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Wash your hands before use, wipe them after use, don't touch them with hard objects, and don't get wet.
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Guitar strings are fragile parts, so even if they are well maintained, they need to be replaced regularly for tonal reasons.
Generally, 1-3 months is fine, depending on the frequency of performance.
In order to maintain the feel and tone of the strings for a longer time, it is best to wash your hands before playing, and wipe them with a clean cloth during or after playing to reduce the corrosion of the strings by residual sweat. This can extend the life of the strings.
When not playing, the guitar should be installed to avoid the entry of moisture from the outside world, which will affect the service life of the guitar and strings.
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The life of guitar strings is generally not very long, the time for the best sound is very short, and of course there are also types of strings Nickel alloy has the shortest life but its tone is also the best sound bias towards warmth. Carbon steel has a longer lifespan, but the timbre is on the bright side, and the sound is cold. Generally speaking, there are several kinds of care for the strings: clean hands when playing the piano If your hands are prone to sweating, it is best to prepare a soft cloth to wipe the strings and fretboard from time to time
The fretboard also needs to be wiped frequently, and the straight side of the rosewood is easy to leave dirt, and the good point of maple is to wipe the fretboard in order not to let the dirt stick to the strings. Wipe the strings with polish oil to prevent corrosion and oxidation of the strings. The strings should be replaced regularly How long you can search on the Internet, you must be willing to use the strings for a long time, the more serious the consumption of the fret, and changing the frets is definitely more troublesome than changing the strings.
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Well, it's really a big problem for newbies. Similarly, this is also an important indicator to evaluate the quality of a guitarist's skills, and should be paid enough attention.
The first problem you can solve in this way: it may be caused by the left hand being too stiff, the string pressing too hard, the fingers pressing and lifting too hard, and the finger verticality too low. It can be solved by climbing the lattice (admittedly, this is the most effective method, repeated practice can make the piano clean, and many more practice pay attention to the left and right hand guards).
The second problem is also to climb the lattice (the role of the basic strings is to press the empty because of unskillful, to strengthen the cooperation of the left and right hands, to achieve the effect of not any dirty sounds. And looking at your two questions, I think the hand shape of your left hand doesn't seem to be standardized, and the movement of the fingers to the lower string when you lift it is too large, or look at the textbooks and the ** on the Internet, it will be of great help.
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Is there a problem with the equipment? Remember to cut out the noise. High volume is usually fine.
The string must be bulldozed, not picked. In this way, when you push and release, you can touch the strings without vibrating, and there will be no noise.
The same goes for other techniques, and it's the same principle. In fact, the string protection is not a separate technique, and the correct way to play the string will be directly guarded, and practice more.
Maybe everyone is different, but I push the string with my wrist and fingers, and I don't bring it to the bottom or make it sound above.
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First of all, I noticed that one of the problems you have with the strings is probably due to the low spacing of your strings. Generally, when the strings are pushed, the upper strings will not be hooked, but will also be pushed up together, and when they are put down, they will make a noise because of a slight vibration, and it will not be the noise that you said, which is outlined by the fingers. The right hand can pass through the palm of the little finger and touch the string you don't want to sound, and you're good to go.
Many times there will be a little noise, electric guitar is easy to make noise, practice more, consult more information, communicate more with the teacher, and slowly you will find that the noise can be controlled within an acceptable range.
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It is impossible to be completely new, like the fret under normal use, it will produce first-class wear, but it does not affect the use. Even if it is new, there will be some fret wear, which is normal and there is no need to worry.
In the case of strings, it is necessary to change them frequently, and once you find that there are rust spots, you must change them immediately, otherwise the damage to the opponent and the frets will greatly exceed the normal range. Generally speaking, the strings are changed in 3 months - half a year. Of course, it also depends on your local weather, if you are in the south and the weather is more humid, you should change the strings.
As long as the body is not bumped, you can wipe it with the dry stem every time you play it, and you can maintain the freshness for a long time.
In particular, it should be noted that Bi Lizhu is used for the body, for example, if there are a few small scratches, it can be used. But don't use it on the fretboard and strings, as well as the metal part. Because Bili Bead contains moisture, it will accelerate the rusting of the metal.
You can keep several packets of desiccant in your bag or case away from direct sunlight to protect your piano as much as possible.
Also, when changing strings, disassemble one and install one, and try not to dismantle all six strings and install them one by one. Otherwise, the neck suddenly loses its tension and may deform. When changing strings, you can wipe the fretboard with a dry cloth. The fretboard will generally not be a problem, rest assured.
Hope these help!
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It is very important to place the piano not too dry, not too wet, otherwise it will easily crack or deform. If you don't play the piano for a long time, you need to loosen the strings, it is best to wash your hands before playing the piano every time, and wipe the strings with a soft dry cloth after playing. If you need to replace the strings for a long time, it is best to change them all so that the pull of the piano will not be locally different and deformed So much is there for the guide What are you talking about?
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I respect people who know to take care of their guitars.
1. Be sure to wash your hands before using the piano, not only for care, but also for more comfortable hands when practicing 2. Wipe with a dry towel after practice.
3. If you practice the piano every day, you don't need to put it into the box, the body of the piano lies flat, and the neck should not be focused on 4. Use ** picks, otherwise the strings can't hurt.
5. Sunscreen, moisture-proof, high-temperature protection, ventilation.
6. Don't use the piano for two days, and put on the string oil.
Don't worry about the fret, just push hard.
Don't worry about the paint, it's time to play it.
Don't worry about money, there must be 6 trees when you change the strings.
You don't have to worry about the neighbors, it's not a decoration, it's okay to fight.
Take care of your girlfriend's curious paws.
Don't change the piano easily, practicing the piano is the right way.
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Playing the piano every day is the best way to take care of it, even if you buy the most expensive case and use the best oil, it can't protect the damage from shelving. The only way to play the piano is to get better and better.
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The body of the piano is usually cherished and wiped regularly. If you want strings, you can buy some string oil and coat them
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Do not leave in a place that is too dry.
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Stringing is a technique that produces a series of fast and smooth notes without a pick, and although this technique is mostly used in hard rock, it can sometimes be heard in classical and even folk songs. Before using this technique, it is important to understand the technique of learning the smooth tone of the left hand as it is a combination of these two techniques.
The trick is relatively simple:
Step 1: Press your left index finger to the 2nd fret of the second string and tap the 10th fret of the second string with the index or middle finger of your right hand.
Step 2: When you lift your finger (hook) from the 10th fret, the notes on the 2nd fret will be pronounced.
Step 3: Hammer the 5th fret with the little finger of your left hand.
Step 4: Go back to the first step and repeat.
Step 1: Hold your left little finger down on the 5th fret of the second string and tap the 12th fret of the string with the index or middle finger of your right hand.
Step 2: When you lift your finger (hook) from the 12th fret, the notes on the 5th fret will be pronounced.
Step 3: Hook the strings with the little finger of your left hand and the notes on the 2nd fret will be pronounced.
Step 4: Go back to the first step and repeat.
Play each one slowly and repeatedly, then gradually increase the speed (using a metronome) so that you will become proficient in the technique. Make your own phrases and incorporate your dotted string technique, use the first and second exercises together, and even switch to different strings as you play. When you're comfortable with these, try playing van halens.
Harlan's "eruption", which ends with a dotted string technique.
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When playing the rhythm, the free finger of the left hand can protect the string, for example, when you use the index finger, ring finger, little finger, middle finger to protect the bass string, and when you press the string with the index finger, use the root of your finger to protect the treble string that you don't play, and use your fingertip to hold the bass string that you don't play.
The right hand guards the strings in the same way as the one upstairs says, with the thenar part of the strings.
Solo, there are more ways to protect the strings, and everyone's habits are different, and in general, it is also the division of labor between the right-handed thenar and the left-handed fingers.
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Maintain the correctness and strength of the string pushing hand
As you practice string guarding, make sure your hand is correct, no matter how unaccustomed you are. In addition, it is necessary to strengthen the practice of finger strength, if the fingers do not have enough strength, they will not be able to complete this technique at all, so cultivating the finger strength when pushing the strings is also a training item that we must complete when we carry out basic string pushing training. 2. Don't use "one-finger Zen" casually
Many people are not used to using the traditional string pusher when they first come into contact with the string push, and only use one finger to push the string. This is a very dangerous practice, because when we first learn to push the string, the strength of the fingers is often not enough, and when we use one finger to push, we will often push with all our strength with cracked teeth, not to mention ugly, and it will also affect the habit of practicing in the future, and lead to the string pushing is not in place, and the previous efforts are lost.
3. The string guard of the left hand.
Index finger guard——
Most of the guards in the left hand use the method of pressing the string with the index finger. Use your middle and ring fingers as much as possible to push the strings, so that you can leave the most flexible index finger free for guarding.
Keep the left index finger pressed horizontally in the process of pushing (or kneading) the strings, because it is easy to touch other strings and produce noise when pushing and kneading the strings during playing.
The guard of the thumb——
We often see this way of guarding the strings in some foreign masters, and the thumb guards are generally used when pushing the strings, pressing the thumb on the strings.
The guard when the string is pulled down——
The method of pulling the string downward to protect the string is carried out with the index finger, that is, the index finger is flattened to protect the lower string.
4. The right hand guard.
If you can't reach the strings with your thumb when playing, or if your index finger is really not used to sticking it out on the fretboard, you can also use the outside of the palm of your right hand to guard the strings at some point. For example, when pushing the 2nd string, gently press the outside of the palm of your right hand near the bridge.
These are some of the techniques used to support the strings, and they are also suitable for kneading the strings. Everyone's situation of playing the piano is different, and the specific situation needs to be analyzed in detail. As for which method to choose, it can be decided according to the actual needs of the individual, and it is recommended to practice both the left and right hand methods, and choose the most suitable method for yourself in the actual performance.
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You can use any part of your body, as long as you can touch the strings, for example, the masters even use the forearms.
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Basically, the brown fingerboard turns black, which means that the moisture and humidity of the fingerboard are quite high at the moment, so that it can't be pushed at all. This is not too clear because it was not used on the spot, and it is generally recommended that unless the humidity is really in a low state, for example, the pores of the fingerboard have white spots, and at that time a thin layer of lemon oil or fingerboard oil is good on the top, and the application method should be to put the fingerboard oil on the piano cloth or toilet paper first, and gently wipe the fingerboard, so that it is good, and then due to the different humidity in the region, there will be different maintenance methods, and the humidity is generally high in the summer of the domestic coastal areas. I would recommend that you don't apply fretboard oil at all at this time, and it's usually fine to apply the oil once a season or two months unless the fretboard is very dirty, otherwise try to do as little as possible: (because of your sweat.) >>>More
Ah, actually.
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Don't talk nonsense upstairs. It's true that in theory, it's absolutely possible, but with good effects. At least 3000 or more. >>>More