Plaster statue with two faces ? Greek gods?

If you are a beginner, it is recommended to divide the face distance of the plaster before starting the draft, generally from the collarbone is a part, the clavicle to the nose is a part, from the nose below a part, the neck part, the base part, first determine the position of the top of the head and the base on the paper, and then divide it on the paper in proportion, and then there is a way to draw the nose and eyes first, (if you often go out of shape, it is recommended to use a straight line to outline the general shape, but it is easy to draw a transformer) After drawing the nose and eyes, hook the shape, draw the light and dark line, The other is to draw the outer frame first, and then go deep inward, the light and shade are generally very difficult to master, the usual solution is to use a brush or hand or toilet paper to grind the dark part (generally to wait until the facial features are roughly drawn, it is recommended to use less eraser pen, easy to plaster) with the side peak of the pen to draw the handover line, the handover line to draw the virtual and real, if you do not master well will not use the pen with the shape of the pen then more card cheekbones (cheekbones are forbidden to draw black!! The facial features are desperately strengthened, and how black can be painted (don't paint all black, generally there is a little bit of the eye and the nostrils are the blackest, and the eyes and nose of the plaster are not clear, so emphasize the nostrils and the junction of the upper eyelids and the eyeballs) Don't draw too many things in the dark as long as there is a large surface, you want to draw breathable, draw something close to you to be specific, far away can be wiped, aggravate the difference between light and dark and primary and secondary, beginners can use more lines, but try to use the surface to draw, don't draw too soft, try not to use the pen to draw. Don't learn the painting methods of those masters, they all have a high foundation in sketching and sketching, usually use sketch composition first, wipe the dark part, use the pen with the light part, and then emphasize the facial features. >>>More

It is better to draw the structure of the plaster by dividing the block surface. >>>More

Spent a little. The general light and shade are not well grasped, for example, the front part of the hair ignores the relationship between light and dark because it is too restrictive. The line between light and dark is a bit stiff. >>>More

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Have you ever heard of beauty? It is a very popular brand that many women love to use to keep their skin beautiful. However, do you know that beauty is the ** inside are all two? >>>More