Not getting started with color? What does it mean to be colorless when you draw?

Didn't get started. I didn't find the meaning of feeling.

There is no color in painting.

The picture is not rich enough.

Like a jar.

Its original color was green.

You're just drawing green on it all the time.

There are only changes in light and dark.

For the shaded part, you use dark green, and for the bright part, you use grass green, and the green inside is not right.

Didn't the teacher say the three elements?

The green jar is definitely not just green.

It is also affected by what is around you.

For example, if you have an apple next to it, you can add a little bit of yellow or red.

Having a different color of interlining will also affect the jar.

The green jar is not pure green.

After the colors are enriched, it is necessary to unify them.

Otherwise, it will become a pot of flowers.

I don't know if you get it.

I suggest you copy some of the paintings, like Yasubin's, which seem to have been produced by the director of CAFA's color foundation.

It's not too difficult, otherwise it wouldn't be a color base, would it? It is enough to cope with the college entrance examination.

Don't be afraid, draw more colors, don't make the picture monotonous.

That's all.

Look at the colors on "Fifty Years of CAFA High School" Just look at yourself.

It may be that the sense of color is not good. The color contrast is not strong enough, and the whole is too gray. It is necessary to grasp the big contrast relationship so that the picture can jump out.

There is no color, which means that you are drawing an inherent color, such as an apple, you will be painted red,,, you should see what color it is in the dark part, what color is the light part, and the ambient color, and what color it prefers in an object. These should be noted.

There are two meanings: one is that the color is too monotonous, and the other is that the painting has no feeling, just like a child's painting.

The color is too monolithic, e.g. only blue on a blue jar.

It should be said that there is no contrast, painting the scoop according to the gourd, or it may not have the strong color contrast of the original object, and it does not add its own feeling, it is just tracing. Painting is about feeling, what color you see can be exaggerated as much as possible, art is to express things more intensely.

Another: Don't mix too much when mixing colors, sometimes it is very feeling to occasionally ooze other colors, don't have to mix the pigments so evenly, but there is no feeling.

At first, you can be bold in painting colors, and the colors are not raw at all, so that you may be able to find a sense of color.

Ha. My teacher said the same thing about my comrades.

In fact, the painting is too rational, looking at the white cloth with white powder, looking at the deep jar is crimson and appland, such a picture must have no color. In the room, the bright side of the object is cold, there will be some cold color, the dark part of the color is the most, there is the complementary color of the object's inherent color, the interlining and the reflection of other objects.

Just copy a few gouaches carefully.

For example, the bright surface on the white cloth will appear blue when affected by the skylight, and it is enough to add a little sky blue to the white powder when painting.

This means that there are not many colors.

The colors are not rich.

Three primary colors of art: red, yellow, and blue.

Red, yellow, and blue add the sense of reality to people, and are the three primary colors of reality.

Art textbooks talk about the use of paint in painting, and the color palette is red, yellow, and blue as the three primary colors.

Art color, color, light, three primary colors - the principle of additive color method orange, green, purple.

Art color pigments three primary colors - subtractive color principle red, yellow and blue.

The six-color system composed of the three primary colors of the American sail bridge color red, yellow, blue, orange, green and purple gives people the actual color of the orange sedan lead to feel the circle and is in line with the objective reality, and yellow, magenta, and blue are the three primary colors that are scientifically accurate.

Colored pencil bar.

If you don't use gouache or watercolor or something like that, it will be ugly.

Since I used to draw with a pencil, I'll use a pencil now.

Professional painters use a lot of empty brushes.

Pencil: Mainly used to make drafts, generally with mechanical pencil is better, can be selected according to personal habits of different hardness of the pencil, can also use a wooden pencil, such as "China" brand, generally with HB or hard H pen.

Duckbill Pen: Used to draw straight lines in ink sketches, with neat edges and consistent thickness. When using, the "duckbill pen" should not be dipped directly in ink, but should be dipped in ink with a dipping pen or brush, drip into the gap between the duckbill pen, and determine the thickness of the line segment by adjusting the screw at the front end of the pen.

When drawing a straight line, the barrel of the pen is perpendicular to the surface of the paper, and the line is evenly and forcefully pulled horizontally, not too fast, so that you can draw an even straight line.

Marker: Commonly used to draw large areas of black or for special effects, and can also be used to draw thin lines. Sometimes, you can also use a colored microphone pen to color the color manuscript, which is different from the traditional style of color manuscript, more avant-garde, and its effect is like a rendering, with obvious brushstrokes, and it is not easy for beginners to draw well.

There are two types of microphone pens: oily and water-based.

Brush: It can be used to paint a large area of color, and it can also be dipped in white color to repair the drawing. However, the white brush must be used separately from the brush of the past, and the used brush must be cleaned.

Drawing pen: A drawing pen is a very thin pen that is often used to draw borders and lines of uniform thickness. The thickness of the drawing pen ranges from to 2mm, but the common size is to draw the pen.

Because the tip of the drawing pen is uniform in thickness, and the line drawn has no pen edge, it should not be used too much. Because the nib of the drawing pen is very thin, it is easy to block the nib after the ink dries, so the cap should be covered in time after not in use, if the ink is not produced when used, you can shake it up and down, or dip the nib in water, it is really not good, you can soak it in clean water.

Dipping pen: It is used to apply the ink line, but there are many types of dipping pens, and the thickness and shape of the nib are different, so we can choose different thicknesses of dipping pens according to the different content of the drawing. The tip of the G pen is very elastic, and lines of different thicknesses can be drawn according to the amount of force, especially the thick lines drawn are relatively smooth, and they are most suitable for drawing contour lines.

The round nib is suitable for drawing very thin lines, but if you use force, you can draw thicker lines like the G nib, so you can change it freely. Overall, it's a bit thinner than the g-nib, so some people only use it to draw details or backgrounds.

Wait, there's a lot more, so I won't talk about it. Hey.

1.The whole round of Zen body, the relationship between the big hole and the stove.

2.The local wax trembles the dust part, and the color relationship is opened.

3.Go deep into the individual.

4.Back to the whole.

The observation approach should be holistic from start to finish.

Personally, I think it's better to use watercolor, the colors are beautiful, and there is no need to outline the edges.

In fact, you can use a mechanical pencil to draw things, and many cartoonists use mechanical pencils to make friends.

Crayon. If you don't know how to use watercolor, it will be ugly.

With crayons, I think there is childlike innocence.