The author of the ancient poems grass is, what are the ancient poems of grass?

Grass endows the ancient grass with farewell Chinese.

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

The ancient poems of grass are as follows:1. The road is narrow and the grass and trees are long, and the evening dew stains my clothes. ——Tao Yuanming, "Returning to the Garden and Pastoral Home".

Translation: The trail is narrow and overgrown, and the dew at night drenches my clothes.

2. The grass is not glorified in the spring breeze, and the wood is not complained about in the autumn. - Tang Libai, "Sunrise and Entry".

Translation: Flowers and plants do not express gratitude for the caresses of the spring breeze, and fallen leaves do not complain about the withering of the autumn wind.

3. Fangcao is affectionate and hindered by horses, and good clouds cover the building everywhere. ——Luo Yin of the Tang Dynasty "Miangu Returns to Cai's Kunzhong".

Translation: The grass has a love for the horses' hooves and does not let us go, and the colorful clouds cover the pavilion layer by layer.

4. Providence is merciful to the grass, and the world is sunny at night. - Tang Li Shangyin, "Evening Sunshine".

Translation: The grass was soaked by the rain, and finally received the mercy of God, and the sky was clear after the rain.

5. The tender green and soft fragrance is far stronger, and it is fluffy everywhere in spring. - Ming Yangji, "Spring Grass".

Translation: Spring is coming, everywhere is a verdant green, tender grass, exuding bursts of fragrance, looking at the sky, only to see that the farther away, the denser the grass is.

1.The country is broken by mountains and rivers, and the city is deep in spring.

2.The flowers are gradually charming to the eye, and the asakusa can have no horseshoe.

3.There are many autumn grasses in the south of the West Palace, and the fallen leaves are full of red and do not sweep.

4.There are many autumn grasses in the south of the West Palace, and the fallen leaves are full of red and do not sweep.

Ancient style poetry is a poetic genre.

Judging from the number of words in the poems, there are so-called four-word poems, five-word poems, seven-word poems, and miscellaneous poems. Four words are four words and one sentence, five words are five words and one sentence, and seven words are seven words and one sentence. After the Tang Dynasty, it was called near-style poetry, so it was usually only divided into two categories: five words and seven words.

Five-character ancient style poems are referred to as Wugu; Seven-character ancient style poems are referred to as Qigu, and those who use both three, five, and seven words are generally regarded as Qigu.

Peculiarity. Ancient style poetry is a type of poetry as opposed to close style poetry. Before the formation of near-style poetry, various Han poetry genres. It is also known as ancient poetry and ancient style, and there are three carriers: "song", "line" and "chant".

Four-word poems no longer exist in near-style poems, although the word "ancient" is not added, but it is self-evident that it is an ancient style poem. The ancient poems collected in the Book of Songs are mainly four-character poems. There were still people in the Han Dynasty, Wei and Jin who wrote four-character poems, and Cao Cao's "Watching the Sea" and Tao Yuanming's "Stopping the Clouds" are typical examples of four-character poems.

The ancient poems about grass are as follows:1, the grass is invaded, and the spring elm is full of green - Song Ouyang Xiu's "Send Xie Xishen to the North".

2, Fangcao dreams for many years, and the birds smell from the path - Song Shi Sizhi's "Suyun Mountain House".

3. Densely spread daylily lining, skillfully planted peony - Song Chen's "After April 5th? Peony waiter Lang three flowers bloom drunk Lu Chengsan".

4. The grass grows and the flowers fall into the trees, and the disease is strong to find spring - Tang Geng? "Send Money (A Poem of Sikong Shu)".

5, the only one left behind him to seal the Zen grass, who found Zuo Hongtu - Tang Yin Wengui's "Reading Tortoise Meng's Old Collection".

The ancient poems of grass: 1. Leave the grass on the plain, one year old and one withered. "Farewell to the Ancient Grass".

2. The grass on the banks of the green river and the willows in the lush garden. "Green Riverside Grass".

3. When the rain is dry on a sunny day, the grass is full of flowers, and the water is full of streams. "In the Mulberry Tea Tunnel".

There are certainly a lot of ancient poems about grass. For example, Xie Lingyun's "Spring grass grows in the pond, and the willows in the garden become songbirds" and Han Yu's poem "The light rain in the heavenly street is as moist as crisp, and the grass color is close but there is nothing", these can all be used to quote.

The most famous ancient poem about grass is Bai Juyi's "Grass", "Leave the grass on the plain." One year old and one withered. Wildfires burn inexhaustibly, and spring breezes blow and regenerate. “

1.Grass. Song Dynasty: Kou Zhun.

Walking alone on the plateau, according to the thoughts.

No one is looking for the path, and the sunset is full of rivers.

Chu Ze Qingfang, Qinchuan late cui.

This is a waste of things, who knows through the ages.

2.Grass. Song Dynasty: Jia Rudao.

The grass and trees are cold, and the autumn is clearer.

The boat crosses the night moon, and the demeanor is more than the city.

Although the desire to avoid vulgarity is there, the suspension of officials has not been done.

Empty old bards, there is a continuation of Tang Sheng.

Leaving the grass on the plain, one year old and one withered. Wildfires burn inexhaustibly, and spring breezes blow and regenerate. That's what I learned when I was in elementary school. Ancient poems about grass.

Verses with "grass":

1.The country is broken by mountains and rivers, and the city is deep in spring. 2.

The flowers are gradually charming to the eye, and the asakusa can have no horseshoe. 3.There are many autumn grasses in the south of the West Palace, and the fallen leaves are full of red and do not sweep.

4.There are many autumn grasses in the south of the West Palace, and the fallen leaves are full of red and do not sweep. 5.

The New Year was not blooming, and the grass sprouts were seen in early February.

1. The fine grass and the breeze on the shore, the dangerous canoe - Tang Du Fu's "Traveling Night Book".

2, the road is dark, the palace is weed, and the weeds in the palace are spring-Tang Sikongshu's "Jinling Nostalgia".

3. The grass hall is not closed, the stone bed is quiet, and the sound of dew falling between the leaves is heavy - Tang Zhang's "Autumn Mountain".

4. The old things of the Six Dynasties flow with the water, but the cold smoke and the fragrant grass are green - Song Wang Anshi's "Guizhixiang Jinling Nostalgia".

1. There are one or two chickens in the rain, and the road and bridge in Zhuxi Village are oblique. The women and aunts called each other to bathe the silkworms and look at the gardenias in the atrium. ——Wang Jian, "Rain Over the Mountain Village".

2. Hibiscus old autumn frost, group fan shy net dust. ——Li Bai "Song of the Concubines of Zhongshan".

3. Leave the grass on the plain, one year old and one withered. ——Bai Juyi, "Farewell to the Ancient Grass".

4. The spring road is rainy, and the flowers move a mountain of spring. - Qin Guan, "Good Things Are Near".

5. The old lotus root of the lake lotus has been renewed, and the little lotus money has not risen. ——Fan Chengda, "Pastoral Miscellaneous in Late Spring".

The rain has passed through the pond and the water is full of embankments, and the mountains are high and the roads are east.

Zeng Gong (Song Dynasty) • Chengnan".

Tianbei Tiannan bypasses the roadside, and Togan stretches everywhere.

Tang Yanqian (Tang Dynasty) Spring Grass

Tianbei Tiannan bypasses the roadside, and Togan stretches everywhere.

Tang Yanqian (Tang Dynasty) Spring Grass

Verses about grass for example:

Bai Juyi's "Grass" is separated from the grass on the plain, and it is one year old and one withered.

Du Fu's "Spring Hope" is full of mountains and rivers, and the city is deep in spring.

Cen Shen's "White Snow Song Sends the Military Judge Back to Beijing" The north wind swept the ground and the grass folded, and the snow flew in August.

Anonymous Northern and Southern Dynasties.

Eilechuan, under the Yin Mountain.

The sky is like a dome, covering the four wildernesses.

The sky is vast and the wilderness is vast.

The wind blows the grass and sees the cattle and sheep low.

The country is broken by mountains and rivers, and the city is deep in spring.

There are many autumn grasses in the south of the West Palace, and the fallen leaves are full of red and do not sweep.

The flowers are gradually charming to the eye, and the asakusa can have no horseshoe.

Grass endows the ancient grass as a farewell.

Tang Dynasty. Bai Juyi.

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

Leaving the grass on the plain, one year old and one withered. Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

The grass is not glorious in the spring breeze, and the wood is not resentful in the autumn. - Tang Libai, "Sunrise and Entry".

Plants and trees have their own hearts, why ask for beauty to fold. —Tang Zhang Jiuling, "Feelings".

The ancient poems of grass are:

Huai Zhong and late poke calf heads.

Su Shunqin Song Dynasty

The weeds are green in the spring, and there are sometimes dark flowers and bright trees.

Under the ancient shrine of the lonely boat at night, the wind and rain in the river are full of wind and rain to see the tide.

Bai Juyi's "Grass" is separated from the grass on the plain, and it is one year old and one withered. Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Outside Li Shutong's farewell pavilion, the grass on the side of the ancient road is green.

"Grass Endows the Ancient Grass Farewell" [Author] Bai Juyi [Dynasty] Tang

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

Vernacular interpretation: How lush the grass is on the long plain, and the grass is thick in autumn and winter every year.

The merciless wildfire can only burn the dry leaves, and the spring breeze blows the earth and the earth is green and fluffy.

Wild grasses and wild flowers spread and flood the ancient road, and the end of the meadow under the sun is your journey.

Once again, I sent off my close friend, and the lush grass represented my deep affection.

Background:

Composed in the second year (786) and the third year (787) of the reign of Emperor Dezong of the Tang Dynasty, it is a test poem study for Bai Juyi to prepare for the examination when he was a teenager.

Interpretation:

The author does not write about the ancient plains for the sake of writing about the "ancient plains", but at the same time arranges a typical environment for farewell: the earth returns in spring, and the ancient scenes of the grass and the countryside are so charming, and how melancholy and at the same time how poetic the farewell should be to happen in such a background. The word "Wang Sun" is borrowed from Chu Ci into a sentence.

Wang Sun wanders and does not return, and the spring grass is full of flowers" is talking about people who see the grass and think about traveling and do not return. But here it is used to change its meaning, writing that it is to see the grass and increase the sorrow of farewell, it seems that every blade of grass is full of other feelings, that is really "away from hatred is just like spring grass, go farther and live" (Li Yu "Qingping Le, Don't Come to Spring and a Half"). This ending is meaningful.

The poem points out the "farewell" at this point, settles the theme, closes the whole article, "ancient plain", "grass" and "farewell" are mixed together, and the artistic conception is extremely harmonious.

There is a sound that Tang Baiju is easy to leave the grass on the plain, one year old and one withered, the wildfire is inexhaustible, and the spring breeze blows and springs.

"Spring Grass" Northern Song Dynasty Liu Chang. The spring grass is indescribable, and the waterside plains are smoking.

It seems that the carriages and horses are prosperous, and they will not be born before entering the city gate.

Vernacular Interpretation: The weeds in spring grow densely and in patches, and it is impossible to distinguish its name, and they sprout and grow vigorously at the water's edge and on the mounds.

It seems that he doesn't like the bustling places with traffic, and once he arrives next to the city gate, he can no longer see any traces of its growth.

Content Reading:Liu Chang's poem also uses the technique of comparison, borrowing Wing Chun grass to convey his praise for a kind of life character. After Bai Juyi's swan song "Farewell to the Ancient Grass", Liu Chang found a fresh poetry from the spring grass that is enough to cultivate and enlighten people's hearts, and can create a unique image, expressing the fresh poetry implicitly, which can be called the best chapter of Wing Chun grass in Song poetry.

The emotions expressed in the poems refer to the natural principles it brings to us, and if we want to make objective things grow healthily, we must give them a relaxed growth environment, which is the objective condition for them to grow and grow.

Grass endows the ancient grass as a farewell.

Tang Dynasty. Bai Juyi.

Leaving the grass on the plain, the one-year-old beam is rough and withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

Note: Lili, describes the appearance of dense weeds. Rong:

Exuberant. Far Limbs: Grass in the distance.

Clear: A turquoise color reflected by the sun on the grass. Wang Sun:

Refers to the descendants of the children of the nobility, and here refers to the people who traveled far away. Grass: The grass grows luxuriantly.

Commentary: This poem praises the tenacious vitality of weeds by describing the characteristics of weeds, and at the same time expresses the feelings of parting through weeds.

The grass in the field is dense in summer, withered and yellow in winter, and it is stuffy every year, so that the wildfire cannot be burned out, and when the spring breeze blows, it grows vigorously again, and the wild grass in the distance encroaches on the pedestrian path, and the nearby ones also sprawl to the deserted city.

It's time to say goodbye to someone far away from home, and the lush weeds seem to be full of farewell.