Is it better to learn to write poetry freely or according to the rhythm of the plain?

First of all, I feel that there is no conflict between freedom and rhythm and rhyme, if you have to compare a high and low, I think it is better to have a flat rhythm. <>

Although poems with flat rhyme are not easy to make and not easy to learn. But the medire rhythm in it is indeed the essence of poetry. Poetry without rhyme is like a walking dead without a soul.

If you learn poetry without a flat rhyme, even after learning, it will be like a proverb, at most it will become a limerick poem, and it is difficult to get into the hall of elegance. There are hundreds of poems and brand names that have been handed down from ancient times to the present. The style and rhyme of each type of brand name is different, and it is also suitable for different scenes.

If you don't learn poetry and don't learn its rhythmic word cards, you will lose hundreds of kinds of fun.

And I've always believed that there is no contradiction between free spontaneity and plain rhythm. Some people think that if I write rigidly according to a fixed rhyme, I will lose my sense of freedom and freedom. This is completely wrong, I already know that those literati and writers in ancient times, the free and easy personality of the public, we are far from comparable to today.

But the poems they write are different, and they also follow the rhythm of Pingqiao. Poetry is not meant to be done. After beginners learn the rhythm of poetry, when we write poems in the future, we will naturally write according to the rhythm, and there will be no free and easy talk.

Therefore, only when you have a level of discipline is free and easy, it is called freedom and spontaneity. And there is no "free and easy" of the law, in fact, it is just scribbling. As beginners, let's follow the basic rules in the poems.

The restriction of the Pingqian style prompts the poet to think more and more likely, and there is a greater chance of promoting the birth of good sentences and good works, and the tone and rhythm of writing poems according to the Pingqian can be recitation or singing. And Yuefu ancient style poems can let go of themselves, but if the language is not as beautiful and majestic as Li Bai's or the Book of Poetry, it can only be regarded as limerick poetry.

Following the rules of the plain is to achieve a sense of musicality that people love to listen to when reciting and singing. Otherwise, no matter how well it is written, no one wants to listen to it.

The clouds are ethereal, and the cold moon is clear.

Peaceful, mediocre, mediocre.

The lights of the old house are especially dim, and the snow falls, who listens.

Ping Ping.

Wandering nowhere, the flower perfume wants to flow.

Ping Ping.

A foreign country is not a guest, and there is no sleep in a dream.

Peaceful, mediocre, mediocre.

There is no big taboo, the first couplet can not be a battle, you can put it in the second couplet, the meaning of the second couplet is not right, it is recommended to rewrite, at least the word should be replaced.

Wandering and floral are not at odds, but they don't have to be shaved to fit in.

Wouldn't it be better to replace the word with the word from the third couplet?

I think it's better to have no sleep in my dreams. However, the word sleep does not rhyme, so it is best to replace it.

Untitled. has always been rich and noble, and he is empty.

The money comes and the small streams are scattered and swept into the sea and river.

Xigu turbid wine on the pavilion under the moon Qinghui hugged the cup to sleep.

Huang Liang once went to Qionglin for a banquet, and Nan Ke often looked for Wushan.

Coming and going day and night, floating dreams, only envy the lonely goose sweeping the mountains.

Use the law for me, don't be a slave to the law! Rhythm, not poetry; Rhythmic poetry is poetry! Poetry is emotional, not dead, not emotionless!

First, there is no problem:

The clouds are ethereal, and the cold moon is clear.

Peaceful, mediocre, mediocre.

The lights of the old house are especially dim, and the snow falls, who listens.

Ping Ping.

Wandering nowhere, the flower perfume wants to flow.

Ping Ping.

A foreign country is not a guest, and there is no sleep in a dream.

Peaceful, mediocre, mediocre.

Second, the problem of prosody is big.

Floating clouds and ethereal bones, cold moon ice and clear ning, how do you use ing "Enyin" rhyme is very good?

The lights of the old house are especially dim, and the snow falls, who listens

Wandering nowhere Flower perfume to flow liu ???Has it become an IU "Ou You" rhyme here?

Another country is not a guest, and there is no sleep in dreams, mian is even more dizzy, this is an "anyan" rut.

Third, the confrontation is incorrect.

The third and fourth sentences of this kind of poem are against each other, the two sentences are in the same position, and they must use words with the same or opposite meanings, your "old house" and "snow falling" are Pan Changjiang kissing Zheng Haixia Right!

The same is true of the fifth and sixth sentences.

Fourth, however, your writing is still good, and you must be a first-class good at writing prose that does not suppress rhyme and fight!

Of course, freedom and recklessness are good, there is no need for any format to be a person and do things, they are all set by people, unrestrained, free and easy, how good it is! Isn't that just a way to express it?

Personally, I think that it is better to start with the rhythm, because the limited quality represents your true level, otherwise, the general non-grammatical poetry can only show that you are only shallow, or even like a wild child. When you are comfortable writing metrical poems, fame will follow, and then you will break through the boundaries of metrical poetry and act recklessly, which will make people feel a different realm.

Pingqian is to read with ups and downs, beautiful, like singing, otherwise like a wolf's horn, it will kill people.

This may be similar to our driving, when I first learned that it was troublesome to pay attention to various matters, and when I learned it, I felt that it was actually very easy to drive. At first, your coach will inevitably ask you to follow the rules, so you'll be a little timid. Later, when I became proficient, I was able to drive freely within this rule.

It's the same with poetry, it's not easy to master the rhythm at first, but when you get familiar with it, it's not so difficult to master. Any breakthrough should be made after being fully mastered, and then on the basis of the predecessors. If you don't follow the rules at the beginning, you can only end up being a group of oilers.

When you are proficient in poetry and rhythm, you can do it with ease, and you can do it spontaneously, and then you can be very charming.

Do whatever you want, and come with a finger. Smooth the mouth, limerick verses.

It's really knowledge! Admire, admire.

Absolutely. When writing poems, we must pay attention to the rhythm of the rhyme, so that the poem can be more standardized, and can be in accordance with the corresponding format.

Need. This is because when writing poems, the waiter must be written in accordance with the corresponding format, so as to make the poem more rhyme and skillful, and it is very comfortable to read, and it will not feel particularly awkward.

It should be noted that although the poem is a manifestation of the author's rich emotional feelings, it also has requirements in the form of digging eggplant, which is also a characteristic of the poem, reflecting its uniqueness, and emphasizing the rhythm of the plain, which is also a manifestation of the self-cultivation of the literati.

Not necessarily. Poems are divided into ancient style and close style, and writing close style poems (rhythm poems, law and absolute style) must be strict as the law, and ancient style poems have almost no taboos, just rhyme. Words should be stricter.

Fill in the word according to the score, each word card has a corresponding word spectrum, which stipulates the rhyme, sentence break, and level requirements of each word, etc., which must be filled in strictly in accordance with the provisions of the word spectrum.

The poems and songs from the pre-Qin to the Wei and Jin dynasties were all rhymes, and they were all used for singing at the earliest.

The concept of the four tones and the town returning to the level of the town began to exist from the Northern and Southern Dynasties, and Qi Liang did not have any peace before, of course, he did not consider the level of peace when writing poems. During the Yongming period of the Qi Dynasty, Yongming poets represented by "Jingling Eight Friends" began to pay attention to the four tones: Pingshang entered.

Among them, Ping is the sound of Ping, and going up and entering is the sound of Ping.

After Qi Liang, poets began to pay attention to the application of the four tones and the flat sling, and Shen Yue and others even engaged in the "eight diseases" that should be paid attention to in poetry, and the "eight diseases" were completely based on the theory of the four tones and the flat swords, but later generations did not fully recognize the eight diseases.

Ancient poetry should pay attention to plainness, and modern poetry can be dispensed without.

Pingqian is the tone of words used in Chinese poetry. Ping refers to straightness, and Qi refers to twists and turns. According to the Sui Dynasty to the Song Dynasty revised rhyme books, such as "Cut Rhyme" and "Guang Rhyme".

etc., Middle Chinese.

There are five tones, called ping (yin ping.

Yangping), up, go, in. In addition to the flat voice, the other three tones have high and low changes, so they are collectively called the voice. There is a certain format for the use of plainness in poetry, which is called metricism.

Pingsheng and Pingsheng refer to the rhythm of poems composed of Pingsheng. Pingqian is an attempt to dualize the four tones. Four tones are ancient Chinese.

of the four tones. The so-called tone refers to the height, rise and fall, and length of the voice.

Pingqian is based on the four tones, with incomplete inductive method to generalize, flat refers to straight, Qi refers to twists and turns.

In ancient times, the voice, the voice, the voice.

For the sake of the people, what is left is Pingsheng.

Since the Yuan Dynasty Zhou Deqing, the yang and yin have been divided equally, and they have returned. Gradually form a pattern of yin leveling, yang leveling, upper sound, no sound returning, and no sound cancellation.

Pingqian in ancient Chinese.

The tones of ancient Chinese are divided into four tones: 平, 上 (shǎng), go, and enter. "Ping" refers to the flat sound in the four tones, including the two tones of Yin Ping and Yang Ping; "Xu" means.

The sound of the four tones, including up, go, and in.

According to the traditional saying, the flat tone is a flat tone, the upper tone is a rising tone, the sound is a falling tone, and the sound is a short tone

The flat voice is not low, the upper voice is loud and strong, the voice is clear and mournful, and the voice is short and urgent.

To put it simply, the key to distinguishing between the uneven is "uneven is the unequal".

Brief table of equals. The five laws are equal: the first and second words of the first sentence are all flat.

Five rules from the beginning: the first and second words of the first sentence are all voices.

Seven rules are equal: the second word of the first sentence must be flat.

Seven rules from the beginning: the second word of the first sentence must be in a voice.

Couplet: (couplet) up and down.