Tianjingsha The meaning of Qiusi and the emotions expressed

Looking at the crows at dusk, they are looking for dead vines and old trees to perch on, and up close, they see people living with small bridges and flowing water, and only a thin horse carrying a wandering wanderer in front of them, slowly moving on the ancient road of autumn wind. The afterglow of the sunset has dimmed, and the wanderers who are wandering outside are still wandering the world.

Although there was a lot of talk upstairs, I basically read everything in the textbook, and it was very taught. I'll just add that Tianjingsha has established the grid for the name of the word. Qiu Si is the main body of this small order, and it can be seen that it is some perception of autumn.

Autumn belongs to gold in the five elements, the main west, with the meaning of Xiao Su, since ancient times there is the meaning of sad autumn, but it is not the meaning of bitterness, the difference is slightly, it depends on each person's understanding.

Spring flowers and autumn moons, summer rain and winter snow. The wind and the moon are boundless.

The four seasons give a lot of affection in the poems of the ancients.

Spring is full of vitality, everything is revived, flowers are in full bloom, and it goes without saying that spring is self-explanatory.

Summer is a lively and positive chapter, with light fans and the leisurely sound of frogs.

As for the autumn chapter, an autumn is high and refreshing, the sky is shallow, everything is clear, and the poetry is floating in the nine skies: the long wind sends autumn geese for thousands of miles, which can be a tall building; As soon as the cranes line the clouds in the clear sky, it will lead poetry to the blue sky. However, more often than not, the autumn wind sweeps away the leaves and everything is depressed.

The beautiful scenery falls silent in autumn, withered and yellow, which always makes the sensitive poet sigh. Especially the wanderer who is far away in the world, the lonely mood is more likely to be infected by the scenery, blending in the scene, borrowing the scenery to lyrical, and the scene is blended, which is the most touching. Sunset, lonely travel, withered vines, faint crows.

Tinted with a fussy yellow color. It makes people stay in their hearts for a long time. Falling leaves return to the roots, and it is easy to make the wanderer think of returning.

It is a theme that is not easy to understand in the Chinese tradition. The soul of Qiu Si is the depth of homesickness and the helpless emotion of warm life. That's what this article is about.

The winter chapter, the cold is pure, there is no endless concern for autumn, and there is no helplessness to save it. Although it is extremely cold, it is cold and crisp, and the snow is boundless, and it is not stained for a while, but also gives birth to new hope. Radical on the contrary.

In general, of course, it can't be done. The explanation can't be exhausted, if the aftertaste can be experienced by itself, it will live up to my many tongues.

Hahaha.

The sun is setting, and the heartbroken man is at the end of the world.

These two sentences are sentences that express emotion, and the first ones are all environmental descriptions, lyrical borrowing objects, or viewing things with me, and everything is colored by me. It mainly expresses the solitude of being alone in a foreign land, and the heart is extremely desolate and melancholy, but no one has to tell it, so I have to express my emotions through these scenes.

This poem is very short, with only five sentences and 28 characters in total, but it depicts a bleak and moving picture of the autumn suburbs, and accurately conveys the sad state of mind of the traveler. This successful piece embodies the artistic characteristics of classical Chinese poetry in many ways.

First, the scenery supports the feelings, the feelings are in the scene, and the blending of the scenery constitutes a bleak and sad artistic conception.

Classical Chinese poetry pays great attention to the creation of artistic conception. Artistic conception is an important category in the aesthetics of classical Chinese poetry, and its essential characteristics lie in the integration of scenes and the unity of mind and object. Whether the mood and the scene can be harmoniously combined has become the key to whether the artistic conception can be formed.

Qing Wangfu's "Xuanzhai Poems" said: "The scene is called two, and it is inseparable. God and poets, wonderful together.

Wang Guowei's "Deleted Manuscript of Human Words" cloud: "All scenery is love language. Ma Zhiyuan's poem, the first four sentences are written about the scenery, these scenes are love words, "dry", "old", "faint", "thin" and other words make the rich autumn color contain an infinite desolate and sad mood.

And the last sentence "the broken intestine is at the end of the world" has the finishing touch as a curved eye, making the scene described in the first four sentences become the environment of people's activities, as the trigger of the sad emotions in the heart of the people who have broken the intestines at the end of the world. The scenery on the song is not only what Ma Zhiyuan saw during his journey, but also the object in his eyes. But at the same time, it is also the carrier of its emotions, and it is the object of the heart.

There is affection in the whole song, there is a scene in the love, and the scene is wonderfully combined, which constitutes a moving artistic realm.

Second, the use of many dense imagery to express the author's suffering and hatred of the autumn and autumn, so that the work is full of rich poetry.

Imagery refers to the artistic images that appear in poetry to convey the author's emotions and convey the author's thoughts. Classical Chinese poetry is often characterized by the use of complex and dense imagery. Many poets in ancient China often arranged many images closely in their poems to express their meanings.

Ma Zhiyuan's song clearly reflects this characteristic. In just twenty-eight characters, there are ten kinds of images, which are not only the real environment of the broken man's life, but also the carrier of the heavy sorrow and desolation in his heart, without which the song would no longer exist.

Parallel to the complexity of the imagery is the singularity of the imagery. In the same work, the status of different images is relatively balanced, and there are no deliberately prominent individuals, and their emotional orientation tends to be the same, that is, many images often convey the same emotional tone of the author. The same is true for this song.

In order to express his melancholy and sentimental feelings, the author chooses many objects and images into the poem. These images can convey the author's inner feelings, and the combination of feelings and scenery makes the emotional orientation of the images in the work consistent and singular. The numerous images are connected by the threads of the same emotion of the author to form a complete picture.

1."Tianjing Sha Qiusi.

Meaning: At dusk, a flock of crows landed on an old tree entwined with withered vines and let out a terrible wail.

2.The water under the small bridge is rattling, the smoke of the villagers by the small bridge is curling, and a thin horse on the ancient road is moving forward with difficulty against the west wind.

3.The setting sun gradually loses its luster and sets in the west.

4.In the bleak night, only the lonely traveler wanders in a distant place.

5."Tianjing Sha Qiusi.

Author] Ma Zhiyuan.

Dynasty] Yuan withered vines and old trees faint crows, small bridges and flowing water, ancient roads and late west wind thin horses.

6.The sun is setting, and the heartbroken man is at the end of the world.

The content of "Tianjingsha Autumn Thoughts": This song is written in the late autumn village, there is a wandering wanderer, on the desolate ancient road where the sun and sunset shine, leading a thin horse, facing the miserable autumn wind, roaming, sad and broken, but I don't know where I want to be.

The artistic conception of Tianjingsha Qiusi: The images of withered vines, old trees, and faint crows express the bleak and desolate scene, thus expressing the lonely, melancholy, and desolate state of mind of the wanderer.

Tianjingsha Qiusi is a small order written by Yuan song writer Ma Zhiyuan.

Original text: Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Translation: Dead vines entangle old trees, and crows that return to their nests at dusk perch on their branches. Under the small bridge, the water is murmuring, and there are several families next to it.

On the ancient and desolate road, the autumn breeze is bleak, and a tired thin horse carries the wanderer. The sun is slowly setting in the west, and the extremely sad traveler is still adrift at the end of the world.

This poem is very short, with only five sentences and 28 characters in total, and there is no word "autumn" in the whole song, but it depicts a bleak and moving picture of the autumn suburb sunset, and accurately conveys the sad state of mind of the traveler. This successful piece, which is praised as the ancestor of Qiu Si, embodies the artistic characteristics of classical Chinese poetry in many ways.

It has been selected as one of the four ancient poems in the 4th lesson of the 7th grade Shangren Teaching Edition, one of the three poems and songs in the 8th grade Lower Su Education Edition, and the 16th lesson of the 8th Grade Shangjiao Edition.