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Painting requires a perspective of observation and reflection. Because the whole is not a norm that can be surpassed, but a relationship that needs to be grasped. This kind of relationship is the coordination between macro and micro.
When painting, each stroke is the entry point of the part to the whole. The overall observation is always inseparable from the part, so the proportion, priority, strength and weakness, virtual and real of each part will affect the overall sense of rhythm. The part is not only an important role in coordinating the whole, but also has an impact on its own relative completeness.
A vivid part can make the whole more exciting, and a bad part will bring fatal regret to the whole. Therefore, in the process of sketching, we should always pay attention to the overall relationship, and at the same time, we should also pay attention to the feeling of the part, because strengthening the understanding of the part itself is defending the whole, and their direction is the same. Therefore, when you paint, you should grasp the whole picture, don't just look at the part of the clothing pattern, so that it is easy to make the whole picture flower!
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When you draw this, pay attention to the texture of the clothes, pay attention to the smoothness when arranging the lines, and be sure to pay attention to the highlights and shadows when you are excessive
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The bust and full-body clothes treatment techniques are the same, depending on what you want to express.
When dealing with the clothes of the bust, the neckline, shoulders (but don't destroy the whole) can be put a little more effort and hands, and the rest can be explained.
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Sketching, in a broad sense, refers to all monochrome paintings, which originated from the cultivation of Western modeling ability. Sketching in a narrow sense refers to the painting training process used to learn art skills, explore the rules of modeling, and cultivate professional habits. Let's take a look at the sketch tutorial:
Character sketch bust technique.
1. Bust composition.
The composition of the sketch bust requires the complete representation of the head, neck, torso, upper limbs (especially hands), hips, and even thighs, and sometimes the expression of props and environmental atmosphere. The composition is more complex, in order to achieve a satisfactory composition, you can use a small composition to facilitate deliberation and modification. The following two points should be paid attention to in the composition of the sketch bust:
1. Field of vision: The character's field of vision should be broader, and the blank space in front of the line of sight is slightly larger.
2. Positive and negative shapes: The balanced beauty between the positive shape of the main body of the character and the negative shape of the background is like the yin and yang fish of Tai Chi.
2. Proportion and body structure.
Familiarity and understanding of the general proportional relationship and the laws of body structure of human beings is the premise and basis for painting a good bust of a person. It is very beneficial for beginners to understand the standard human body proportions, and it is usually used to measuring the length of the human head, Chinese the height of the average medium and tall person is 7 1 2 head length.
Upper segment: 4 heads long from the head to * to the navel to the pubic bone. Lower paragraph:
The soles of the feet to the knees are 2 heads, and the knees to the knees are wide and noisy imitations are 2 heads. The upper and lower segments coincide at the greater trochanteric site 1 2 heads long. Also the same length as the head is:
Upper arms, shoulder blades (scapula bones shorter than head), hips, feet, and hands are about the same length as the face (chin to hairline).
Arms: Approximately equal to three head lengths (two head lengths from fingertips to elbows).
The difference between male and female body shape is mainly in the shoulders and pelvis: men have flatter and wider shoulders (twice the length of the head) and a slightly narrower pelvis than the shoulders, while women have more oblique and narrow shoulders (twice the width of the head) and a slightly wider pelvis than the shoulders (the difference between men and women* is also very significant).
From the front and back of the human body, the left and right parts are symmetrical, and from the side, the front and back are different in length, which constitutes the inclined line at the junction of each part. This is especially important when painting side or half sides. If you are a Westerner, you may generally be taller, maybe nearly eight heads tall.
Generally speaking, height changes mainly in the lower extremities, and the midpoint of height is about the pubic symphysis. There are various methods of proportionality, Michelangelo and Leonardo da Vinci, who measured the proportions of the human body in different ways. It is also worth mentioning that after mastering the general proportions of a normal person, it is also necessary to understand the aesthetic proportions of the human body.
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1. How to draw a sketch bust - complete composition:
The consciousness of composition is not forced into the picture, but is aesthetically trained. Selective, generalized and conscious composition. The head and hands should be intact.
2. How to sketch a bust - the movements of the bust are vivid, and the head and hands are vividly depicted
The observation and feelings of the characters should be sincere and detailed, and the performances should be simple and popular. It's easy to draw a bust with a lot of detail, but it's hard to summarize and outline them. The focus of this book is to help students build a sense of block and space.
The establishment of people's quality consciousness will make the processing of clothing patterns uniform and complete, and folds will also occur. For students preparing for exams, these avatars should be familiar. The hands are as important as the head, both important and difficult.
Hands reflect different personality traits such as gender, age, experience, identity, etc. It records the traces of the model's life, showing different expressions and beauty. It's called the "second expression", so let's pay attention to the performance of the practice.
3. How to draw a sketch bust - tonal gradation, edge lines, and sense of space
Although there are several items listed in this part of the training, the main purpose is to train students to express their sense of painting and deal with the effect. The layout of black, white and gray blocks, the use of lines, the initiative of image processing, the strong visual processing ability, and the performance of drawing ability mentioned in the examination requirements all depend on this part of the training. It's like a fit-bodied person wearing the right clothes to make an impression.
4. The painting method of sketching a bust - the formation of artistic expression techniques and styles
This is a high demand, not the result of being buried in a dead painting. We should pay attention to catalogues and exhibitions, and study the unique expressions of master works and contemporary portraits.
The college entrance examination is also an art. Although the bust has been tested, painted and taught year after year, it is a solid technique that keeps pace with the times and creates new and unique works, and sketching the bust is the real high-scoring assignment. Although sketching is a monochrome painting, we should use this monochrome to paint the feeling of different intrinsic colors of different objects, not just to show the light and shade of the object, as long as we can accurately draw the rich layers and tonal changes of the object, we can express the color sense of the object.
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1. Because the coloration of sketch paper has a certain range, if you start with a hard pen, it is easy to make the paper lose the ability to lead, so the hard pen is usually used to in-depth depiction before the end. Soft pens, on the other hand, are easier to correct even if they start to shape, and the impact on the paper is minimized.
2. Crosswinds also have the purpose of protecting the paper, and the area is large, suitable for large-area coloring, and the tone of the positive peak is usually used for detailed depiction. Because the lines are clear, it is usually used for deep penetrations (different treatments in different cases).
3. Using hands and tissues or wiping pens are part of the painting technique, it is recommended that beginners do not use too much, because it is a shortcut, and beginners should use more hands and brains, when you can fully use the pen to depict your goal and then add other techniques (hands and tissues) will be more handy, you must know that a journey of a thousand miles begins with a single step, even if there is a shortcut path, there must be corresponding risks. So steady play usually makes a steady profit!
4. In sketching, there is nothing big about masks, but usually volume, so our goal is only to depict volume, not to trace area. Sometimes it is necessary to have only the internal structure, which is why Leonardo da Vinci dissected so many corpses in order to depict the external volume of the person, and the volume also needs to consider the effect of time and the principle of light reflection. Different textures will have different reflection principles, so it should be appropriate.
It's not just a line.
5. Hair seems to be one by one, but in fact, hair also has volume in painting, because what we paint is not hair, but a bunch of soft tissues attached to the skull. Since it is on the skull, the direction of the hair is also related to the skull, and the expression technique is also closely related to the structure of the skull, in general, the hair should be depicted according to the volume of the skull, so before drawing the hair or head, you must fully understand the structure of the skull, the direction of the facial muscles and the function of each muscle! If you want to learn well, you need to spend a lot of effort to study and practice, and finally get professional guidance, otherwise it is difficult to get started.
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1. In fact, it is generally used to start with 2b, which is easy to erase.
2. Crosswinds generally pull the light and dark apart quickly.
3. Depending on my hobbies, I like to wipe with a cigarette holder.
4. Pay attention to the boundary between light and dark, pay attention to excess, and pay attention to proportion. The lines are best painted with H on the bright surface, and the overall lines are hard.
5. According to the deconstruction of the skull, it is best to use the side peaks on it, and the place near the face should be painted carefully, and there is no skill.
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1. The soft pen is good to modify and adjust.
2. This is how they hold a pencil.
3. Painting and arranging lines, eraser rubbing tea, according to the needs of the picture and the effect to be expressed, 4. Draw the shape and structure is the most important, and the lines are arranged along the block surface.
5. Hair messiness is not divided into block face structure first, and hair style characteristics are not grasped on the basis of block face structure.
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1. Generally speaking, it is easy to wipe clean with soft dots when making shapes, and if you draw people, soft dots are easy to produce effects.
2. Easy to line and not easy to grind the picture.
3. It is best to use your hands to paint the shadow of the person's face, the hair can be painted with a tissue, and the details should be drawn slowly with a line, not too much, I personally think that 25% is enough.
4. The lines should be hard, after all, it is a plaster statue, not as soft as a real person, and it should reflect the block shape of the plaster.
5. Rub it with your hands, assisted by plasticine, and the plasticine eraser can make the hair soft and feel emotional, so nostalgic for the days in the studio.
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The first 4 saw me floating clouds, and the 5th I still knew how to pick it up, first spread out the hair that needed to be shown in hard lead and draw the rest in vain.
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Therefore, regardless of the style and texture of the clothes, the depiction of the clothing should reflect the physical sense of the internal body through the depiction of the clothing, and conform to the undulating characteristics of the human body structure.
Steps to draw clothes:
1, it is also the first shape, including the shape, direction, light and shade of the clothing pattern, so that you know it in your heart. This is very important, and if you can't do this, it's not easy to draw a good pattern.
2. Pave the light and shade, pay attention to the structure and block.
3. Starting from the dark part, it is recommended to start from the junction line to depict the clothing pattern. The bright part of the clothing pattern can be selected to focus on one or two, and the dark part pays attention to the virtual past.
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The clothes are foils, similar to the interlining in still life, but not exactly the same as the interlining, the clothes should be as simple as gold, but they should also express the structure of the characters.
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Refer to the ratio of the head to the body and the angle of the head
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First of all, it depends on what style you want to draw, the head can not be painted too small, I personally think that the first floor is more correct, the head accounts for one-fifth is better, it depends on your composition. The steps are as follows: 1 First of all, you have to finalize the draft, see how to compose the picture, simply position the body structure, use a few b pencils to follow personal preferences, I often use 5b up and down it, because the softness and hardness of the 5b pencil is not bad, suitable for painting when composing.
2. Observe the characteristics of the characters, observe the facial features of the task, body movements, and carry out deep painting. But don't do it little by little, such as drawing only the eyes, or only the mouth. 3:
When making detailed paintings, we should pay attention to the relationship between light and shadow, and the most important thing is to be sure to draw on the structure, and it is very important to grasp the structure of the human body! 4: Adjust the screen.
That is, to process the picture cleanly.
Personal painting experience, for your reference, here is recommended that you should understand the structure of the human body when painting a bust plain face, it is best to be proficient in painting, if you can memorize the painting it would be even better! Because the most basic structure of the human body is the bones, the knowledge that you see with your eyes is just meat, and if you don't study the human body well, then the task you draw is like bread, without any sense of substance. The book "Teaching Human Structure Painting" is very good, and it is widely used in many colleges and universities, and I also learned it from here.
There is also a book "Repin Plain Noodles", which is also very good, but this book is better to copy and learn after you have a solid foundation!
Finally, I wish you a smooth sailing on the road to painting, as long as you love painting as your life, family, and lover, then you will definitely achieve something.
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