Mr. Ye Jiaying talks about Nineteen Ancient Poems Better poems are natural

The wind rises to the ground, and the autumn grass is green.

Nineteen ancient poems - Dongcheng is tall and long".

This poem is a beating and change in the poet's feelings, and the metaphorical image also changes from the city wall to the wind and autumn grass.

The return wind is a kind of rapid wind that spirals from the ground, and it sweeps away from afar with such a powerful urging force, and the entire earth is immediately enveloped in a solemn aura.

But the image of "autumn grass is green" is a little difficult to understand - the green and lush grass, which should be a symbol of a beautiful life, is also here with a sad and sad atmosphere? It is generally believed that only the yellowing of plants and trees can cause human sorrow, but in fact, it is not necessarily.

Du Fu has a poem "Sigh of Autumn Rain" that says:

In the rain, the grass rots and dies in autumn, and the cassia under the stairs is bright.

The leaves are full of branches and green feathers, and there are countless flowers.

But the following continues:

The cool breeze blows you to the extreme, and it is difficult for you to be independent after fear.

The scholars in the hall have blank heads, and they smell the fragrance and cry in the wind.

The psalmist weeps because he fears that the beautiful and fragrant life will soon be destroyed.

Li Shangyin has a poem about cicadas that says:

Five more sparse and broken, a tree is ruthless.

The poet's sorrow is because Changyou is ruthless for the grass to roll the base wood, and in the grief-stricken chirping of the cicadas, it is still so green and lush.

The poets' feelings are all keen, and their sadness is sometimes due to associations of the future, sometimes because of the contrast and contrast of the current situation, and sometimes it is not even reasonable, it is purely an intuition.

The autumn grass is already green - you don't have to consider any rational explanation, that is, the poet sees the green and lush autumn grass, swaying in the wind, causing a wave of inner turmoil, that is, the so-called: the movement of searching, the heart is also shaken.

Li Jing, the lord of the Southern Tang Dynasty, once jokingly asked Feng Yansi: Blowing a pool of spring water, what is the matter?

This is a question that a poet himself cannot face!

Today's note: For the understanding of each poem, Mr. Ye's model is to find out the key words in the poem and explain it, and then introduce some related poems of famous poets to help interpret the important expressions in the poem. While interpreting, appreciating, feeling, and experiencing.

Unconsciously it makes people addicted to it. Reading makes people beautiful and quiet.

Lesson 8 Fu Xuan's Yuefu poems.

Chinese poetry began to have a literary awakening in the Wei and Jin dynasties, and poets began to consciously pursue the formal beauty of poetry. But there are two sides to the development of anything: the more manual skills you have, the less direct power you have.

Fu Xuan's nature is harsh and he can't be tolerated; Every time there is an impeachment, or at dusk, hold the white Jane, the hairpin belt, sit and wait. So you were convinced, and the pavilion was windy.

However, he is such a man with a strong temperament, and the poems he wrote are gentle and gentle, and he is kind to his children.

Che Yaoyao chapter. The car is far away, and the remembrance of the gentleman is unforgettable. Jun An traveled west into the Qin wheel to star, and was willing to follow the king for the shadow. Jun is in the shadow of the shadow, and Jun is according to the wishes of the concubine.

From this poem, we can see two characteristics of Fu Xuanlefu's poems:

First, he didn't like to use a lot of allusions and flowery rhetoric like other poets of the time, but he had a direct power of inspiration.

Second, he stands in the position of a woman and writes poems in a woman's voice. In the graceful and gentle, there is often a sour and sad feeling.

He said that the distance of your chariot is so far, and the distance of your horse is so far, that although I cannot follow you as a person, my heart will always follow you. A man travels thousands of miles to the capital, most of them to pursue fame, which is something that women can't stop, so this woman said how willing I am to become your shadow, so that no matter how far you go, I can follow you.

If you can stand in the light, that is the greatest wish of my heart; If you stand in the dark, I won't be able to get close to you.

Notes: Clear water out of hibiscus, natural carving - Fu Xuan's text can probably be expressed in this poem.

A straightforward counselor, but he played a handful of Wen Suitong cover. It's really stunning.

And his gentleness is straightforward and clear, without pretentiousness, without gaudy rhetoric, it is so straightforward to write the mentality of a sticky little woman. I really don't know how a big man can write such a delicate little woman mentality.

O car, you go far away; Horses, you run so fast.

Watching you go away, my thoughts are like spinning wheels, wanting to chase you; I can't forget how wonderful the time we spent together.

You go to the capital to seek fame, I can't help but let you go, but I hope to become your shadow to accompany you and be inseparable from you.

If you stand in a dark place, there will be no shadow, and I can only grieve; You stand in the sun, that's what I want, and only in a bright place can I rely on your light to guess and exist.

The imagination of the last two sentences is otherworldly. This is a very good observation, and the ability to feel is also very strong, to see the dependence between light and shadow, and to combine it with the attachment between him and his lover, and even more powerfully, it is a metaphor for his political pursuit.

Let's put it this way, Ye Jiaying's poetry is actually inferior to Shen Zufen and Zhou Zhenfu, Miao Yue, Yu Pingbo and others, and even less than Tang Guizhang, Xia Chengtao, and Long Yusheng. If you are a professional, you should still watch these people, and if you are an amateur, you can watch Ye Jiaying's.

But she also has her own characteristics.

First, because of her long-term background of lecturing abroad, she combines Western theories with Chinese poetry.

The second is that her explanations are very feminine, more sensual, have a keen sense of poetry and deep feelings, and her expression skills are also good.

Ye Jiaying's poems are written in general, the real gods of poetry are all in the folk, and no matter how good the works are, they are just a pile of waste paper if they are not promoted. Go and see that there are real masters in the post bar forum, and individual poetry works can even be said to be not inferior to the Tang and Song dynasties. The easiest way to identify good poems is those that make people stand out or resonate with you in some way.

Poetry is not a profound thing, emphasizing divine meaning and not sticking to form, Ye Jiaying's poems can only be said to be rhythmic and neat, and they are at the middle level.

That's quite good, there are few people in the Chinese poetry world who haven't heard of him, she is very good.

Just look at "Ancient Poems for Children".

Selected by Ye Jiaying.

CITIC Press.

Ancient Poems for Children" contains a total of 218 works, 177 ancient Chinese classic poems and 41 classic lyrics in different styles, bringing children moving and calling with a kind of touching life contained in classical poems, improving children's spiritual quality, and cultivating them to grow into people with feelings, feelings and cultivation. "Give children a good work", realize the editor's long-cherished wish.

FYI.