What are the similarities and differences between Li Qingzhao and Fang Wenshan s creations?

Updated on amusement 2024-06-10
13 answers
  1. Anonymous users2024-02-11

    Li Qingzhao is a Song Ci. Fang Wenshan is a no-makeup rhyme poem.

    First of all, the style is different, and the Song Ci pays attention to the rhythm. Plain rhyme foot poems only require rhyme at the end.

    Li Qingzhao's words belong to the ancient language. Fang Wenshan's is basically a modern language. But there are a few old sayings added to the Chinese style.

    Li Qingzhao's sense of poetry comes from life and comes from his own feelings, and he mainly writes about the happy life with her husband in the first half of his life, and writes about the hatred of his family and country in the second half of his life.

    As a contemporary literati, Fang Wenshan obviously does not have this kind of sorrow. It can be said that it is created for the sake of creating. It is even more impossible to write about the hatred of the family and the country.

  2. Anonymous users2024-02-10

    The first two sentences fell into clichés, I think don't use personal pronouns before the first two sentences, and then there are too many new words in your lyrics, chasing Fang Wenshan's words, one or two new words are enough, don't use words like "Fuyun Rou". After all, Fang Wenshan is chasing Li Qingzhao, not Wen Tingyun.

    There are a lot of "I" in the lyrics, and the lyrics you wrote are more like ordinary communication, and there are a few sentences in which the mood is very good.

    The most important thing is that I have seen many people chase Fang Wenshan, and eventually fall into the Yanye literature of the "Flower School". Therefore, if you want to write Fang Wenshan's lyrics, you can't look at Fang Wenshan's words, because Fang Wenshan's lyrics are also borrowed from the ancients. If you want to read it, you should still accumulate more.

    Ouyang Xiu, Li Yu, and Li Qingzhao are all very good, and Liu Yong can also consider it.

    Contemptible people are not talented, and the reviews are not correct.

    However, it can be seen from your question supplement that you don't want to accept reviews with humility yet.

  3. Anonymous users2024-02-09

    Nandu is mainly used as the demarcation point (some people also take Zhao Mingcheng's death as the demarcation point).

    In fact, I think it is easier to explain the problem by dividing Yi An's creation into three periods: before marriage, after marriage, and after Zhao Mingcheng's death, because the changes in married life can better explain the changes in the style of lyrics.

    In the early stage, it mainly showed the innocence of girls and their love for beautiful things and life, such as the two songs of "Like a Dream Order", "Do you know? Did you know? It should be green, fat and thin.

    The middle term words are mainly to express a happy married life and longing for her husband, such as "The Pride of the Fisherman", "Creation may be intentional, so teach the bright moon and exquisite land." A total bounty of gold bottles sinking green ants, don't get drunk, this word is not compared with the flowers".

    In the later period, after experiencing the ruin of the country and the death of the family, and the twilight of life, the emotional tone changed to sad and depressed, such as "looking for and seeking, cold and lonely, miserable and miserable".

  4. Anonymous users2024-02-08

    The early lyrics mainly describe the theme of sad spring grievances and boudoir life, showing the sentimental personality of the female lyricist. For example, in "Like a Dream Order", the feelings of cherishing spring and pity flowers, and her lovesick and resentful words made by Zhao Mingcheng because of his outing, are even more affectionate and unique. Such as "Drunken Flower Yin".

    The later words are full of the strong and sad sentiment of "things are people, not everything", thus expressing her deep affection for her homeland and old things. Such as "Slow Voice".

  5. Anonymous users2024-02-07

    In the early stage, it was mostly happy, because life was very good at that time, but then after changes, her husband also died, so it became low all of a sudden, and the obvious dividing line was a bit like Sanmao's, after a big change, the expression of the work changed completely

    That's it, I didn't express it well.

  6. Anonymous users2024-02-06

    Of course not, the Dream Chasing Order is written by the four great beauties of ancient China, Xi Shi, Wang Zhaojun, Diao Chan and Yang Yuhuan.

  7. Anonymous users2024-02-05

    The Dream Chasing Order is written about Li Yugang's past and present life,,, because Li Qingzhao has a first word called "Dream Order", the name is very similar, and the personal memory is confused.

  8. Anonymous users2024-02-04

    The ancient writers of the Tang and Song dynasties were endowed with prose, while the Yisheng scholars were endowed with slow words. Slow words have the characteristics of Fu's description, and they are fluent, uniform and varied, which can be called "more than Fu". Li Qingzhao's "Slow Voice" has been popular for hundreds of years, and in terms of its content, it is simply a sad autumn fu.

    And only by reading it with the body can you get its purpose. Li Qingzhao's poem is creative in its approach. The original tune of "Slow Voice" rhymes with flat words, and the tone is correspondingly slow.

    However, this poem is changed to rhyme, and repeatedly uses overlapping words and double words, which changes soothing to urgent, and sad to poignant. This word is written in a bold and indulgent pen to excite and sorrow, which is neither euphemistic nor vague, and cannot be included in the euphemistic body.

    The predecessors commented on this word, and most of them featured a series of overlapping words in the first three sentences. But if you only pay attention to this layer, you will inevitably lose your skin. The lyrics write the protagonist's sad mood all day, but starting from "looking for and seeking", it can be seen that she has been bored from a bed, as if she has lost something, so she looks around, as if the person floating in the ocean wants to catch something to be saved, hoping to find something to sustenance her emptiness and loneliness.

    The following "cold and lonely" is the result of "searching and seeking", not only did he find nothing, but he was hit by a lonely and cold atmosphere, which made him feel miserable and sad. So he immediately wrote another sentence "miserable and miserable". In just three sentences, a sad and poignant atmosphere has enveloped the whole text, making the reader can't help but take his breath away.

    This is the result of all kinds of emotions bursting out in the middle, having to vomit quickly, the so-called "can't stop".

    This graceful beauty of hers.

  9. Anonymous users2024-02-03

    It's Li Qingzhao's writing style! What do you want to ask? Prawns.

  10. Anonymous users2024-02-02

    Li Qingzhao was born into a family of scholars and doctors who loved literature and art. His father, Li Gefei, was born in Jinshi, a student of Su Shi, an official to a member of the Ministry of Rites, a rich collection of books, good at literature, and working in words and chapters. Her mother is the granddaughter of the champion Wang Gongchen, and she is very literary.

    Due to the influence of her family, especially the influence of her father Li Gefei, she began to write poetry and lyrics when she was a teenager.

    After the fall of the Central Plains, she and her husband went south and lived a desolate and miserable life. Mingcheng died of illness and was lonely. Inherited from the family at an early age, and has long been famous.

    Li Qingzhao, who is famous for his words, works on poetry and writing, and writes on words, enjoys a high reputation in the history of Chinese literature. "In his early years, he lived a stable and prosperous life, and wrote more about lovesickness; After the invasion of the Jin soldiers, he encountered great changes in the country, and his lyrics were full of emotion. Her poetry has a sense of time and history, and the style of words is very different.

  11. Anonymous users2024-02-01

    Li Qingzhao (1084-1155) was an outstanding female writer in Nanning, and a native of Zhangqiu Mingshui (now Jinan). He is famous for his poetry, poetry and writing, and has a high reputation in the history of Chinese literature.

    Li Qingzhao was born in a family of doctors who love literature and art, and after marrying Zhao Mingcheng, a student of Tai, they studied Jinshi calligraphy and painting together, and lived a happy and beautiful life. After the Jingkang Revolution, she and Zhao Mingcheng avoided chaos in Jiangnan and lost most of the cultural relics they treasured. Later, Zhao Mingcheng died of illness, and she drifted alone in Hangzhou, Yuezhou, and Jinhua, and spent her old age in misery and loneliness.

    She is a writer who has achieved success in poetry, lyrics, essays, and fu, but the best and most famous is lyrics. In her early years, she wrote "Theory of Words", advocating that words should not be a family. He paid attention to the characteristics of word style and rhythm, re-laying and emotion, and criticized the shortcomings of lyricists from Liu Yong, Su Shi to Qin Guan and Huang Tingjian.

  12. Anonymous users2024-01-31

    Father Li Gefei is one of the four bachelors of Yuanyou,

  13. Anonymous users2024-01-30

    In the past, most male authors wrote in a female voice, and even if they did not have the psychology of playful appreciation, they were inevitably separated by a layer. And Li Qingzhao writes about her own personal feelings and inner experiences, so her words are particularly sincere, delicate, euphemistic and moving. Starting from the psychology of women, she selects the things that women are easy to associate with when they are sad and sorrowful, and organizes them with women's delicate brushwork, so she has a unique style.

    This is the difference between a man doing a man and a man doing boudoir.

    Therefore, Li Qingzhao put forward the argument that words are not one family.

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