Easy to understand Montage, Montage Simple Explanation Montage is easy to understand

As it is said upstairs: montage is the basic structural means and narrative mode of film, and it is the foundation of film art. The word montage comes from the French language and is an architectural term that means composition and assembly.

Borrowed into the art of cinema, montage refers to editing and assembling. Montage is a general term for the form and method of composition of films.

Additional note: Montage is only a picture as a narrative, and the picture is transformed in different scenes. In this way, the unspeakable and indescribable inner activities of the characters in the film are expressed.

The American film "The Graduate" makes extensive use of montage as a cinematic expression, and it is also one of the most successful films using montage.

The so-called montage structure refers to the special structural method in which film and television literary scripts combine many pictures with different contents and scenes according to the intention of creation, so that they can produce coherent, contrasting, associative, foiling, suspense and rhythm and other artistic effects.

The transliteration of the French word montage was originally an architectural term, which means composition and assembly. One of the main narrative and expressive means of film creation. Cinema arranges and combines a series of shots shot in different locations, from different distances and angles, and in different ways, to narrate the plot and portray the characters.

However, when different lenses are grouped together, they often have meanings that each lens does not have when they were alone. For example, Chaplin combined the footage of the workers entering the factory gate with the footage of the driven sheep; Pudovkin combined the footage of the melting glacier in the spring with the footage of the workers' demonstrations to give the original footage a new meaning. According to Eisenstein, when the opposing shots are grouped together, the effect is "not the sum of the two numbers, but the product of the two numbers."

With the role of montage, movies enjoy great freedom in time and space, and can even constitute film time and film space that are inconsistent with the time and space in real life. Montage can create a third movement in addition to the actor's movement and the camera's movement, which can affect the rhythm of the film. Shortly after the advent of cinema, American directors, especially Griffith, noticed the role of film montage.

Later Soviet directors such as Kulishov, Eisenstein and Pudovkin successively summarized the laws and theories of montage, and their related works had a profound impact on film creation. Montage originally refers to the relationship between images and images, after the emergence of sound films and color films, the use of montage has a broader world between images and sounds (human voices, sounds, **), sound and sound, color and color, light and shadow and light and shadow. There are many names for montage, and there is no clear grammatical norm and classification so far, but the film industry generally tends to divide it into three categories: narrative, lyrical, and rational (including symbolic, contrasting, and metaphorical).

After the Second World War, the French film theorist Andr Bazin (1918 1958) objected to the role of montage, arguing that montage imposed the director's point of view on the audience, limiting the ambiguity of the film, and advocated the use of depth of field lenses and long shots of continuous scene scheduling to shoot films, believing that in order to maintain the integrity of the plot space and the real time flow. However, the role of montage cannot be denied, and film artists have always used both montage and long shots to create films. Some people also think that long shots actually use camera movements and actors' scheduling to change the scope and content of the shot, and call it "internal montage".

My own understanding is a way of making a movie. Hitchcock, the master of cinema, was the first to apply it to film. In the process of shooting movies, he is good at changing time and space shots, which makes the film more rhythmic and compact.

I don't know if this understanding is correct to use the camera shift to express the storyline? Oh, you can look for Hitchcock's film to analyze it, :)

Movie montage classification popular science.

1. Simple explanation: Montage is a camera switch, switching from one scene to another.

2. Montage is based on the content to be expressed in the film and the psychological order of the audience, a film is shot into many shots, and then connected according to the original concept. In a nutshell: montage is the means by which groups of cut shots are connected.

Montage is a means of connecting the shots taken by the camera according to the logic of life, the order of reasoning, the author's point of view and his aesthetic principles.

3. First of all, it is a means of using a camera, and then it is a means of using editing. Of course, the montage of the film is mainly achieved through the re-creation of the director, cinematographer and editor. The screenwriter of the film designs a blueprint for the future film, and the director of the film uses montage to recreate this blueprint, and finally the cinematographer uses the expressive power of the film to embody it.

In the movie Ouchi Secret Agent, the emperor was chased and killed in the woods, and several guards were killed one by one, the camera jumped to the scene of Stephen Chow and Carina Lau grilling chicken, breaking eggs, and cutting watermelon when they were shopping, which is the montage technique.

For example, the movie shoots a scene of a slashing person, and then switches to an apple being cut.

Another example is that A is saying bad things about B, and suddenly the camera flashes and B sneezes.

Architectural terminology, later used by Eisenstein, Mérieux, Bazin and others in film technology.

Editing is montage.

I'm also annoying with this issue.

It is said that Lola Run is used a lot.

montage. I have a problem. 1.Does the montage here refer to the narration of the whole movie?

2.Or is montage the opposite of long shots? That is, from one thing, one person, one time, one space, but from different angles?

3.Or is it a general lens switch, and the combination of different shots is called montage?

Montage refers to the organic combination of audio-visual modeling elements, ideographic elements, and linking elements that constitute the art system to form the sum of expression, thinking methods, and operation skills with certain artistic functions.

The connotation of the concept of montage includes three aspects: 1. Montage is a unique image thinking method that reflects reality (i.e., montage thinking). 2. Montage is a basic structural means and narrative mode of art.

3. Montage is a concrete, producing, expressive method and technique. The combination of audio-visual modeling elements, ideographic elements, and link elements in the montage system follows certain logical and artistic rules, including the combination law between each element and the overall combination law. The combination rules between elements include symmetry and proportion, symmetry and equilibrium, repetition and rhythm, suggestion and echo, etc. The overall combination rules are mainly as follows:

The unity of appearance and subject.

1. Harmony and unity in diversity.

Generalized montage is the opposite of narrow montage. Montage in the narrow sense refers to the art of collocation, editing, and combination between visual elements such as pictures, lenses, and lens series in movies and television, and sound elements such as sound, **, and discourse. Montage in a broad sense is not limited to the audio-visual combination in film and television, it continues to expand with the increase of the type, structure and function of art, the development of science and technology and the deepening of people's understanding.

Montage is a general term for the form and method of composition of films.

Montage is a transliteration of the French language montage, which was originally a term in French architecture that means composition and assembly. Later, it was borrowed, and by extension, it was used in movies to edit and assemble, indicating the assembly of shots.

To put it simply, montage is to shoot a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original concept. In a nutshell: montage is the means by which groups of cut shots are connected.

From this, it can be seen that montage is a means of connecting the shots taken by the camera according to the logic of life, the order of reasoning, the author's point of view and his aesthetic principles. First, it is the means of using the camera, and then the means of using scissors.