What is a montage technique and what does a montage technique refer to

Montage is one of the important means of creation and expression of film, it is the phonetic meaning of French, and it is willing to assemble for the combination.

Personal understanding is to use the switch of the camera to express what the author wants to express.

Montage in a broad sense: It refers to the way to connect unrelated things in a certain way into a complete and unified thing, which makes people look interesting.

A flat montage does not contain a time factor, while a montage technique in a movie must contain a time factor.

The style of "montage" by the famous German poster designer Wilhelm Zimmermann - Shakespeare's "A Midsummer Night's Dream" poster. Among the designers who use the "montage" technique, which has a strong European tradition, he is a unique representative of the past and the next. At first glance, his works are just simple photography, but they are in accordance with the designer's creativity, which has been conceived before shooting, and has always been completed under strict control and control, which not only emphasizes originality, makes the work have a compelling sense of reality, but also completes the "idea" and "expression" in a process, and integrates the profound connotation of the work and the beauty of art.

As a result, the presentation of the subject is unusually self-contained and intense, and the work resembles a sharp knife.

I remember that I also took this question in the "Introduction to Art" in the final exam of my freshman year, and it seemed that I was wrong

Montage techniqueIt refers to a unified picture work formed by juxtaposing or superimposing many pictures or patterns.

In montage, rhythm has an important place for him. Because the characteristic of film lies in movement, there will be no absolutely static objects or pictures in film and television works, but only static objects, and the still thing itself is a continuous image. Of course, this activity cannot be accurately perceived, but its effect can be felt.

For example, a close-up shows a static object. If we look at the close-up of each frame, we can see that none of the frames are the same as the other paintings, even if they use the same lighting and the same objects. Although the photographic quality is stable and the print is uniform, we can still find that some images have white or black spots.

Some images are heavier grayscale, others are lighter gray, etc., of course, this is just an example, and the results are not unique. From this it can be concluded that any image, the object we see, is not actually present in the film. As a complementary result, this is different from what we refer to with these images, and from many of the things that present static images.

The production of montage is inevitable for the movie, the flat and direct narrative can never really express the development of things and the changes of the characters, the production of montage makes the movie a good way to achieve the effect of the first text to appear, making the movie also become an art full of imagination. I agree with the idea that montage is a means by which the director directs the viewer to think in the direction they want.

For example, the first montage in the history of cinema is a combination of a lonely man on an isolated island and a woman anxiously waiting at home, which undoubtedly makes it easier for the audience to understand the emotions and meanings that the director wants to convey to the audience.

Montage refers to the organic combination of audio-visual modeling elements, ideographic elements, and linking elements that constitute the art system, so as to form the sum of the means of expression, thinking methods, and operation skills with certain artistic functions.

Montage writing technique refers to the fact that montage is a unique method of image thinking that reflects reality, a basic structural means and narrative mode of art, and a concrete, production, and expression method and technique.

Montage Technique Meaning:

The montage technique is a collage and editing method in the production of old films next to the electric state. Montage techniques generally include two aspects: screen editing and picture compositing. Montage can create a third movement in addition to the actor's movement and the camera's movement, which can affect the rhythm of the film.

The main functions of the montage technique:

1. Through the cutting and assembly of shots, scenes, and paragraphs, select and select materials, so as to make the main and secondary of the performance content clear, and achieve a high degree of generalization and concentration.

2. Guide the audience's attention and stimulate the audience's association. Although each shot only shows a certain content, the assembly of a certain sequence of shots can standardize and guide the audience's emotions and emotions, and inspire the audience to think.

3. Create a unique film and television time and space. Each shot is a record of real time and space, and after editing, the time and space are recreated to form a unique film and television time and space.

Montage (French: montage) is a transliterated loanword, originally an architectural term, meaning to compose, assemble. Often used in three artistic fields, it can be interpreted as an artificially collage and editing technique of time and space with meaning.

It was first extended to film art, and then gradually became widely used in derivative fields such as visual arts, including interior design and art coatings.

After the Second World War, the French film theorist Andre Bazin (1918 1958) objected to the role of montage, arguing that montage imposed the director's point of view on the audience, limiting the ambiguity of the film, and advocated the use of depth of field lenses and scene scheduling to shoot films with long shots shot continuously, believing that in order to maintain the integrity of the plot space and the real time flow.

However, the role of montage cannot be denied, and film artists have always used both montage and long shots to create films.

Some people also think that long shots actually use camera movements and actors' scheduling to change the scope and content of the shot, and call it "internal montage". The large aspects of montage can be divided into expressive montage and narrative montage, which can be subdivided into psychological montage, lyrical montage, parallel montage, cross montage, repetition montage, contrast montage, metaphorical montage and so on.

Extended information: Montage refers to editing in a broad sense, the previous film was not edited for a roll of ten minutes before changing to another volume, the first to use editing in the film is "Potangelkin Battleship", in which the stroller falls down the stairs, the people around are shooting, the mother is nervous, and the interactive editing of these pictures produces a tense and compact, metaphorical effect, which has become an unprecedented invention in the history of film.

If you don't know much, you can refer to Pudovkin's "Mother" or Eisenstein's "Odyssey Steps" in "Potinkin's Battleship", but basically montage is a director's technique of manipulating the camera, that is, controlling absolute intellectual thinking and expressive meaning, and the audience only waits to be indoctrinated, which is completely different from the ambiguity and openness presented by films with poetic expressions, such as Tarkovsky, Wenders, and Fellini.

In fact, it should not be just the technique of editing, because there are other forms that can create a montage effect, in short, the Chinese character "huiyi", which can be used to order people and things in different places before and after editing, so that you think they are related to each other. For example, if a person is knocked on the door first, and then a person enters the house, in fact, the inside and outside of the house may be filmed in different places.

Montage is a theory and technique of combining shots in a film. For example, if we put together a mother cooking, doing laundry, taking care of a child, and a father reading a newspaper, we will produce a mother"Busy"feelings.

The result is a contrasting technique that highlights certain specific features of a person or thing, and the interconnection between two different fragments gives an unexpected effect.

Montage refers to the technique of editing different shots to achieve a certain expressive effect. While montage is often equated with "editing," editing is only a means to achieve it. And unlike the film, there is no "editing" step in animation production, and the montage in the animation is determined at the storyboard design stage.

Montage is essentially a kind of "composition", and the principle is to create connections and conflicts through the combination of different images, pictures and sounds, and finally achieve an expression effect beyond the picture.

Introduction

With the extension of film and television media, the high development of film and television art, colorful film and television art means emerge in endlessly, not only there are many new techniques, such as the application of digital technology in film and television, but also some classic techniques are constantly giving new meanings, such as the earliest and most classic montage techniques, the continuous innovation of these techniques provides a solid foundation for the gorgeous film and television stage.

As early as the end of the 19th century, the masters of cinema began to use montage (there was no television at that time), which was a technique that made a leap forward in cinema. Montage was originally used in the creation of the film to present amazing artistic effects and create a touching artistic charm.

The opening sentence of the film master Pudovkin in his classic book "On the Screenwriters, Directors and Actors of Films" is as follows: "The art of cinema is montage, and montage is a transliteration of the French montag, which was originally an architectural term, meaning composition and assembly."

Montage is a kind of narrator and expression method of film and television creation, which arranges and combines a series of shots shot in different places, from different distances or angles, and in different methods according to certain requirements, so as to narrate the storyline and portray film and television characters.

Therefore, with the role of montage, film and television works enjoy great freedom in time and space, and can even constitute a film and television time and space that is inconsistent with the time and space in real life.