Short song line Han Yue Fu, ancient poems and long songs line Han Yue Fu

Tanka Xing is the old music name of Han Yuefu, and the more famous is Cao Cao's "Tanka Xing" (when singing about wine, life geometry...).)

Long song line Han - Yuefu poetry Qingqing Garden in the sunflower, morning dew waiting for the sun. Yangchun Budeze, all things are brilliant. Often afraid of the autumn festival, Huanghua leaves decline. Hundreds of rivers from the east to the sea, when to return to the west. The young man does not work hard, and the boss is sad.

Notes:1Boss: Old.

2.A: In vain.

Appreciation: Yuefu poems are the most representative of the achievements of Han Dynasty poetry'A genre. It often adopts the modifying techniques of fu, comparison, xing, intertextuality, and repeated singing, as well as the lyricism of techniques such as laying, contrasting, and contrasting, and this "Long Song Xing" represents this characteristic.

The author uses the metaphor of the rush and fleeting of Shaoguang to return to the sea and never come back, and sighs that "the young and strong do not work hard, and the boss is sad in vain", and exhorts the world to cherish time and make a difference.

The whole poem starts from the green sunflower, thinks of the changes of the four seasons, and compares the rivers to the conclusion that we should seize the time and work hard.

"Long Song" is suitable for expressing deep feelings, this one is eloquent, descriptive, lyrical, sighing, and exhortation, so that the whole poem contains delicate and infinite meaning. It not only inherits the tradition of "singing with songs", but also has a great sense of formal beauty, which is convenient for repeated recitation.

Introduction: This poem is selected from Han Yuefu. Yuefu is the first court organ set up since the Qin Dynasty, and the Han Wu Emperor has been greatly expanded, and a large number of poetry works have been collected from the people, with rich content and a wide range of themes.

Long song line

In the green garden, the sunflower waits for the sun.

Yangchun Budeze, all things are brilliant.

Often afraid of the autumn festival, the yellow leaves of the yellow flower decline.

Hundreds of rivers from the east to the sea, when to return to the west.

The young man does not work hard, and the boss is sad.

Comment

Long Song Xing: The name of the tune of Han Yuefu.

Aoi: Winter sunflower, one of the important vegetables in ancient China, can be used as medicine.

Xi: Dawn, by extension, the sun shines.

Yangchun: Warm spring.

Cloth: Giving, giving.

Tokuzawa: Favor.

Autumn Festival: Autumn.

Yellow: Describe the appearance of plants and trees withering and yellowing.

Hua: Same as "flower".

decay: For the sake of rhyme, it can be pronounced in archaic pronunciation"cuī"。

A: Blankly.

Baichuan: River.

Translations

In the morning, there are green sunflowers in the garden, and the crystal morning dew is waiting to be dried in the sun.

Spring sprinkles the earth with the hope of happiness, and all living things are thriving and vibrant.

I often worry that autumn will come, and the flowers and leaves will turn yellow and decay.

Thousands of great rivers rush east to the sea, when will they flow back to the west?

If you don't know how to be strong when you are young and strong, and when you reach old age, your hair is gray, you can't achieve anything, and it's useless to grieve.

Brief introduction of the workHan Yuefu "Yuefu" was originally the official office of the ancient dynasty. During the reign of Emperor Hui of the Qin and Western Han Dynasty, there was a "Yuefu Order". During the time of Emperor Wu of the Han Dynasty, the Yuefu was larger, and its function was to take charge of the use of the court, and to adopt folk songs and music.

After the Wei and Jin dynasties, the poems collected and sung by the Yuefu organs of the Han Dynasty were collectively called Yuefu poems. The basic principle of the creation of Han Yuefu is "to feel sorrow and happiness, and to be inspired by events" ("Hanshu Art and Literature Chronicles"). It inherits the fine tradition of realism in the Book of Songs, and broadly and profoundly reflects the social reality of the Han Dynasty.

Han Yuefu's most outstanding artistic achievement is manifested in its narrative aspect, and secondly, it is good at selecting typical details to express the characters' characters through their words and deeds. Its forms include five words, seven words and miscellaneous words, and it is particularly worth noting that Han Yuefu has produced a number of mature five-character poems. Most of the Yuefu poems of the Han Dynasty have been included in the "Yuefu Poems" compiled by Guo Maoqian, a native of the Song Dynasty.

"Long Song Xing" is a classical Chinese poem, which belongs to the poems of Han Yuefu, and is a famous poem that exhorts the world to cherish time and forge ahead.

This is a song that sings about life. Singers are born to start from the garden in the sunflower, which is called "supporting things to rise", that is, "prefacing other things to cause the words to be sung". In the garden, the sunflower stands slim on the spring morning, with dew drops rolling on the green leaves, shining brightly in the morning sun, like a young man full of youthful vitality.

The poet extended from the vigorous growth of sunflower in the garden, and wrote about the whole natural world, because of the spring sunshine, rain and dew, everything is shining with the brilliance of life, and there is a scene full of vitality and prosperity. These four sentences are literally a tribute to spring, but in fact, they are more precious than people, and they are the most precious thing in life, a hymn to youth. The era of life full of youth and vitality is as beautiful as spring in the four seasons of the year.

In this way, it also has a figurative meaning in terms of writing, that is, the so-called "excitement and comparison".

Appreciation:

The time sequence of nature is constantly changing, and in the blink of an eye, the sunflower and everything in the garden have experienced spring and summer, and in autumn, they are ripe, and the leaves of the past are scorched and withered, and lose their vitality. The same is true of life, growing up from youth, and dying of old age also has to go through a metabolic process. This is an immovable law of nature.

The poet uses "often afraid of the autumn festival" to express the fleeting cherishing of "youth", one of which is the word "fear", showing people's powerlessness against the laws of nature and the inevitability of youth withering. Then, from the change of time sequence, he thought of the endless time and infinite space of the universe, and time was like a river passing in the east, never returning to the wilderness. Measured by the time scale, human life is also old and dead, and cannot be resurrected.

In the face of this eternal nature, isn't life like the morning dew on the leaves being dried out at the first sight of the sun?

Isn't it like a green sunflower leaf, which withers and withers in the autumn wind? The poem shifts from the exploration of the universe to the reflection on the value of life, and finally introduces the deafening conclusion that "the young and strong do not work hard, and the old man is sad in vain", ending the whole poem. This process of reasoning is literally not written, but the reader can follow the trajectory of the poet's thinking and make up for it with his own life experience:

There is a process of spring and autumn fruit, and there is also a process of young people's hard work and old success.

As long as all things in nature have sunshine and rain and dew, autumn can bear fruit, but people are different, and they cannot succeed without their own efforts; All things decay through autumn, but they realize the value of life, so they are not enough to be sad; People are not, because of "young and strong do not work hard" and grow old and have nothing to achieve, is not equivalent to an empty trip to the world.

It is undoubtedly better to mobilize the reader's thinking than to think for the reader. Because of this, this poem avoids the annoying preaching of life, and makes the final aphorism appear strong and powerful, deep and subtle, like the long ringing of a bell, which deeply touches the reader's heart. The word "disciple" at the end of the sentence is meaningful:

One is to say that the boss is not successful, and life is equal to waste. The second is to say that it will be useless to wake up in old age, and sigh in vain, which is intended to emphasize that we must work hard in time to ignite the edge.