot people, each character has his own characteristics, so if you shoot it, your close-up will have a uniqueness, so that others will feel that this will be different.

However, if you just want to shoot the scenery, and the characters are just a supporting role, then you mainly focus on the scenery.

The view is what you want, so just take a picture of the view.

It's okay to shoot close-ups with people and scenes, but you must use a specific thing, that is, if you shoot a scene, you must first constantly move one of the characteristics of the scene. After that, if you cooperate, you must move people and a certain place in the scene as the main way, and I think it may help you to form a focal point when you shoot the scene. When shooting, we should find the right focus, which can set off and highlight our surrounding environment, so that it will be better.

<>Personally, I think close-up is an artistic expression, mainly to photograph a part of a person's face or object, with the aim of highlighting or emphasizing the expression.

Therefore, photography is also borrowed from the expression of film, so most of them shoot moving objects, rather than or rarely shoot still objects. So I think it should be mainly people, or you can photograph some animals, and you can use little or no scenery at all.

It depends on what the purpose of your shooting is, if it is purely for taking landscape photos, then it is naturally supplemented by the scenery as the main master; If it's a series with a character-themed theme, it's definitely going to be shot with the characters as close-ups, and the background just plays the icing on the cake.

If the shooting close-up is mainly to highlight people, it is mainly people; If it is to highlight the scene, it is necessary to focus on the scene, and see whether it is a close-up person or a close-up scene.

When shooting close-ups, you should focus on the characters, the close-up itself is to highlight the subject matter of the characters, and the scenery is to set off the characters, so when shooting close-ups, you should focus on the characters and focus on performance!

Of course, it is better to shoot close-ups with people as the mainstay, and it is mainly people, which can reflect the characteristics and personality of people, if the scenery is the mainstay, then the appearance of characters is redundant.

Of course, taking close-ups is to focus on people, supplemented by scenes, first to see what scenery you shoot, and then go to the lens, the lens has three or seven points, and the upper and lower shots to stretch, roughly which part of the body is taken from the framing, the elements of each scene framing are different, and it takes a long time of shooting experience to be able to take this lens.

Close-ups should be people-oriented, supplemented by scenery. Because compared with nature, people are very small, and they cannot set off the scenery, only people, supplemented by scenery. In order to achieve the perfect harmony of the unity of people and scenery.

Of course, the close-up should be dominated by people, and the scenery is to set off people, just like red flowers and green leaves. The scenery is green leaves, and the red flowers are portraits. Of course, the green leaves are meant to set off the red flowers, so the people must be photographed as the main body.

Close-ups should be people-oriented, with simplicity as the backdrop, and the background as the backdrop. Highlight the mood, emotion, and sense of the image of the person being photographed. Set off people with scenery, and let people show their charm in the scenery.

Shooting close-ups can be both people and scenes, because these are two completely different subjects. Therefore, it depends on whether the photographer's personal style is better at shooting people or scenes. It also depends on what the subject of the capture is.

I think the close-up should be people-oriented. The view is foreshadowing. As long as the close-up is mainly about the people, the scenery is secondary, just a foil.

It mainly depends on what the central theme you want to represent. For example, when you go out to play. Close-ups should be based on the scenery.

Write down the unique beauty of the places you've visited. Make a great memory.

Shooting close-ups should be people-oriented, highlighting the theme of people, and the scene is to set off people, if there is no people-oriented, no matter how good the close-up shooting is, it is not a successful work.

When shooting close-ups, I personally think that it should be people-oriented, supplemented by scenes, and focus on parts.

If you shoot a medium shot, take people as the main thing, take into account the action, if you shoot a close-up shot, focus on people, focus on expressions, and focus on the part if you shoot a close-up, pay attention to the part.

Therefore, when shooting close-ups, it is necessary to divide different scenes and focus on different scenes.

It should be people-oriented, the scenery as the background, and the scenery to set off the beauty of people. As a photographer, it's basically like this. If it is mainly based on scenery, then it is specialized in shooting scenes, and there is no need for other foils, just pick good-looking scenes to shoot.

Whether the close-up should be people-oriented, or scene-based, it depends on what the central idea you want to express, if you are close-up of people, then people-oriented, your close-up of the scenery should be based on the scenery.

I think it's better to shoot close-ups with people and scenes.

Through ingenious conception, people and scenery are presented with a three-dimensional effect, and a work is like telling a story.

Characters and scenery are indispensable to complement each other.

If you're shooting people, you have to focus on people, and if you want to shoot close-ups of scenes, focus on scenes.

Shooting close-ups, first of all, your person-oriented close-up is person-oriented, blurring the background, and background-based close-up, that is, blurring the character.

Shooting close-ups should be distinguished by the priority of the meaning, if it is a description of people, it should be people-oriented, and the background is secondary. If the scenery is the main thing, the scenery should be the main thing, and the characters should be secondary. These need to be complemented to highlight the meaning of the close-up.

A background light is the light that is used to illuminate the background. When shooting portraits, do not shine background light on the subject to avoid damaging the subject's shaping light. Therefore, when shooting indoors, there is generally a special light to illuminate the background, and the brightness of the background is adjusted by using the light to make the subject more prominent and increase the depth of the picture space.

The background light changes in a variety of ways, including light backgrounds, dark backgrounds, mid-tone backgrounds, light and dark backgrounds, and backgrounds with special light effects. If you are shooting a bright background, you usually need to use scattered light to illuminate it, so that the effect will be more natural and soft. If there is a change in the light spot in the background, it is more suitable to use spotlights to illuminate and get a good picture effect.

In a studio, the most commonly used background lights are the collimated background light and the center background light. Parallel background light is to put a light on the left and right behind the subject to illuminate the background, so that the background produces a brighter, uniform and soft light effect. In general, when shooting with this background light, the light is placed at a 45° angle behind the subject to shine into the background, and the light source should be appropriately far away from the background, so that the background light will be more uniform.

The central background light is to place a lamp behind the subject and shine on the background, and the light emitted will diffuse from the center to the surroundings, which will produce the effect of light, so that the subject is well foiled. The center background light can highlight the subject well and express the three-dimensional sense of the picture. If the light is not conveniently placed in the center behind the subject, you can also add a honeycomb to the lamp head to shine from the side to the background to obtain background light.

1. Dark-dim background light shooting.

The portrait effect shot against a dark background makes the picture appear serious, while the characters look solemn and mysterious.

2. Mid-tone background light shooting.

The mid-tone background light is used in the frame, and the atmosphere rendering is strong, and the brightness of the background is relatively uniform, showing the subject well.

3. Parallel background light shooting.

When shooting, a parallel background light is used, and a light is placed on the left and right behind the subject, and the background is bright and evenly lit, highlighting the subject.

Fourth, the center background light shooting.

When shooting, a light is placed behind the subject and shot into the background, creating a beautiful glow effect that highlights the subject and makes it more three-dimensional.

For portrait photography, if you want to highlight the subject, you can use a wide aperture. The function of the wide aperture is background blur, which can blur out the cluttered background, focusing on the portrait.

To divide the subject, if we want to highlight the main character, we must first figure out which part is the main body, so that we can portray the subject in the later shooting.

If you want to highlight the subject, then you should place the subject in the center of ** or 2 3 places.