Tianjingsha What are the still life in autumn, and what are the animals

Dead vines, old trees, small bridges, people's houses, and ancient roads are still lifes.

Crows, flowing water, west winds, skinny horses, and sunsets are animals.

This is Ma Zhiyuan's famous song, with 28 words outlining a picture of the wilderness. This song is composed of the heartbroken man touching the scene. The author's lyrical motives can be seen from the title.

The first two sentences of withered vines and old trees are faint, and the small bridge and flowing water are people's homes, which creates a cold and gloomy atmosphere, and shows a fresh and quiet realm. The small bridge and flowing water people feel elegant and leisurely. The 12 characters paint a picture of a secluded village in late autumn. The poet depicts a desolate and miserable artistic conception of the autumn wind, adding another layer of desolation to the secluded village.

The setting sun gives this dim picture a bleak light, which deepens the sad atmosphere. The poet skillfully connects ten kinds of prosaic objective scenes, and through the six characters of dry, old, faint, ancient, western, and thin, the poet's infinite melancholy is naturally contained in the picture. The last sentence, the broken intestine is the finishing touch at the end of the world, at this time in the late autumn village picture, there is a wandering wanderer, in the desolate ancient road of the remnant sunset, leading a thin horse, facing the miserable autumn wind, walking all over, sad and broken, but I don't know where I want to go, revealing the poet's sad feelings that I have never met, and appropriately expresses the theme.

What is the verse? I forgot.

The one on the second floor, have you ever read this poem? Is there an ancient road? There are withered vines ?..

The one on the 3rd floor, who doesn't even know who the author is? Bai Pu! Return to the horse??? At first glance, you can tell that it is plagiarism, Khan.

Static appearances include (lonely village) (sunset) (remnant glow) (light smoke) (old trees) (jackdaws) (green mountains) (green water) (white grass) (red leaves) (yellow flowers).

Lined out of the dynamic (Fei Hong).

This song uses the technique of allegorical scenery to naturally glue the twelve intentions together, as if they were at hand. The opening two clauses "The sun is waning in the lonely village, and the light smoke and old trees are jackdaws" render a quiet and lonely atmosphere, setting off people's sad state of mind. The scene of "A Little Feihong Shadow" is extremely dynamic, breaking the silence of the previous picture.

The last two clauses "green mountains and green waters, white grass, red leaves and yellow flowers" render a bright, clear and colorful picture with a combination of various color nouns, so as to write about the autumn school to make the extremely beautiful things in the sky contrast with the previous tranquility and loneliness, and highlight the main closed purpose.

Tianjingsha Qiusi.

Yuan] Ma Zhiyuan.

Withered vines and old trees, faint crows, small bridges and flowing water.

Ancient road west wind thin horse.

The sun is setting, and the heartbroken man is at the end of the world.

Creatures: Teng, Tree, Crow, Man, Horse.

Non-living things: bridge, water, home, road, wind, sun.

Note] Dead vines and old trees are just exaggerations by the author, not that the vines and trees are dead.

Creatures: Old Trees, Crows. People, withered vines.

Non-living things: small bridges, flowing water.

Creatures: Old trees, faint crows, people, broken intestines.

Non-living things: withered vines, small bridges, flowing water, sunset.

Creatures: vines, trees, crows, horses, people.

Non-living things: small bridges, water, farms, paths, wind, sunsets.

Original text: Yuan Ma Zhiyuan's "Tianjingsha Autumn Thought" withered vines and old trees, faint crows, small bridges and flowing water, and thin horses on the ancient road. The sun is setting, and the heartbroken man is at the end of the world.

Vernacular interpretation: At dusk, a flock of crows landed on an old tree entwined with withered vines, making a terrible wail. The water under the small bridge is rattling, and a thin horse on the ancient road is curling with smoke from the villagers' houses on the small bridge, and it is difficult to move forward against the west wind.

The setting sun gradually loses its luster and sets in the west. In the bleak night, only the lonely traveler wanders in a distant place.

Writing background: Ma Zhiyuan was keen on fame when he was young, but due to the high-pressure policy of the Yuan rulers, he has not been able to achieve his ambition. He lived a wandering life almost all his life, and he was depressed and embarrassed because of it. So during the lonely journey of detention, he wrote this poem "Tianjingsha Qiusi".

Article appreciation: This poem is very short, with only five sentences and 28 words, and there is no word "autumn" in the whole song, but it depicts a bleak and moving autumn suburb sunset, and accurately conveys the traveler's sad state of mind. This successful piece, which is praised as the ancestor of Qiu Si, embodies the artistic characteristics of classical Chinese poetry in many ways. The scenery supports the feelings, and the feelings are allegorical in the scene, and constitutes a bleak and sad artistic conception in the blending of the scenes.

Imagery refers to the artistic images that appear in poetry to convey the author's emotions and convey the author's thoughts. Classical Chinese poetry is often characterized by the use of complex and dense imagery. Many poets in ancient China often arranged many images closely in their poems to express their meanings.

Ma Zhiyuan's song clearly reflects this characteristic.

In just 28 characters, there are ten kinds of images, which are not only the real environment of the heartbroken man's life, but also the carrier of the heavy sadness and desolation in his heart. Without these imagery, the song would cease to exist.

Parallel to the complexity of the imagery is the singularity of the imagery. In the same work, the status of different images is relatively balanced, and there are no deliberately prominent individuals, and their emotional orientation tends to be the same, that is, many images often convey the same emotional tone of the author. The same is true for this song.

In order to express his melancholy and sentimental feelings, the author chooses many objects and images into the poem. These images can convey the author's inner feelings, and the combination of feelings and scenery makes the emotional orientation of the images in the work consistent and singular. The numerous images are connected by the threads of the same emotion of the author to form a complete picture.

Creatures: Old trees, crows, skinny horses, people.

Non-living things: withered vines (because they are dead), small bridges, flowing water, people (I don't think this can be counted, there are no specific people), ancient roads, west winds, sunsets.

Dust cover pure sand Qiusi.

Yuan] Ma Zhiyuan.

Withered vines and old trees, faint crows, small bridges and flowing water.

Ancient road west wind thin horse.

The sun is setting, and the heartbroken man is at the end of the world.

Creatures: Teng, Tree, Crow, Man, Horse.

Non-living things: bridge, water defeat, home, road, wind, yang.

Note] Dead vines and old trees are just exaggerations by the author, and they do not mean that the vines and trees have died.

The first three sentences: withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly thin horses.

Static appearances include (lonely village) (sunset) (remnant glow) (light smoke) (old trees) (jackdaws) (green mountains) (green water) (white grass) (red leaves) (yellow flowers).

Lined out of the dynamic (Fei Hong).

This song uses the technique of allegorical scenery to naturally glue the twelve intentions together, as if they were at hand. The opening two clauses "The sun is waning in the lonely village, and the light smoke and old trees are jackdaws" render a quiet and lonely atmosphere, setting off people's sad state of mind. The scene of "A Little Feihong Shadow" is extremely dynamic, breaking the silence of the previous picture.

The last two clauses, "green mountains and green waters, white grass, red leaves and yellow flowers", render a bright, clear and colorful picture with a combination of various color nouns, in order to write about the extremely beautiful things in autumn and contrast with the previous tranquility and loneliness, and highlight the main theme.