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When Shang Yin was young, he entered the Linghu Chu Sect to study the language, and in the case of repeated failures, he finally took advantage of the influence of the Linghu family to finally enter the Shi and the first in the second year of Kaicheng (837).
Li Shangyin died of illness in the year when he was admitted to the Jinshi, and in the same year, Li Shangyin was invited to Jingyuan Jiedu to make Wang Maoyuan's subordinates a staff member. Wang Maoyuan admired Li Shangyin very much and married his daughter to him. This Wang Maoyuan has a good relationship with Li Deyu and is considered an important member of the "Li Party", while Linghu Chu's father and son belong to the "Niu Party".
Li Shangyin's marriage is like betraying his original camp. As a result, instead of being flattered on both sides, both sides were hit.
Second, the career is lucky.
When the Li Party gained power, Li Shangyin was very supportive of Li Deyu's political ideas, but before he could be appreciated and promoted, he returned to his hometown to guard filial piety because of the death of his mother.
After the end of the three-year observance of filial piety, the political form began to change, and in the sixth year of Huichang (846 AD), Tang Wuzong (the emperor who destroyed the Buddha), who supported Li Deyu, died, and Tang Xuanzong Li Chen ascended the throne, and the Li Party was quickly pushed out of the political center.
When the Niu Party was in power, Li Shangyin's former friend Ling Hu Chu's son Ling Hu Xuan was in a high position, but no matter how Li Shangyin expressed his heart, he did not get a better chance of promotion.
Li Shangyin wrote several poems to Linghu Xuan: "Farewell to Linghu to make up for the que", "Send Linghu Langzhong", "Reward Linghu Langzhong to see and send", "Send Linghu Bachelor", "Dream Linghu Bachelor", "Linghu Sheren said that Xiye played the moon last night because of the play".
Songyun Qin Shu has been away for a long time, and Shuangli has a paper book. Hugh asked the old guests of Liang Garden, Maoling autumn rain is similar.
3. The similarities and differences between Li Shangyin and Su Shi.
Li Shangyin entered his career during the period of the Niu Li Party Struggle, and it was inevitable that he would be affected. Li Shangyin is a little like Su Shi, and Li Shangyin is not powerful in both aspects in the party struggle.
The difference with Su Shi is that Su Shi is the leader of the literary world, and the old and new parties want to win him over, but Su Shi refuses to stand in line, no matter the old or new parties, Su Shi dares to criticize. Li Shangyin, on the other hand, is different, and he can't please both sides.
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1. Li Shangyin's poems, in the lamentation of life experience, sorrow and turmoil, exude a strong sentimental atmosphere, good at expressing subtle feelings and personal feelings, the poems are exquisite and elegant, rich in association and suggestive feelings. The pursuit of this kind of artistic characteristics makes his poems pay special attention to fine carving in the art form, focusing on expressing people's feelings and emotions, taking grief and compassion as beauty, sadness and depression as beauty, indifferent feelings as beauty, and beauty with glamorous and delicate feelings, pursuing rhyme and extraordinary, reflecting a kind of beauty with strong sentimental emotions.
2. Li Shangyin's Seven Words Law inherits the characteristics of Du Fu's Seven Laws of tempering and strictness, depression and frustration, and integrates the strong colors of Qi Liang's poems and Li He's fantasy symbolism, forming a unique style of affectionate and beautiful Seiko. For example, "Revisiting the Holy Maiden's Temple": "A spring dream rain often drifts tiles, and the spirit wind is not satisfied with the flag all day long."
The calyx green flower comes to no fixed place, and the duran incense has not moved. "Integrating the symbolism of the comparison in the scene, it conveys the sense of distress and frustration. The strange beauty of Li He's ancient style is moved into the legal style, the language is beautiful and neat, and the rhythm is beautiful and tactful.
He likes to use cold allusions, and the imagery in his poems is particularly beautiful, while the overall meaning is often obscure. Li Shangyin will be the expression of life emotion to a deeper and subtle aspects of development, good at using gorgeous and delicate art forms to express the mood of melancholy and loneliness, the poem is full of confusion and sad experience, deep and beautiful, deep charm, "near but not floating, far but not endless" fun, rich in symbolic suggestive color, hazy beauty.
3. Li Shangyin's poems are a symbol of the soul and a purely subjective expression of life experience, so he writes affectionately and beautifully, and he experiences tactful feelings in the rich and beautiful words of Seiko, such as "the autumn shade does not disperse and the frost flies late, leaving the dry lotus to listen to the sound of the rain", such as "I want to ask where the lonely Hong goes, I don't know the life from the leisurely", such as "why when the candles in the west window are cut, but when it rains at night in Bashan". The delicate feelings, graceful artistic conception, and the beauty of deep and poignant depression and sadness can easily resonate with the reader's heart, which is a typical example of sentimental aestheticism.
Fourth, Li Shangyin's artistic expression mostly uses metaphoric symbolism to express his inner feelings. He pays great attention to the vividness, vividness and completeness of the image of Bixing itself, and strives to make it both real and inspiring, which can arouse rich associations and aesthetics from this and the other. Such as "Untitled Two Songs":
There are no colorful phoenix wings, and the heart is a little clear." Li Shangyin does not pay attention to the explanation and outline of events, but expresses a pure emotion, and deliberately creates and renders a special atmosphere that helps to express this poignant feeling, creating a deep and hazy beauty that is trance-like. Such as:
Last night's stars and last night's wind, the west side of the painting building, the east of Guitang". Such as: "Come is empty words to go to extinction, the moon is inclined upstairs to the fifth watch".
This poem describes the scene of a sunny evening after the rain, the air is fresh and the sky is clear, the poet's mood is also very happy and natural, and the whole poem is naturally formed without a trace, reflecting the superb language art.
Wang Xizhi (303-361), Han nationality, the word Yi Shao, the number of Zhai, originally from Langya Linyi (now Shandong), later moved to Shanyin (now Shaoxing, Zhejiang), the official to the general of the right army, will be the internal history, is a great calligrapher of the Eastern Jin Dynasty, respected by later generations as the "sage of calligraphy". His son Wang Xianzhi's calligraphy is also very good, and people call them both"Two kings", another son, Wang Ningzhi, was the official to the left general, because he was the general of the right army, he was known as "Wang Youjun" and "Wang Huiji". Representative works include: >>>More
Untitled - Li Shangyin.
It is difficult to say goodbye when we meet, and the east wind is powerless. >>>More
There are no colorful phoenix wings, and there is a little bit of clarity in the heart. >>>More
1. Worship God
Before and after the Spring Festival, the ancients worshipped many gods, including worshipping the king of the stove on the 23rd or 24th day of the lunar month, worshipping the three gods of Fulushou on Chinese New Year's Eve, worshipping the God of Wealth on the second or fifth day of the new year, worshipping Tai Sui on the eighth day of the new year, worshipping the Jade Emperor on the ninth day of the new year, and so on. Of course, it is more important than worshipping the gods, to worship the ancestors, they are the most important gods in the family, because without them, there would be no us. >>>More