Fan Cheng s poems in late spring when he was a senior

Updated on culture 2024-06-16
5 answers
  1. Anonymous users2024-02-12

    Song Dynasty poet Fan Chengda.

    In the thirteenth year of Chunxi (1186), he wrote the Four Seasons Pastoral Miscellaneous ("Four Seasons Pastoral Miscellaneous Sixty Songs.

    Fan Chengwei spent ten years in Shihu to live a relatively leisurely and prosperous life, wrote his last masterpiece in the thirteenth year of Chunxi (1186), and wrote the "Sixty Songs of the Four Seasons Pastoral Miscellaneous" for his hometown around the third year of Shaoxi (1192).

    Sixty Songs of Four O'clock Pastoral Miscellaneous Songs" is the Southern Song Dynasty.

    The poet Fan Chengda wrote a group of large-scale idyllic poems after retiring to his hometown, divided into spring and late spring.

    There are five parts of summer, autumn and winter, with 12 songs in each part, for a total of 60 songs. The poem describes the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflects the exploitation and hardship of the peasants.

    Among them, there are 12 songs of spring pastoral miscellaneous, 12 songs of late spring pastoral miscellaneous, 12 songs of summer pastoral miscellaneous, 12 songs of autumn pastoral miscellaneous, and 12 songs of winter pastoral miscellaneous, a total of 60 songs. It depicts the different scenes in the countryside in the four seasons, and vividly draws a dynamic map of pastoral farming.

  2. Anonymous users2024-02-11

    The Song Dynasty poet Fan Chengda wrote his last masterpiece "Sixty Songs of Pastoral Miscellaneous Songs at Four Seasons" in the thirteenth year of Chunxi (1186).

  3. Anonymous users2024-02-10

    The poem "Four Seasons Pastoral Miscellaneous" (its twenty-fifth) is an idyllic poem written by Fan Cheng.

  4. Anonymous users2024-02-09

    This poem describes the idyllic scenery of Jiangnan in early summer.

  5. Anonymous users2024-02-08

    Calligraphy and poetry are an important part of the traditional culture of the Chinese nation, and they are also important carriers of history and traditional culture. Cultural self-confidence needs to start from bit by bit, and express ancient poems in the form of calligraphy, hoping to provide some reference for poetry and calligraphy lovers, especially young lovers, and further deepen their understanding and love for traditional culture. Calligraphy lovers and poetry lovers from all over the country are invited to jointly carry out the "Writing Classics" online exhibition activities.

    Writing Classics] The 470th issue of the online exhibition, writing Fan Chengda (Southern Song Dynasty) "Four Seasons Pastoral Miscellaneous One".

    Original text: The sound of afternoon chickens in the deep alleys of willow flowers, and the new green of mulberry leaves is not completed. There is nothing to do when you sit and sleep, and you can watch the silkworms on a sunny day with a full window.

    About the author: Yao He, born in 777 A.D. and died in 843 A.D., was a famous poet of the Tang Dynasty. A native of Shaanzhou (now Shaanxian County, Henan), he was the great-nephew of Prime Minister Yao Chong.

    Yao He is good at the five laws, is good at secluded and clear cliffs, and is good at copying natural scenery and depressed official conditions, and sometimes has good sentences. However, the style and subject matter are more monotonous, and the depiction of scenery is more trivial. His poems have a certain influence on later generations, and have been taught by the poets of the Southern Song Dynasty "Yongjia Four Spirits" and the Jianghu Poetry School.

    Appreciation of works: Listening to the roosters, watching the new silkworms eat mulberries and growing, how pleasant it should be to wake up on a spring afternoon! Pastoral life is the foundation of China's farming culture and the spiritual destination of many literati and artists. Feeling this tranquility and reading this Yaxing is a luxury, but also a pleasure!

    Contributors in this issue:

    Hao Yi (Shijiazhuang, Hebei, 1974), Liu Guohua (Yueyang, Hunan, 1945), Lou Jianhua (Liaocheng, Shandong, 1975), Yao Shufang (Shaoyang, Hunan, 1965), Zhang Changyi (Leshan, Sichuan, 1959),

    Hao Yi (Shijiazhuang, Hebei, 1974), under the tutelage of Mr. Niu Xiao, is a member of Shijiazhuang Calligraphers Association and a member of Hebei Financial Calligraphers Association.

    Liu Guohua (Yueyang, Hunan, 1945), a researcher of Yueyang Educational Science Research Institute, a member of the Yueyang Calligraphers Association, and a member of the Chinese Elderly Calligraphy and Painting Association.

    Lou Jianhua (Liaocheng, Shandong, 1975) is a primary school educator who loves writing and studying calligraphy. He is a member of the Chiping District Association of Liaocheng City, Shandong Province. His works have appeared on various platforms or publications.

    He won the 2021 Poet Trophy and the Li Bai Cup Poet Medal of the 3rd Yangtze River Literature Award. Committed to the life of poetry, the poetry of life.

    Yao Shufang (Shaoyang, Hunan, 1965), master's degree of Huazhong University of Science and Technology, economist, calligraphy and ancient poetry lover.

    Zhang Changyi (Leshan, Sichuan, 1959), the name Changyi, the owner of Yizhai, a retired military officer, and the vice president of the Tiankai Calligraphy Art Research Association of Leshan City, Sichuan.

    Hao Yi Zhang Changyi.

    Yao Shufang, Liu Guohua.

    Lou Jianhua, Yao Shufang, Hao Yi.

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