The imagery of ancient poems, what is the imagery in ancient poems?

There are many images of ancient poems, words, and songs, and all kinds of things can be used as images. The more commonly used are: the moon, which is the image of homesickness; Wicker is the image of leaving relatives and friends; Zigui bird is the image of homesickness; The blue bird and the wild goose are messengers; Spring and the rising sun symbolize youth; The sunset, the falling leaves, symbolize aging, and so on.

The imagery of poetry usually refers to the image of nature, that is, the image taken from nature to convey feelings. The ancients thought that meaning is the inner abstract mind, and the image is the external concrete image; Meaning originates from the heart and is expressed with the help of images, which are actually the sustenance of meaning.

Traditional Chinese poetry actually refers to the artistic processing techniques of allegorical feelings, scenes, and scenes. The process of poetry creation is a process of observation, feeling, brewing, and expression, and a process of reproducing life.

Sometimes, the social things sung in the poem, the characters portrayed, the life scenes depicted, and the social life plots and historical facts laid out are also used to express feelings, which is also an image. That is, the image of things relative to the image of things, and the image of society relative to the image of nature. It is a term used in the analysis of poetry and prose, referring to the various things that constitute an artistic conception, which often carry the subjective emotions of the author, and the combination of these images constitutes the artistic conception.

Such as Ma Zhiyuan's "Autumn Thoughts".

In the sentence "withered vines and old trees faint crows, small bridges and flowing water", the interpretation is: At dusk, a group of crows landed on the old trees entwined with withered vines, making a terrible wail. The water under the small bridge is rattling, and the smoke of the villagers on the side of the small bridge curls on the ancient road.

Brave the west wind and make it hard.

Withered vines, old trees, faint crows, small bridges, flowing water, and people are the images in the poem, and these images are combined to become a bleak, sad, and desolate artistic conception, the image is a combination of specific things, and the artistic conception is the combination of the overall environment and feelings composed of specific things.

Origin of imagery:

The theory of imagery originated very early in China, and "Zhou Yi.

The "Dictionaries" has the saying of "looking at things and taking images" and "standing images with all intentions". However, the image of "Zhou Yi" is a hexagram.

It is manifested as two combination symbols of yang and yin, which are combined into sixty-four hexagrams, which were originally used to record all things in heaven and earth and their changing laws, and later developed into the category of history and philosophy.

Poetics borrows and extends that the principle of "standing up with all intentions" has not changed, but the "image" in the poem is no longer a hexagram, not an abstract symbol, but a concrete and perceptible image. This ability to create imagery is always the hallmark of the poet.

Metaphor is an important device in poetry (literature), and simile is in Homer.

poems abound. Aristotle.

It was first pointed out that metaphor is the foundation of poetry, and the so-called simile or metaphor, that is, figurative imagery, is called metaphor (the image produced by metaphor). Hegel.

The definition of beauty and art is also in line with the imagery theory of poetry: beauty is the perceptual manifestation of ideas. The content of art is the idea, and the form of art is the image that appeals to the senses, and art wants to reconcile these two aspects into a free and unified whole.

Summary. Sad imagery, or express sorrow and sadness, or render a bleak and desolate atmosphere. The main imagery is:

Flowing water, apes, sycamores, and more. Water is connected with lingering sorrow in ancient Chinese poetry, conveying the sentimentality and sorrow of life and impermanence of fate. Such as Li Bai's "Xuanzhou Xie Huan Lou Bei School Shu Yun" in the Tang Dynasty:

Draw the knife and cut off the water, the water is more flowing, and the glass is more sorrowful. Life is not satisfactory in the world, and the Ming Dynasty spreads flat boats. ”

Hello, dear, I'm glad to answer for you: the most common homesickness in ancient poems is the moon, the wild goose, the boat, and so on. For example, we have known since we were children that "the bright moonlight in front of the bed is suspected to be frost on the ground", and the bright moonlight sprinkled on the window paper, as if there was a layer of frost on the ground.

The image of the moon laments the passage of time and the death of beautiful things, expressing Li Bai's nostalgia for his hometown.

Farewell class, willow, long pavilion, post station, wine and so on. In ancient times, there were pavilions on the side of the road, which were used to stop and rest or see off the travelers. For example, the Northern Zhou Dynasty writer Yu Xin "Mourning Jiangnan Fu":

Zhaotong ten miles and five miles, long pavilion short pavilion. It is said that there is a long pavilion in ten miles, and a short pavilion in five miles. "Long Pavilion" has become an image containing the feeling of parting, which continues to appear in ancient farewell poems.

Sad imagery, or express sorrow and sadness, or render a bleak and desolate atmosphere. The main imagery is: flowing water, apes, sycamores, and so on.

Water is connected with the lingering sorrow in the poems of the ancient Yushan Dynasty in our country, and it conveys the sentimentality and sorrow of life and the impermanence of fate. For example, Li Bai in the Tang Dynasty wrote "Xuanzhou Xie Huanlou Beishu Shuyun": "Draw the knife and cut off the water, the water is more flowing, and the glass is more sorrowful."

Life in the world is not satisfactory to celebrate the sale, the Ming Dynasty distributed only wide and flat boats. ”