What is the purpose of Wang Shuo s writing?? Wang Shuo s masterpieces and writing style

Why do writers write? In particular, since all texts are strictly autobiographical, then the question becomes: why should the writer write about himself?

This is an important problem to be solved in the study of literary psychology. As a person in social relations, his activity is different from that of flowers, and the place where bees collect nectar is that it is an activity that objectifies essential forces; However, literary creation activities have their own particularities in all human objectification activities, and it is its particularity that gives it a reason for its existence and development. And in this whole activity of objectifying the essential power, in the sense of the source, the motive of creation is highlighting the root of what makes man human. The purpose of this paper is to make some analysis of the motivation for literary creation, and thus to make a question of why writers write.

Analyzing artistic creation from a psychological perspective has existed since ancient times, and it is not new. Soviet psychologist Vygotsky believed that since "the psychology of social man is regarded as the common ground of all ideologies of that era, including art, it is also recognized that art is most directly conditioned and regulated by the psychology of social man." This is a deceptively simple reasoning, which Vygotsky merely pushed to the forefront, but it succinctly and clearly justifies the necessity and importance of the psychological study of literature and art.

In the study of modern literature and art, the methods of psychology are mainly reflected in some achievements of the Frankfurt School and the Gestalt School of Psychology, but the most prominent performance is in psychoanalytic literary theory. The reason for this is first of all that psychoanalytic theory, when seeking examples, for the purpose of universality, naturally looks for some well-known cases, and the creation and life of certain writers, such as Kafka, Dostoevsky, and even the other way around, the influence of the works of these writers can be found in the origin of some theories of psychoanalysis. Secondly, most psychoanalysis has a pansexualistic paranoid tendency, which inherits Freud's routine, and together with Freud's pansexualism, it also attracts disgust and fierce criticism, but paranoia often leads to greater strength, running towards the Oedipus complex without squinting, and this simplicity makes psychoanalytic literary theory itself carry a unique firmness and resilience.

It deeply reflects the life of the time at that time, with a slight exaggeration and irony.

It can go deep into the hearts of contemporary young readers.

It's very simple, focusing on the lives of citizens, with a bit of self-deprecation and irony.

Go to his book to find out.

Don't Treat Me as a Human" is written in a very black and ironic way, a bit absurd. Recommend.

"Rubber Man" and "Playing is the Heartbeat" were also adapted by director Ye Jing into the TV series "Days Related to Youth", which is not bad, especially "Play", the writing technique was already very avant-garde at the time, recommended.

I Am Your Father" was adapted by Feng Xiaogang into the movie "Father and Son", recommended.

Looks Beautiful" was also made by Zhang Yuan in a movie of the same name, and the writing is already very familiar. Recommend.

Animals are ferocious", this should be known, and it was adapted by Jiang Wen into "Sunny Days", which is one of the better in Wang Shuo's early works, and it is recommended.

There is another one, called "Idiot", which is written with some surreal ideas, and I like it very much.

Writing style: humorous, sarcastic, colloquial, ironic, ridiculous, and makes extensive use of political discourse, market discourse.

Today's "My Chitose Cold" is also good.

I started watching Wang Shuo in junior high school, Chitose Han, you read the Six Ancestors Altar Sutra to watch, Talk about enlightenment, I think Wang Shuo is a little out of the table now, and I can't write hypocritical volumes, etc.**, I think this book will be published after the age of 60, I recommend a "Father and Son" is an adaptation of I am your father. I think that is the fruit of Wang Shuo's sincerity, and later the movie was banned without approval, if you are young, if you ask Wang Shuo what your writing style is! He answers you 100%, he has no style, he just tells the truth and what he wants to say.

Chitose Han: I think it's a stream of consciousness in Beijing dialect. The spoken language is extremely heavy, and the sense of picture and three-dimensionality is particularly strong.

The literary world (traditional literary circle) has long been prejudiced against Wang Shuo, because Wang Shuo pioneered a generation of people to advocate material life, dissolve and despise the "humanistic spirit uphold" of "traditional literati" (I put quotation marks for the right), and more importantly, a kind of anti-intellectualism created by the culture of Beijing citizens and the life in the military compound (Wang Shuo, who has no academic qualifications, once said a sentence to the effect that "I just can't get used to seeing the elitism of intellectuals riding on my neck", I will look for the original text when I go back), In the 80s, these actions were extremely rebellious and transgressive, pointing the finger at those who held the traditional literary discourse. However, in the late 90s and the new century, Wang Shuo began to criticize the cultural industry and consumer culture in books such as "The Ignorant Are Fearless", and the "upholders of the humanistic spirit" who criticized Wang Shuo at that time followed the trend and devoted themselves to commercial places such as the Hundred Forums of the Cultural Industry. This contrast has led to a re-examination and positioning of Wang Shuo.

1- The arrogance and untaminess of his personality and the style of scolding and fighting are a large part of the reasons why Wang Shuo stands on the cusp. Roughly because of the experience of the life of the children of the army (you don't see the strong sense of superiority revealed by the portrayal of the happy life of the second generation of military children in "Fierce Animals", that is, "Sunny Days"), and the inferiority complex brought about by not being cultivated by the formal education system, two extremely contradictory psychological outlets.

This point is omitted.

2- Wang Shuo's greatest success is undoubtedly the linguistic features of his literary works.

Looking at Wang Shuo from the perspective of "the relationship between language and history", we can also pay attention to the sense of discursive power that pervades his works (in Foucault's sense?). Didn't think about it in detail"-<

First of all, Wang Shuo emerged in the context of the collapse of moral education and ideological mythology in contemporary China, and the failure of the above led to the ruin of language. Wang Shuo focuses on the marginal areas that are not recognized by the mainstream culture of society, such as ruffians, unemployed youths, and a series of dissolute and rebellious marginal people, who are free from all spiritual shackles and have no so-called ideals and ambitions, showing a social class that has lost its traditional beliefs under the general trend of change of the times, and uses a mixture of various languages to expose the chaotic values and complex mental states of these people.

Like ** "Eraser Man", the first sentence of the opening chapter is: "Everything started with my first sperm loss." This sentence was deleted in the first and second trials, and later when I went to the printing house to print it, the responsibility was secretly added again.

In terms of personality, I personally feel that he is a person who has no awe. This reverence does not refer to the ancestral laws of heaven and earth, but to society. He has no reverence for society.

He gives the impression that everyone is drunk and he is the only one who is sober. As for the others, hehe.

As far as the work is concerned, whether it reflects the market, reflects the present, or reflects the past experience, it is real rather than fictional.

"Ridicule" is the biggest feature of Wang Shuo's language.

And ridicule itself is a form of language that is neither hard nor soft. This form of language is not so much that Wang Shuo is using it as a tool, but rather that Wang Shuo regards it as a **, as an ordinary person, what he faced when he was a child was not respected but violated from time to time. Street hooligans, serious teachers, and tyrannical parents can all form aggression.

You are powerless to fight back against this violation. But you must also take a self-protection measure. Wang Shuo chose to ridicule, which can not only resolve the insult caused by the other party, but also have the function of protecting his own dignity.

Wang Shuo has become a "ruffian hooligan" in the eyes of people in the cloak of culture. An instinctive rebellion, a trick similar to a child's mischievous tricks, but it makes the adults angry.

Someone asked Wang Shuo, "What is the purpose of your writing?" "For fame and fortune, of course.

Wang Shuo replied. Wang Shuo wrote about people on the fringes of society, in the past, idleness was not allowed by society, everyone's social position was very clear, since the new era, many people live on the fringes of society. In the past, China's middle class was attached to the power stratum, and was composed of some people in the army, the army, and officials.

After the reform and opening up, this class gradually disintegrated, many of them have a huge sense of loss, economic superiority has been replaced by private people, political superiority is very vague, they are unwilling to engage in manual labor, and have not received much education, the social position has changed dramatically, the best among the youth is no longer them, and the promotion of social position is directly proportional to knowledge. In the early days, it was the small merchants and hawkers who raised their waists, but now it is the educated and capable people who raise their eyebrows, and it is impossible for every writer to write about all kinds of people in society, etc., and can only write about familiar people, just like some people are familiar with farmers and intellectuals, Wang Shuo's understanding of "marginal people" makes his pen all this group of people.

His mother was a doctor, and his father was a teacher at the People's Liberation Army Political Academy. Wang Shuo lived in a military compound when he was a child, and what the children did every day was nothing more than fighting in groups, but that period of freedom left a deep impression on Wang Shuo, and his later novella ** "Animal Fierce" (which was adapted into the movie "Sunny Day") was written about the feelings at that time. Wang Shuo studied in Shaoshan Middle School when he was a teenager, and he was not a stubborn student in school, and even once conceived"The husband is responsible"The belief was involved in 1976"Four five"incident, although not a mighty and unyielding hero, was also imprisoned for three months.

Wang Shuo has a lot of works, and now I would like to give my own evaluation of his "Fierce Animals", that is, my family's words. Yan Shuaiyang said: "Wang Shuo is too honest."

Originally, his book "Animal Fierce" could have become a classic work, but because of his overly truthful explanation and interpolation of his motivation and mentality for writing, readers were confused by the author and the "I" in the text, which greatly reduced the ideology and coherence of the work. Being too real will cause a huge loss of artistic conception and untruthfulness to the article. But this kind of mistake in artistic conception can prove that Wang Shuo is a person with a heart

His frank confession of his state of mind and insertion of his own memories is to clarify that he is the protagonist "I" in the text, but he does not want to become the bad and extremely "bad" me in the text, leaving a bad impression on the reader and making the reader unable to accept or misunderstand the author himself, which is a contradiction in the author's heart. In short, perhaps, it is precisely because of Wang Shuo's contradictory struggle and the imperfection of his works that the writer and his works are extremely impressive, full of fascination and shock! On the other hand, it must be pointed out that Wang Shuo's description of old Beijing and marginalized people is extremely wonderful, and his writing style and status cannot be shaken.

His style is well displayed in this **.

Wang Shuo, male, born on August 23, 1958 in Nanjing, Jiangsu Province, ancestral home in Xiuyan, Liaoning, is a writer and screenwriter in Chinese mainland. In 1978, he began to create, and successively published "Playing is the Heartbeat", "It Looks Beautiful", "Animal Fierce", "Ignorant and Fearless" and other medium and long stories**. He published "Wang Shuo's Anthology" and "Wang Shuo's Selected Works", etc., and later entered the film and television industry, and the TV series "Seahorse Song and Dance Hall" and "The Story of the Ministry" were successful.

In 2007, Wang Shuo ranked 6th in the "2007 Second Chinese Writers Rich List" with a royalty income of 5 million yuan, which attracted widespread attention.

His representative works include: "Playing is the Heartbeat", "It Looks Beautiful", "Fierce Animals", "Fearless for the Ignorant", "Letter to My Daughter", "My Thousand Years of Cold", "Wang Shuo's Collected Works" and so on.

Chinese name Wang Shuo.

Nationality. Chinese people.

The Manchus[1] were born in Nanjing.

Date of birth. August 23, 1958.

Occupation. Writer, screenwriter.

Graduate school. Beijing No.44 Middle School.

Major achievements: In 2007, he ranked 6th in the 2nd China Writers Rich List.

Best Screenplay Award at the 24th Cairo International Film Festival.

The 53rd Locarno International Film Festival Main Competition Unit - Golden Leopard Award Representative Works.

It's the heartbeat that plays, it looks beautiful, the animals are fierce, and the ignorant are fearless and don't men.