What was the first oratorio in our country, and the first oratorio in our country was .

Song of Long Hate (Oratorio) Wei Hanzhang lyrics, Huang Ziqu. Composed in the summer and autumn of 1932, it was the first oratorio in China. This lyrical-dramatic oratorio is based on Bai Juyi's long poem of the same name, and uses the verses as the titles of each movement, and in terms of plot structure and paragraph layout, it also participates in Hong Sheng's legendary "Palace of Eternal Life".

It was originally planned to write ten movements, but it was part of the solo part.

The fourth, seventh, and ninth movements were not completed in time. On the one hand, the author created this oratorio in order to fill the gap in the choral teaching materials for the lack of Chinese works, and on the other hand, he also had a positive intention to pinpoint the disadvantages of the times, reflecting the patriotic enthusiasm of the masses and the awakening of national consciousness under the serious situation in which the Japanese invaded China and the disaster of national destruction was imminent, while the Kuomintang authorities adopted non-resistance. The first movement, "Fairy Music Drifting Everywhere" (mixed chorus).

The second movement, "The Palace of Eternal Life on the 7th of July" (female tripartite chorus and duet of baritone and soprano). The third movement, "The Fisherman Comes to the Land with Agitation" (male four-part chorus). The fifth movement, "The Six Armies Are Helpless".

The sixth movement, "Death Before the Moth" (soprano solo). The eighth movement, "The Mountain in the Ethereal Void". The tenth movement, "This Hate Lasts Forever" (mixed chorus and baritone solo).

Song of Long Hatred is Huang's first large-scale work since returning to China, and it is also the largest vocal work left in his short life. Although it is an unfinished work, it has included the main content and scenes of Bai Juyi's original work, without losing the coherence of its plot and the integrity of its structure. In 1972, Lin Shengxi rewrote it.

Fourth, seventh, ninth movements.

China's first oratorio "Song of Long Hatred".

Answer]: B Long Hate Song" China's first oratorio, Wei Hanzhang lyrics, Huang Ziqu. Although it has not been written, it has included the main content of the original poem, and it is still a liquid pretending to be a vocal classic of China's romanticism.

The structure of an oratorio is: Qing (left and right structure) Sing (left and right structure) Drama (left and right structure).

The structure of an oratorio is: Qing (left and right structure) Sing (left and right structure) Drama (left and right structure). Pinyin is: qīngchàngjù. The phonetic pronunciation is: one

What is the specific interpretation of an oratorio, we will introduce it to you through the following aspects:

1. Explanation of terms [click here to view the details of the plan].

A large piece of music for the choir to sing, where the narrative component is dominant, but not as dramatic as in opera.

2. Citations and Explanations.

A large piece of music for the choir to sing, where the narrative component is dominant, but not as dramatic as in opera.

3. Chinese dictionary.

A large-scale vocal suite. Orchestral accompaniment, the content is epic and dramatic. At the end of the 16th century, the Romans were born, and the Bible was originally used as the subject of the story.

In the middle of the seventeenth century, it began to become a vocal work performed in the ** society, mainly choral singing. Such as Haydn's Genesis, the Four Seasons, etc.

Fourth, the network explained.

An oratorio oratorio is a large suite structure with a certain dramatic plot, consisting of a variety of vocal pieces and orchestras, including arias, recitatives, duets, and choruses, and is a large-scale multi-movement vocal suite between opera and cantata, accompanied by an orchestra. Among them, the lyrics of each movement are more coherent in content than those of the cantata. The difference between an oratorio and an opera is:

There are no sets, costumes and movements, and most of them are performed at ** meetings.

Idioms about oratorios.

The pain of the creation is deep, the drama is complicated, the drama is complicated, the drama is shallow, the prank is sung, the prank is eternal, the high-profile material is sung, the drama is sung, and the amount of sand is raised.

Words about oratorio.

Singing high, into the clouds, the drama is chaotic, the pain is deep, the mischief is eternal, the sun socks are singing, the low singing material, the drama is high, the drama is high, the drama is poor, the drama is singing, and the sand is raised.

Sentence formation about oratorio.

1. His creative works include symphonies, instrumental pieces, vocal pieces, oratorios, etc.

2. In the oratorio, the soloists play a role in and react to the loosely constructed story.

3. Delight the club's decision to propose an oratorio in its performance.

4. Several major developments in this period have greatly advanced the modern direction. These developments were the birth of opera and oratorio.

5. Most of his oratoros are in the National Library in Paris.

Oratorio, also known as divine drama, is a form of performance with a religious theme, and the form of the performance is similar to that of the cantata, but the cantata is based on the secular theme. The theme is mostly biblical stories, and the purpose is to raise the thoughts of the gods, and the performance is solemn. Depending on the plot, there are also recitatives, arias, duets, and choruses.

But the singers don't wear costumes, don't wear makeup, and there is no stage scheduling when singing. Symphony orchestra and choir and soloists all appear on stage at the same time. The purpose of the performance is to make the audience listen to God's will.

Ornate costumes or worldly performances must not be used to conceal or mislead the listeners about God's will. Therefore, if it is classified according to the form of performance, it is called an oratorio; If it is classified according to the subject matter, it is called a divine drama.

The biggest difference between opera and oratorio in terms of form is his performance, the actors have to wear costumes, makeup, stage management, and of course, there are performance exchanges. The symphony orchestra is in the orchestra pit, and there are only performances on stage. The difference in subject matter is that the opera is mostly secular in nature.

A life closer to humanity.

Oratorios generally have no costumes, sets, or stage performances, and the task of narrating the complex is often performed by a single narrator. In terms of singing, the oratorio is similar to the opera, with recitatives, arias, duets, etc., accompanied by an orchestra. The difference is that the oratorio highlights the role of the choral chorus.

The difference between an oratorio and an opera is that there are no sets, costumes and movements, and it is mostly performed at ** meetings. There is a distinct dramatic structure and plot, which is more epic and dramatic.

Oratorios are mainly religious-themed and do not require costumes and performances.