Appreciation of two poems by Guo Moruo, a collection of Guo Moruo s poems

Appreciation of the Heavenly Market: In the blue night sky, the street lamps and stars complement each other, and it is impossible to tell which is the street lamp and which is the star. At the beginning of the poem, the street lamp and the star are cleverly used as metaphors for each other, and with the distant lights and stars, the reader is introduced to "the misty sky", and suddenly the heaven and the earth are one.

In this way, verse 2 naturally conjures up the idea that "there must be a beautiful market" in heaven. Then, the wings of the imagination are further galloped to depict the magical scene of the heavenly market, and the objects on display here are "certainly rare things that are not found in the world". But what are the treasures and curiosities?

The poet does not say it in detail, just leaving it to the reader to savor it. In a bustling "heavenly street", the poet is obviously more concerned about the living conditions of the people here. Thus the first of the poem.

In the third and fourth sections, the legendary Cowherd and Weaver Girl roam around the heavenly street with lanterns to confirm the happiness and freedom of their lives. Everyone knows that in the original mythology, the Cowherd and the Weaver Girl played a tragic story, one of them was in the east of the Tianhe River, the other was in the west of the Tianhe, and there was only one "Queqiao Meeting" every year; In this poem, the couple has a new look, they ride a cow across the Milky Way, travel to the streets, and live a free and happy life together. This change reflects the poet's bold imagination and pursuit of fantasy beauty, and contrasts his dissatisfaction and contempt for ugly reality.

It is thought-provoking that the heavenly city is a magical fantasy, but the poet depicts his own wishes as a living reality, and writes so realistically. There is no room for suspicion. The poem also repeatedly uses the affirmative word "certainly", which shows the poet's persistent pursuit of an ideal world.

All this is full of the spirit of romanticism, which fully shows Guo Moruo's unique artistic personality.

Silent Night" appreciation.

In the strange and beautiful scenes in the poem, the poet himself is completely intoxicated: the light moonlight is faint, "like snow and frost", and "shrouds the pine forest outside the village", giving people a dreamlike feeling. In the sky above this fantastic fairyland, there are "white clouds" and "leaking a few stars", giving people a magical feeling.

In addition to the "leaked" sparse stars, what else is inside? I really want to lift its white veil of mystery and see. Why can't you see Tianhe?

Just see "the distant sea fog is blurred", there are lights, clouds, stars, fog, such a magical place, such a psychedelic world, I am afraid that there will be people on the shore to the moon beads. This extremely magical imagination introduces the reader to a strange fairyland, and leaves the reader with unlimited imagination.

By describing the delicacy of the pine forest on a moonlit night, imagining the picture of "the shark people are on the shore and the pearls flowing to the moon", the author's deep feelings of longing are expressed.

Heavenly Market.

The street lights in the distance were bright, as if countless stars were shining.

The stars in the sky appeared, as if lit by countless street lamps.

I think there must be a beautiful market in the ethereal sky.

Some of the items on display in the market are certainly rare things that are not found in the world.

You see, the shallow heavenly river must not be very wide.

The cowherd and weaver girl across the river will definitely be able to ride the cow to and fro.

I think they must be wandering around the streets of heaven at this moment.

If you don't believe it, look at the shooting star, it's them walking with lanterns.

Silent night The light of the moon shrouded the pine forest outside the village.

The white clouds were clustered, and a few points of sparse stars were leaked.

Where is Tianhe? The sea fog was blurred in the distance.

I'm afraid that there will be sharks on the shore, and the moon will flow pearls?

Guo Moruo's poetry collection is as follows:

Goddess", "Changchun Collection", "Starry Sky", "Tide Collection", "Camel Collection", "Dongfeng Collection", "Hundred Flowers Blooming", "Xinhua Song", "Spring Festival Song".

Most of them were written by poets when they were studying in Japan. Among them, the representative poems include "Phoenix Nirvana", "The Rebirth of the Goddess", "Coal in the Furnace", "Sunrise", "Pen Standing Mountain Prospect", "Earth, My Mother! ", "Tengu", "Good Morning", "Standing on the Edge of the Earth", etc.

"Goddess" is Guo Moruo's first collection of poems, full of the poet's deep feelings of nostalgia for the motherland, praising the self-image full of rebellious spirit, showing the self-strength combined with all things, expressing the admiration and praise of the workers and peasants, and full of affectionate eulogy to nature.

The Tides Collection is divided into two parts, arranged according to the time of writing. The first part of the poetry collection is "Chao Ji", which is selected from the author's post-liberation poetry collection "Xinhua Song", and the latter part is "Xi Ji", which is the author's old and new style poems before liberation, including a few early works, many of which were selected by the author from the diary this time.

A Hundred Flowers Bloom contains a total of 100 kinds of poems and woodcuts, plus an article "Other Flowers", and the whole book has 101 poems and illustrations. Among them, there is one kind of flower for each of the 100 songs, and the one hundred and first is "All the Other Flowers".

Guo Moruo's profile:

Guo Moruo (1892, 1978), male, Han nationality, is a famous modern Chinese scholar, writer, historian, paleographer, and social activist. Born on November 16, 1892, his original name was Guo Kaizhen, a native of Leshan, Sichuan.

Guo Moruo has published many poetry collections, including "Goddess", "Changchun Collection", "Starry Sky", "Tide Collection", "Camel Collection", "East Wind Collection", "Hundred Flowers in Bloom", "Xinhua Song", "Spring Festival Song" and so on. Among the more famous poems are "Heavenly Market", "Coal in the Furnace", "Earth! My Mother", "Phoenix Nirvana", "Praise of the Sun", "Tengu", "Ji Yue", "Good Morning" and "Spring Thunder", etc.

The Goddess poetry collection.

Heavenly Market.

The street lights in the distance were bright, as if countless stars were shining.

The stars in the sky appeared, as if lit by countless street lamps.

I think there must be a beautiful market in the ethereal sky.

Some of the items on display in the market are certainly rare things that are not found in the world.

You see, the shallow heavenly river must not be very wide. The cowherd and weaver girl across the river will definitely be able to ride the cow to and fro. I think they must be wandering around the streets of heaven at this moment. If you don't believe it, look at the shooting star, it's them walking with lanterns.

Heavenly Market.

Guo Moruo's poetry works are as follows:

In 1919, he wrote poems such as "Hug and Child Bath in Hakata Bay" and "Phoenix Nirvana". In August 1921, the poetry collection "The Goddess" was published. In 1923, he completed the historical drama "Zhuo Wenjun" and the poetry and opera prose collection "Starry Sky".

In 1924, he completed the historical drama "Wang Zhaojun". In 1927, he joined the Communist Party of China.

In 1931, he completed the treatises "Research on Oracle Bone Characters" and "Research on Bronze Inscriptions of Yin and Zhou Dynasties". In 1937, the Anti-Japanese War broke out, and he returned to China to participate in the Anti-Japanese War and hosted "Salvation**" in Shanghai. In April 1938, he served as the director of the Third Department of the Political Department of the National Military Commission.

In December 1941, he wrote a five-act historical drama "The Flower of Tangtang".

In 1942, he completed the historical drama "Qu Yuan", "Tiger Fu", "Gao Gradually Leave" and "Peacock Gall". In 1943, he completed the historical drama "Southern Crown Grass". In 1944, he wrote "The Three Hundred Years of Jiashen".

In 1959, he completed the historical drama "Cai Wenji". In January 1960, he completed the historical drama "Wu Zetian"; In the same year, he was elected as the chairman of the third China Federation of Literary and Art Circles.

In 1969, he completed the treatise "Li Bai and Du Fu". In 1973, the treatise "Two or Three Things About Unearthed Cultural Relics" was published. In 1978, he was elected as the chairman of the fourth Federation of Literary and Art Circles; On June 12, he died in Beijing due to ineffective medical treatment.