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It's quite suitable, and it's quite professional, and the final result can also make your words really reach the level of calligraphy, and directly take a pen to practice writing casually, that's at most called writing, and if it's not good, it will become a look that doesn't look fancy, and people who understand calligraphy look at it as a nonsense It's too cheesy, and the cheesiness of the word is mainly that there is no law, what is it? Simply put, it's the tradition It is the cultural connotation precipitated by countless master works Fountain pen Hehe, have you ever heard of a fountain pen master.
So writing the brush first and learning the fountain pen is too professional.
To practice brush calligraphy, first of all, you must copy it I recommend some regular script of the Tang Dynasty People who practice calligraphy generally have the same opinion as follows: Ouyang Xun's "Jiucheng Palace Liquan Inscription" The representative work of the early Tang Kai The pen gesture is upright, leaving the style of Wei tablet calligraphy See also the law of the Tang Dynasty.
Yan Zhenqing's "Ancient Tang Dynasty Secretary Provincial Writings, Langkui Prefecture Governor's History, Protector Yan Jun Shendao" referred to as "Yan Qinli Monument" is the pinnacle of regular script in the Tang Dynasty, the pen gesture is strong, is the most typical representative of Tang Kai, of course, Yan Zhenqing also has "Duobao Pagoda", "Magu Xiantan Ji" and so on, it is recommended to start with the Qinli Monument or Duobao Pagoda.
Liu Gongquan's "Mysterious Tower" He is a student of Yan Zhenqing, inherits the law of Yan Lugong, and has his own style, and his pen gesture is clean and healthy.
Haha, let's just say so much Only by constantly learning the works of the ancient masters can be called calligraphy I often look at the evaluation of ancient calligraphers I often have to talk about the method of taking a certain calligrapher.
When you contact the pen, you can also look at the ancient inscription to learn the gesture I don't approve of looking at the pen to depict the modern person Now my feeling is that the main person who writes the pen is not good at writing the brush After all, the concept of hard pen calligraphy is controversial Done, hehe.
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If you want to write pen characters, it is best to start with regular script.
After all, there is still a big difference between a brush and a fountain pen.
And every time the regular script is written, I will write the line book.
It's like a person who starts running before he even learns how to walk.
Can you run steadily?
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Writing well has a great impact on fountain pen words! If the brush is well written, the pen will naturally follow the pen of the brush! Fountain pen words are well written, but brush words are not necessarily good! But if the brush is well written, the pen must be good!
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Yes, it's the best way to do it! That's how I practiced calligraphy back then!!
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There is no pen in regular script.
If there is a pen, it is a book.
According to the degree of continuous writing, the line is divided into line letters.
Writing and grass.
Regular script] regular script also brings blind hunger called positive letters.
Real book, real book.
From the official book gradually evolved from the envy of the gods, more simplified, horizontal and vertical. Cihai explains that it has "a square shape and straight strokes, which can be used as a model". This kind of Chinese character font is the handwritten orthographic character of Chinese characters that is now popular.
Xingshu] Xingshu is developed and originated on the basis of stupid Huilishu, a font between regular script and cursive script, which is produced to make up for the slow writing speed of regular script and the difficulty of cursive script. "Xing" means "walking", so it is not scribbled like cursive and not as upright as regular script. In essence, it is a cursive or cursive italization of regular script.
The one with more regular law than the grass method is called "line Kai", and the one with more grass method than the regular method is called "line grass".
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There is no pen in regular script. If there is a pen, it is the Xingshu Town Grill Hall. According to the degree of the stroke, this sliding book is divided into line letters, line calligraphy, and line grass. Yuyin Zhao Mengfu's line is good.
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Regular script is the basis of calligraphy, generally do not need to even pen, you can buy a font research Hu Chaxia Fan Ming, pants sedan leather Wang Xizhi Yan Zhenqing and so on can be some calligraphy practice copybook with great reference value.
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The block letters are ligatures.
Explanation: 1. Although everyone's writing style is different and the glyph structure is not the same, it must be a conjoined character if it can be called a line, because the line itself is defined as a combination of the line book and the regular script, and the line is a ligature.
2. The line that is not conjoined is no different from the regular script, and cannot be called the line.
Xingkai] Xingkai, also known as "Chinese character Xingkai handwriting glyph", is a font that focuses on the writing of regular script (rules), which is more free than regular script and more regular than the line of cursive script. Or said: It is a practical handwritten font with simple writing strokes on the basis of regular script, enhancing the writing tape, expressing the interest of writing to appropriately speed up the writing speed, changing the writing stroke order in a small amount, and has strong easy-to-read and easy-to-learn characteristics.
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Yes, it is a font between regular script and line script.
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The best way is to buy a copy of the calligraphy, go to the bookstore and see which one you like, and basically write less than halfway, and you can master the trick of writing ligatures.
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The characteristics of the pen regular script are: the pen has Teton, Tibetan dew, square circle, fast and slow, etc.; The strokes are orderly and vertically closed, the strokes are distinct, solid and powerful, stop and continue, straight but not stiff, smooth and natural; The structure emphasizes the balanced distribution of strokes and radicals, the stable center of gravity, the appropriate proportions, and the correct font and standardization. Fountain pen writing is a kind of calligraphy between regular script and cursive script, that is, the ligatures that everyone usually writes and speaks.
It can be linked, uneven in size, reduce strokes, change stroke order, can do its best to change, easy to write coherent, dense, ups and downs, easy to show artistic effects. Of course, it is also easy to write fast with early keys, so it has a strong usability to land rent. Therefore, theoretically, it is true that to practice pen writing well, you must first write in regular script and then write in line.
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Yes (* m), you must first practice the framework structure and practice the book.
Learn some brush words, if you want to write well, (1), you must know the following things: 1, you can start with regular script practice, the choice of brush should be the brush in the regular script, to be both better! In this way, if it is written in the future, it can be written in large or small letters. >>>More
I think it's better to start with the European style regular script, you might as well take a look at the northern network, Tian Yunzhang's calligraphy lecture. That's 200 to 300 **: >>>More
When I first started practicing, I didn't have a clear understanding of the quality of fonts, and at most I only had a superficial perceptual understanding. When the words written look a little like the post, they will feel good. After practicing for a period of time, I began to have more understanding of the quality of the font (maybe I haven't felt it yet), and I began to consciously or unconsciously compare more with the post, and I began to be harsh on how I wrote. >>>More
The question is less clear.
Let's talk about it -- 1 first raise your awareness -- read 2 selected posts -- and choose a technique book at the same time -- tell you how to write -- and choose materials-- >>>More
Hand Shake Steady Practice until you don't shiver at the beginning of the introduction.