Chinese animation really sucks home! Why is it really rotten?

Updated on amusement 2024-06-13
27 answers
  1. Anonymous users2024-02-11

    Because Chinese animation is also affected by national conditions, but it has slowly begun to develop in recent years. Just like "Happy Camp", it still has to take care of the awareness of most audiences, and the word "appearance association" needs to be explained.

  2. Anonymous users2024-02-10

    - The animation: I don't have anything to disagree with, it really sucks.

    Not necessarily in comics.

    There are still a lot of domestic comic masters.

    Personally recommend Shada.

    It is also Chinese style, but the painting style is very elegant.

    Other than that. You can take a look at the steamed bun diary. I think it's pretty good.

  3. Anonymous users2024-02-09

    Advertising in China is also interesting, animation is not interesting, and movies are not interesting.

  4. Anonymous users2024-02-08

    LZ didn't see a good ......

    There is a ...... with a picture comparable to that of seconds 5

    But it's really not good overall.

    Chinese animation is still mainly focused on children.

    This is destined to have little development.

  5. Anonymous users2024-02-07

    I suggest you go and see Qin Shi Mingyue!! Animation doesn't work. But the manga is no worse than the Japanese one, and no one wants you to read these things, all of them are read by wise children under the age of 10, so why should you bother with them? Can you change these things?

    Instead of talking about it here, you should educate your own next generation. If the country of this generation cannot change, the next generation of the country will change the next generation of the country (the next generation is your own children). A generation can always change for the better.

  6. Anonymous users2024-02-06

    I can't say that all Chinese animations are bad, but in fact, there are some better animations. Reasons for personal opinion:1

    Chinese animation is now generally imitating the realistic style of Japanese painting, and some storylines do not have the characteristics of their own country; 2.Foreign animation occupies the Chinese market, such as Japanese animation, everyone generally likes Japanese animation, so no one wants to make this money; 3.The quality of Chinese animation is not high, the picture quality is very poor, in fact, there are still a lot of animation talents in China, perhaps because the market profit of animation is not high, so the brain drain has gone to other industries. . .

  7. Anonymous users2024-02-05

    First, if there is no market, there will be no one to produce, and the production is not level, and the competitiveness is too low, so naturally the quality of animation will not be improved. Someone else Hayao Miyazaki's Spirited Away in 2001, sold more than 2 billion yuan that year! How many times more resistant than that makes bullets fly!

    Second, there is no mass foundation, and the concepts are different. In our country, cartoons are for children to watch, that is, childish films, if anyone in their 20s runs to watch any cartoons, it will be said by the elders, my parents are like this, other parents believe that it is similar, therefore, how can there be a particularly gratifying market? How can there be an amazing work?

    Third, there is a lack of animation masters. I have to admit this, there are no Chinese masters in China, and if there are no masters, how can they beg for very good works? It's hard to be a master like Miyazaki in our country, because everyone doesn't learn animation!

    These are the reasons for the pain of Chinese animation. However, I heard that there will be a "Sea" at the end of this year, I heard that it is very good, it seems that Chinese animation is about to rise, let's look forward to it together.

  8. Anonymous users2024-02-04

    From the 60s to the mid-80s, Chinese animation had a good reputation in the world... In the 20th century, the three Wan brothers, pioneers of China's animation industry, began to study animation production, and they produced the first Chinese-made human painting performance of "Havoc in Heaven". In 1936, China's first sound animation "Camel Dance" came out.

    In 1941, under the influence of American animation, China's first large-scale animation "Iron Fan Princess" was produced, which was the fourth animated art film in the history of world cinema after the American "Snow White", "Lilliputia" and "Pinocchio", marking that China's animation level at that time was close to the world's leading level.

    But what I want you to see is the difference between the different cultures of the two countries

    That's what we're going to focus on

    We don't have a shortage of technical talent, what we lack is good scriptwriters, written scripts and energetic animators.

  9. Anonymous users2024-02-03

    Personally, I think that radio and television do not allow Chinese animation to have violent and bloody plots like Japanese animation, and most of the Chinese animation is not **, it is only announced after the production is completed, so the attraction is not as great as **. Because of many restrictions, Chinese animation stays in the naïve model of "animation is for children", resulting in the progress of Chinese animation is very slow. These are all personal opinions and are for reference only.

  10. Anonymous users2024-02-02

    Because Chinese animation is younger, the painting style needs to be improved, and the storyline is relatively vulgar. Japanese animation is very good.

    The Chinese storyline is not novel enough because of a kind of ideological restriction in China, which does not allow fighting, killing, killing and the like, like the Japanese Yu-Gi-Oh and the like, there are too many card games and anime like that are not good-looking, but such as Naruto, China's Kuiba, Qin Shi Mingyue and the like are more real. Japanese animation has a wide range of content, from magic, machine warfare, to reality.

    When it comes to the style of painting, the Chinese style of painting is not bad, it's really not bad, but you can take a look at some Korean comics, its details are particularly detailed, like the bride of the water god, the puppeteer.

    Japanese comics are selected by popularity.,It's cut in half if it's too bad.,It's not like China has no pressure (it can't be said that there is no pressure here.,Like Kuiba is not popular so it stopped) And Japan broadcasts one episode a week.,It can prompt attraction.,China Qin Shi Mingyue did a better job.。

    Dubbing, mostly young people, and there are not many Chinese dubbing.

  11. Anonymous users2024-02-01

    It's not garbage, it's less money, you go and look at the CG animation of NetEase Games Requiem, you know, the special effects are not weaker than those in Hollywood, and the BGM is also very emotional, but it costs 13 million, you can see why a 6-minute CG animation costs 13 million, don't compare Qin Shi Mingyue with this requiem CG animation, there is no comparison, Qin Shi Mingyue can also make such powerful special effects, but they don't have so much money, 1300 shoots for 6 minutes CG for them to shoot at least 80 minutes of animation.

  12. Anonymous users2024-01-31

    Old thinking, no innovation, always those old men are in charge, and those who are promoted are also theirs"Heirs"How can it not be garbage There is also the Ministry of Culture I don't have good things But I don't let the introduction of foreign anime No one compete with them for a job** Competition and motivation What funds What industry What is aimed at age is all an excuse Good anime Put an episode and immediately have a large amount of people to invest in you And age is not a problem Japan's 4WD Brothers Pokemon Cherry Maruko Digimon These are not all what they are doing now for an age group If it weren't for the Ministry of Culture, those old men would have been laid off long ago.

  13. Anonymous users2024-01-30

    Too young.,Only TM draw animals.,Only copy Japanese comics.。

  14. Anonymous users2024-01-29

    No funding, no policy support, no animation talents.

  15. Anonymous users2024-01-28

    It's a fact that domestic production is not as good as Riman at present, but why is Riman so popular and so successful? The reason is that he has a perfect market system and a good age structure, and there will be no situation where there are too many children to anime or too many teenagers.

    China, in the initial stage of the spine, does not have a perfect market structure, so there is a market deformity - biased towards young children, teenagers are less (not completely nothing, you can see for yourself, like the moon dust or something, although it is not yet good-looking, but at least it can be seen. This is progress, do not negate progress, let alone the efforts of workers).

    Why is domestic production biased towards young children? Broadcasting? Wrong.

    Radio and television do not play a big role in this (not that it does not play a role), what matters is the market. Most Chinese believe that anime is just a child's thing, afraid to watch it for fear of being laughed at or disdainful of watching it. This leads to the fact that the main audience of anime is young children (don't say anything about our vast number of anime fans.

    How many anime fans can there be? The top of the sky is 1000w, and it is a dime a dozen to smash into the Chinese), so the companies will target the market and do more animation for young children. As for teenagers, the risk is too great, I don't know if there is money to be made, will any company invest?

    Unless you really feel that you have a lot of money, you are not afraid of losing. (This can be used as an example, like the Oscar-nominated Dream of returning to Jinsha Township, which is very popular abroad and dismal at the domestic box office, which is very demoralizing to workers' confidence, while a more child-oriented person like Pleasant Goat is very popular, which illustrates this problem.) [The above words are not original] I didn't have any hope for domestic animation before.,Very disdainful.,Later, it was Qin Shi Mingyue who made me start paying attention to domestic animation.,Chinese animation is developing.,Although this road is very rugged Minshan.,Like Ming Ji,Big Fish and Begonia,Jizang,Luo Xiaohei, and so on and all kinds of short works are very good.,In progress and development.,I'm starting to hope now.,To see the good.,Don't just look at those rough animations with low frames.。

    This article was written by the makers of Qingqingshu, you can take a look.

  16. Anonymous users2024-01-27

    Domestic animation is not only these,And "Balala Little Demon Fairy", "Big Ear Tutu" and so on have sequels,A lot of domestic animation is just not broadcast by TV stations,You can search for Tencent or station B's domestic animation area,There are a lot of excellent domestic online animations worth watching。

  17. Anonymous users2024-01-26

    There's a reason for the childhood filter.,The bear-infested movie was okay before.,And your perspective isn't limited to TV.,Now animated movies are also a direction that you can pay attention to.,Maybe there will be more excellent domestic 2D animations like Luo Xiaohei (although difficult)。

  18. Anonymous users2024-01-25

    As you get older, your understanding of animation is different, and you feel more and more naïve. And the cartoons I watched when I was a child, the reason why I still look good now is because you have always thought she was good-looking.

  19. Anonymous users2024-01-24

    1.This is a very important one, Chinese people don't put better than themselves in their eyes at all, and think that they are the best, and want to create a road that belongs to Chinese animation (of course, this is good), which is a big flaw. (Improvement has already begun).

    2.Anime created in China is very rigid, with uncoordinated movements and childish characters. As far as Japan is concerned, 10 of them can create an anime, and China has at least 20 people. (Improvement has already begun).

    3.One of the most important. The problem of mentality, Chinese always think that anime is for children, so the films created are very naïve!

    This mentality has influenced the birth of many good anime, and in Japan, no matter how old you are, as long as you like anime, you can find an anime that suits you.

    I really hope that domestic animation can develop better and better.

  20. Anonymous users2024-01-23

    When it comes to domestic garbage, different people can make up different reasons. I'm too lazy to say either. But you must also know that there are still many Chinese animators working hard, and there are some excellent works.

    In this anime industry that is all over the world every day, many excellent works have been buried. Here are just a few of them.

    I hope everyone should have confidence in domestic production, although there are many shortcomings, but don't go around saying that this garbage is not good. There are already a lot of people working on it! Understand!

  21. Anonymous users2024-01-22

    I don't think the whole system works the same way.

    Anime, animation, manga.

    In Japan, it is like this: a manga artist draws manga, and after a certain period of time, he negotiates with an animation company to produce animation.

    There are probably companies in China that directly create animation, comics will only be in journals**, and there is a problem that they will not be made into animation, Chinese animation is made for children, and Japanese animation is for people of all ages, not limited to children.

    I guess that's the difference.

  22. Anonymous users2024-01-21

    - - The animation industry is not valued in the country.

    I think that anime is all for children.

    Therefore, there is no focus on the professional level, and the plot is naïve.

    Although there are countless domestic animation lovers, they all give up learning the animation industry because they think that domestic comics have no future, resulting in the inability of domestic animation to develop.

  23. Anonymous users2024-01-20

    China has a lot of restrictions.

    Another reason is radio and television.

    Abominable radio and television.

    Everything has to be harmonious!!

  24. Anonymous users2024-01-19

    Probably the thinking is more ......It's too conservative.,And I'm afraid of teaching bad children.,Japanese anime is more or less in love in a few grades.,And then there's basically no money to learn animation in our country.,Food and clothing are the most important!

    Let's talk about technical issues,......This is the bane that our ancestors have planted for a lifetime......

  25. Anonymous users2024-01-18

    The state is too strict, always thinks that there is any educational value, and does not pay attention to this aspect, and there has never been a master like Miyazaki in the country, the state does not invest enough, is not good at learning from abroad, is not innovative enough, and the content is old-fashioned.

  26. Anonymous users2024-01-17

    There are plenty of talents??? God,China has only begun to pay attention to animation in the past two years.,I don't even have experience.,Just come up and do animation directly.,Don't talk about the content.,Just looking at the painting style and voice actor makes people completely uninterested......It's not comparable to Japanese anime at all, ah......But if the Chinese are willing to work hard, they don't believe that they can't win against him Little Japan, and we also grew up watching anime.

    o( o haha.

  27. Anonymous users2024-01-16

    The fault of the General Administration of Radio and Television, and the fault of the Women's CA Federation, and the foundation of domestic animation has been broken, and the fault of the concept, thinking that animation is for children, the talent is not mature, the industrial chain is too poor, and the animation is losing money, so there is no way to make some bad animation, and eat the money of the national policy.

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