Which TV series adapted from IP did not destroy the original work in your eyes?

TV series adapted from IP, in my eyes, the ones that did not ruin the original work include "Celebrating More Than Years", "Three Lives, Three Worlds, Ten Miles of Peach Blossoms" and "The Best of Us".

1. "Celebrating More Than Years" and "Celebrating More Than Years" is an adaptation based on the cat's eponymous **, which mainly tells the story of Fan Xian, who has a mysterious background, and after going through various tests, he still insists on justice and kindness, and writes a legendary story of life. The reason for the success of the adaptation of "Celebrating More Than Years" is the acting skills of the actors in the whole play, and the plot is compact and the rhythm is smooth, and Fan Xian, who has a modern concept, also adds a lot of laughter to this play. So after the show was broadcast, it gained the love of many "original parties" and audiences, and now everyone is looking forward to the broadcast of the second part.

2. "Three Lives, Three Worlds, Ten Miles of Peach Blossoms" and "Three Lives, Three Worlds and Ten Miles of Peach Blossoms" are adapted from the namesake of Tang Qigongzi**, which mainly tells the three beautiful fairy love stories of Bai Qian and Yehua. The reason for the success of the adaptation of "Three Lives, Three Worlds and Ten Miles of Peach Blossoms" is that the director has put a lot of effort into the polishing of the script, and every important scene is restored very realistically, which meets the imagination of many audiences.

3. "The Best of Us" and "The Best of Us" are adapted from the eponymous ** of August Chang'an, which mainly tells a series of stories about Geng Geng and Yu Huai growing up together and living up to their youth. The reason for the successful adaptation of "The Best of Us" is that unlike previous youth campus dramas, it has no bloody plot, the whole drama is very pure, and it naturally shows the appearance of youth, which makes many viewers miss their youth after watching it.

In fact, it is not easy to adapt a TV series according to IP, because if you are not careful, you will change the original work beyond recognition, causing a lot of controversy, and thus losing the love of many audiences, so among so many TV series adapted from IP, there are not many outstanding ones, the above are the TV series that do not destroy the original book after the adaptation, so what are the successfully adapted TV series in everyone's heart?

Do you know, Shanshan is here, and he smiles very captivatingly. The original works of these dramas are very good-looking, and the quality of the dramas filmed is also good.

"Langya Bang" starring Hu Ge and "The Legend of Zhen Huan" starring Sun Li, the two dramas have been watched more than a dozen times and I never get tired of watching them, both of which have elevated the original intention and restored the original work as much as possible.

For example, the recent online drama "The Hidden Corner", which has been very popular recently, and the previously popular "The Legend of Zhen Huan" can be said to have a high degree of restoration, and the original work has not been ruined.

1."Three-Body Problem": Liu Cixin's sci-fi **, which was adapted into a TV series and movie, was widely acclaimed.

2."Alive": Yu Hua's **, which was adapted into a Bozhou potato movie and won awards at many international film festivals.

3."White Night Walking": The Legacy of Japanese Writer Keigo Higashino**, which was adapted into a TV series and film, has been a huge success worldwide.

4."Langya Bang": Haiyan's **, which was adapted into a TV series and was loved by the audience.

5."The Twelve Hours of Chang'an": Ma Boyong's ** was adapted into a TV series, which was well received and became a hit drama of the year.

6."Dragon Babu": Jin Yong's martial arts**, which has been adapted into multiple versions of TV series and movies, is deeply loved by the audience.

7."Celebrating More Than Years": The greasy ** was adapted into a TV series, which was a great success and became a phenomenal IP.

8."Dream of Red Mansions": Cao Xueqin's classic**, which has been adapted into multiple versions of TV series and movies, and has influenced it to this day.

9."Mulan": Liu Liangwei's **, which was adapted into a Disney movie and became a world-renowned animated film.

10."Notes on Tomb Robbery": The ** of the third uncle of the southern faction, has been adapted into many versions of TV series and movies, and is deeply loved by young audiences.

I think this varies from person to person, from TV series to TV series or film and television works, and the audience he faces is different, some should pay attention to respecting the original work, and some should develop the plot appropriately according to the audience's acceptance and the junior high school of the film and television drama.

Some serious themes such as the Three Kingdoms, the Kangxi Dynasty, the Yongzheng Dynasty, etc., the history of the Great Qin Empire, and the Ming Dynasty, if a lot of changes are made to him just for the sake of the plot, then the result is that the shooting is nondescript.

Because of a lot, he wrote according to the social life at that time, originally art is the best in life, everyone sees these real scenes from life, but more resonant, more able to appreciate because history is originally composed of human activities, we learn history is learning, we ourselves take history as a mirror, can be dressed, many excellent ** is excellent, because he truly reflects the social life at that time.

But like "Emperor Wu of the Han Dynasty" and "The Criminal Officer of the Great Song Dynasty", it can basically be said to be more in line with history. There is nothing wrong with this general direction, he may have some details that will be beautified, and in the process of adaptation, so I think in terms of the plot, it must be based on history, and then add branches and leaves to it, and the general direction of some details should not be wrong.

You can add some plots, but don't make a mistake in the general direction, and respect history.

TV series adaptations don't necessarily ruin the original book. Adaptation is a process of re-creation, and it can be successful or it may fail. Here are some of the factors that may contribute to the success of the adaptation:

The original has a wide audience: If the original has a wide audience, then the TV series adaptation is also more likely to be noticed and loved by the audience.

Well-written scripts: If a TV series has a well-written script, then it is more likely to attract the attention of fans of the original work.

Directors and actors are strong: If the directors and actors are strong, then they are more likely to bring the audience into the plot of the TV series.

Produce with care: If the TV producer produces it with care, then it is more likely to make the audience feel full of sincerity and thus receive good reviews.

In short, TV drama adaptation is a risky job, which requires the producer to work hard in creating scripts, selecting actors, making props, costumes, etc., in order to present an excellent TV series to the audience. At the same time, the audience should also keep an open mind, respect the adaptation, and give the creator a certain amount of creative freedom.

He's coming, please close your eyes.

A slight smile is very captivating.

1. Plagiarism of film and television works is not considered an infringement of personal intellectual property rights

1. Plagiarism of film and television works is regarded as infringement of personal intellectual property rights. According to the relevant provisions, if the actor distorts, tampers with, or plagiarizes the works of others, or publishes, uses, or copies the works of others without the permission of the copyright owner, it constitutes copyright infringement (i.e., intellectual property rights), and shall bear legal responsibility according to the circumstances.

2. Legal basis: Copyright Law of the People's Republic of China

1) Publishing a work without the permission of the copyright owner;

2) Without the permission of the co-authors, publishing a work created in collaboration with others as a work created by oneself alone;

3) Signing the works of others without participating in the creation of works for the purpose of seeking personal fame and wealth;

4) Distorting or tampering with the works of others;

5) Plagiarizing the works of others;

6) Without the permission of the copyright owner, the work is used by means of exhibiting or filming audiovisual works, or the work is used by means such as adaptation, translation, or annotation, except as otherwise provided by this Law;

7) Failure to pay remuneration for the use of another person's work;

8) Renting out originals or reproductions of audiovisual works, computer software, or audio or video recordings without the permission of the copyright holders, performers, or producers of audiovisual works, computer software, or audio or video recordings, except as otherwise provided in this Law;

9) Without the permission of the publisher, using the layout design of the books or periodicals they publish;

10) Without the performer's permission, live streaming or publicly transmitting their live performance, or recording their performance;

2. What are the contents of intellectual property rights?

Intellectual property rights include:

a) the work; 2) Inventions, utility models, and designs;

c) trademarks; 4) geographical indications;

5) Trade secrets;

6) Layout design of integrated circuits;

vii) new plant varieties;

8) Other subject matter provided for by law.

3. What are the conditions for plagiarism and plagiarism?

1. The act is illegal;

2. There is a causal relationship between the fact of damage;

3. The perpetrator is at fault;

4. There is an objective fact of damage.

Through the above content, we can understand that plagiarizing film and television works is an infringement of personal intellectual property rights. According to the relevant provisions, if the actor distorts, tampers with, or plagiarizes the works of others, or publishes, uses, or copies the works of others without the permission of the copyright owner, it constitutes copyright infringement (i.e., intellectual property rights), and shall bear legal responsibility according to the circumstances.

Legal Analysis: ** Remake into a TV series, if the copyright has been purchased from the original author, with the consent of the author, and there is no violation of the copyright contract during the filming of the TV series, it is not considered copyright infringement. **For remake into a TV series, the producer can apply for a copyright license from the copyright owner and pay remuneration or sign a copyright transfer agreement between the two parties to transfer the copyright.

Legal basis: Article 13 of the Copyright Law of the People's Republic of China.

The copyright of a work produced by adapting, translating, annotating, or arranging an existing work shall be enjoyed by the person who adapted, translated, annotated, or arranged, provided that the copyright of the original work shall not be infringed when exercising copyright.

Article 17 of the Copyright Law of the People's Republic of China.

The copyright of film works and TV drama works in audiovisual works is enjoyed by the producer, but the authors of screenwriters, directors, photographers, lyricists and composers enjoy the right of authorship, and have the right to receive remuneration in accordance with the contract signed with the producer. The ownership of the copyright of audiovisual works other than those provided for in the preceding paragraph is to be agreed upon by the parties;

Where there is no agreement or the agreement is not clear, the producer shall enjoy it, but the author shall enjoy the right of authorship and the right to receive remuneration. The author of the script, ** and other works that can be used separately in imitation of the audiovisual work has the right to exercise his copyright alone.