The beauty of expressing emotions and busyness through Shinshu

The spring breeze blows the fallen flowers everywhere, as if they are busier than the pedestrians passing by. This sentence writes about the soft and gratifying scenery of spring, and the red flowers are blowing, and the fun is vigorous. He is an idyllic poet of landscapes, and he should express his true feelings for nature by depicting natural scenery.

Through the description of autumn scenes, this poem expresses the sadness in the author's heart for being away from home and feeling sad about autumn. The original text is as follows:

Evening Accommodation Reservation".

Don Money. The hometown can't be asked, and the autumn weather meets again.

Drifting for thousands of miles, several times away from sorrow.

The clouds go with the geese, and the cold dew drops and chirps.

Stretch your neck to the end of the day, such as hearing the old country bell.

1.The words "hometown", "wandering", and "leaving sorrow" in the first four sentences have already pointed out the main tone of the poem - the sadness of leaving home. Leaving home was sentimental enough, but now it's autumn, the season when everything is dying.

Behold, the geese know that they have returned to their hometowns, and the crickets in the cold and dew season have stopped chirping, and how sad and lamentable, a person who is far away! In the last two sentences, I stretched my neck to look at my hometown, as if I heard the bells and drums of my homeland!

2.The two lines of "Returning to the clouds and going with the geese, and the cold dew dripping and stinging" are connected from the previous to the next, describing the sad mood of a person who has left his hometown. It depicts the pessimistic mood by borrowing objects and metaphors, and it is also a progressive description of the above four sentences.

I yearn to be the returning wild goose, but I am still like a cricket in the cold dew season, and I can no longer cry for a few days. Oh, how pathetic! People are cheap when they leave their hometowns!

So I can only look at my hometown bitterly, and I can hallucinate a happy scene of my hometown in my heart.

In early summer, the clouds thinned out.

I jumped out of the moon's round window.

Skip the slice.

Beautiful and quiet standing water.

Back to the village. on a fresh mud wall.

Grass begins to grow.

Every wooden door. It's all new.

They are as clean as acacia flowers.

The window paper was silent.

Like a blank envelope.

Don't take my word for it.

Don't trust anyone either.

Put the ones who haven't woken up yet.

Acacia flowers are inserted in a pair of door knockers.

Let the story of everything begin.

All full of fragrance and wonder.

Morning is approaching.

Climb up the tree.

I took off my straw hat.

Remove the habitual outer sheath.

Become one. I know the light green.

Yes, I'm going to call.

The rooster is old. Drooping discolored feathers.

All the little girls who wake up early.

They will all go to the fields.

Go pick what is left over from the spring.

Red cherry and smile.

1. Brief description:

The poem is along the lines of:

At the end of spring ("Spring Return"), the cherry trees have already blossomed, and the small cherries are as beautiful as red beans, but they are also lovesick. I heard that when the cherry blossoms bloom, the bees collect nectar in the stamens, and the butterflies flutter to provoke the clothes of tourists.

Upstairs, the lights are bright, the pearls are dazzling, and above the feast, the people who are happy are fascinated by the singing and wine. After the feast, one by one they fell drunk here. However, at this time, the beloved is not around.

2. Expansion: This poem is written on the surface in the twilight of spring, and I didn't catch up with the cherry blossoms, and I have already had the regret of a small cherry. Drinking and having fun in the restaurant of the Song House actually expresses the sadness that it cannot be reused by the imperial court and has nowhere to place its aspirations. Modern people don't have this kind of state of mind like him, and it's not impossible to understand it just as writing about the loss of feelings.

3. Extension: Shengchazi Guan Shan's soul dreams are long.

Yan has a long dream of the soul of the mountain, and the fish and geese have few dust. The temples are pitiful and green, just for the lovesick old.

Return to the dream of the blue screen, say with everyone. It's really a parting from each other, and it doesn't seem to be a good meeting.

Translation: The desert and desolate Guanshan often haunts me, and it is difficult for my relatives who are far away to send letters home. It's a pity that my beautiful green silk on my temples has gradually turned white because of day and day longing and night lovesickness.

When he returns, I will snuggle up in his arms and plead with me through the green screen. I must tell him: "The misery of parting is really unbearable, how can we get together and spend time together." ”

Note: Sheng Chazi: The name of the song of Tang Jiaofang, later used as a tone.

The literati were first seen in the late Tang Dynasty and Han Wei. "Kaozheng Baixiang Dictionary" notes the cloud: "The real name is "Shenghawthorn", and then it was made 'check' from the provincial pen.

Five words and eight sentences, the author of the Tang Dynasty, is mostly amorphous. After the Song Dynasty, Wei Chengban began to write a song. There are many different names for this high-speed, including "Chu Yunshen", "Mo Shanglang", "Sorrowful Fengyue" and so on.

Guanshan: Generally refers to the pass and the mountains and rivers.

Yu Yan: Refers to letters. "Yuefu Collection, Xianghe Song Thirteen, Drinking Horses and Great Wall Caves No. 1":

Hu'er cooks carp, and there is a ruler book. "Hanshu Su Wu Biography": "The messenger said that he was single, and said that the Son of Heaven shot into the forest, and he got geese, which was enough to tie the silk book.

Later, he used "fish and geese" to refer to the letter.

Sound dust: Message, message.

Pity: Pity. Homecoming: The dream of homecoming.

Blue Screen: A window with green tulle.

Everyone: A nickname for someone close to you.

Really: Indeed, really.

Answer: Knowing the Lord in sheep's clothing?

Original text: Li Hui of the Later Wei Dynasty, for the history of Yongzhou Thorn. People who have a negative salt and a negative salary will be relieved of the burden and rested in the shade of the tree.

The two will walk, fighting for a sheepskin, each with something to be recited. The favorites were sent out, and Gu Zhou Gangji said: "Use this sheepskin to know the master?

The group thought it was a joke, and there was no response. Hui asked people to put it on a sheepskin mat, hit it with a rod, and saw a little salt, and said, "It must be true."

that those who disagree will see it, and those who bear the wages will be guilty of sin. Translation: When Li Hui of the Northern Wei Dynasty was the assassin of Yongzhou, there was a man carrying salt and a man carrying firewood, and at the same time he laid down his burden and rested in the shade of a tree.

The two of them will walk, fight for a sheepskin, and return to the closed object and say that it is something they are carrying on their backs. Li Hui sent two people who were fighting for the skin out, and turned back to the state treasurer and said, "Torture this sheepskin to know its owner."

The officials under him thought it was a joke, but they didn't have it. Li Hui ordered the sheepskin to be placed on the mat and beaten with a rod, and when he saw a little salt fell, he said, "Check the leak and find out the truth."

Let the two people who are fighting for the skin come to see, and the person who carries the firewood confesses and pleads.

The neck couplet is not only a scene, but also a comparison, further affirming the brotherly love. The sentence is written in the heavy snow, but seeing the spine makes the birds lean on each other, and it is also a metaphor for the brothers to share the weal and woe.

Drunk: Refers to the long branches of the willows beside the embankment, gently brushing the ground, as if drunk and swaying in the spring smoke.

Busy: It means that the children come back from school early and hurriedly fly kites while the east wind is blowing.

Drunk is to write about natural scenes, and busy is to write about character activities.

"Village Residence" is a seven-character quatrain composed by the Qing Dynasty poet Gao Ding when he retired to the Shangrao area and lived in the countryside in his later years.

Full text: The grass grows and the warbler flies in the February sky, and the poplars and willows on the embankment are drunk with spring smoke. The children returned early from school and were busy releasing paper kites in the east wind.

Translation: In the second lunar month, the grass in front of and behind the village has gradually sprouted and grown, and the yellow warbler flies around. The willows, draped in long green branches, swayed in the wind, as if gently caressing the embankment.

The water vapor that evaporates between the water and the grass and trees gathers like smoke. The willows seem to be intoxicated by this rich scenery. The children in the village hurried home from school and took advantage of the east wind to fly the kites into the blue sky.

Drunk: intoxicated, intoxicated. Refers to the one next to the embankment.

The long branches of the source willow gently brushed the ground and the surface, as if drunk in the smoke of spring.

Zhi has to shake straight. Busy: Hurry, hurry. The children came back early from school and hurriedly flew kites while the east wind was blowing. Drunk is to write about natural scenes, and busy is to write about character activities. Complement each other and come to life.

Repeated chapters are generally sung to enhance the beauty of the sound. Overlapping is when sentences with the same meaning overlap before and after. It is often used to express a strong feeling of the characters going back and forth, giving people the feeling of "a hundred turns and a thousand turns" and "three days around the beam".

If the overlapping sentences are used well, they can make the work have a strong artistic charm.

The function is to deepen the impression, render the atmosphere, deepen the theme of the poem, enhance the quality and rhythm of the poem, and let the feelings be fully expressed.