When the law exam meets cross talk, how is Guo Degang s cross talk skills?

Before Guo Degang appeared, cross talk had gradually declined, and his appearance resurrected cross talk. The reason why I like Guo Degang is that he speaks well in cross talk. Listening to Guo Degang and Yu Qian's cross talk before going to bed every night has become a habit for many people.

Because of Guo Degang, many people began to pay attention to Deyun Club, and then fell in love with other cross talk actors in Deyun Club. <>

Guo Degang is an excellent voice. In the era when traffic is king, Guo Daxia talks about cross talk, hosts and tells stories. It takes up a lot of traffic.

Guo Degang is very knowledgeable and has read many books, especially ancient books. His study is like a library with many precious books. In his spare time, he likes to read in his study and does not like to attend various social gatherings.

But if you want to say how advanced Lao Guo's cross talk is, I don't think so. He can't be compared with the masters of the older generation, such as Ma Ji, Shi, and others, but he is certainly much better than the so-called artists in some systems who live by seniority! But why do we always think that Guo Degang's cross talk is more exciting and interesting than Ma Ji and Shi's cross talk?

Even a layman will know that cross talk is not only a language art, but also a fun and funny art that can make people very happy. We attribute cross talk to traditional craftsmanship. Even in the Qing Dynasty, there were people who specialized in this industry.

After years of development, they have experienced decline and glory, and many cross talk masters have been born. "The emergence of Guo Degang has led to people's love for cross talk. We are interested in understanding the art of cross talk, and we begin to think about the problems in cross talk.

In recent years, under the leadership of Guo Degang, cross talk has become more and more prosperous. Guo Degang's cross talk is of great artistic value. This person without a higher education can be good at writing, showing the profundity of Chinese characters to the maximum.

Whether he speaks alone, with someone else with his mouth, or even in a group comedy, it is especially interesting. Listen to Guo Degang's cross talk. I think he has made great efforts in cross talk now, and the audience's love for him is a reward for him.

Therefore, we hope that Guo Degang can improve his performance and play a leading role in such a good situation.

I think Guo Degang's cross talk skills must be very good, there is no doubt about this, if his cross talk skills are not good, then he will definitely not be popular.

Guo Degang's cross talk skills are very good, and he is recognized as the leader of the cross talk industry, and his Deyun Club is also a wealthy family in the cross talk industry.

I believe everyone knows Guo Degang's cross talk skills, and his strength is undoubted, but he can't be cunning offstage, and he can't sing honestly on stage.

Whether or not a good cross talk actor is not the only criterion for whether there is a box office or not. Of course, if you can have a popular work and become a well-known cross talk star, you must be an excellent cross talk actor.

There are many cross talk actors who don't have that ability, and their fame and ability are not equal at all.

Thinking about how to say good in cross talk,just wants to rub Deyun Club and Guo Degang's wifi to hype up, which can't be called a good cross talk actor. Take the few apprentices who Guo Degang quit as an exampleAlthough they wanted to go out and break out of their own world, they felt that their wings were stiff, but in fact, they got undeserved fame and benefits, so they swelled!

They feel that Deyun Club is really a façade supported by a few of themEverybody came to see them. However, in fact, most viewers have watched Deyun Club, and they have only watched Guo Degang and Yu Qian for 20 years, and other people's cross talk is still worthless. Therefore, those who can do art in a down-to-earth manner and eat with their ability should be good cross talk.

If the commercial performance is successful, it is the recognition of the audience, and it must take a lot of effort to be recognized!

If your cross talk is not even worth the audience to spend money on for you, then how good can you <>

Cross talk actors, to put it bluntly, sell tickets to support their families! Those who have a box office are not necessarily good cross talk actors, but they must be capable cross talk actors! And those who can't sell tickets must not be good cross talk actors, or even incompetent actors!

Whether it is a cross talk actor or an opera actor, or a practitioner in various industries. If no one is willing to pay for your craft, do you think this might be a good practitioner?

Take the current cross talk industry as an exampleGuo Degang is undoubtedly a good cross talk actor, play his name, and he can sell tickets! Eat by ability!

Those who have a box office must be good cross talk actors, and those who do not have a box office must not be good cross talk actors<>

I can't look at the box office once or twice,It's about whether the audience is always willing to buy tickets for you. This is the same meaning as Guo Degang's assertion that "commercial performance is the standard for measuring cross talk actors". The sentences should be looked at separately, those who have a box office must be good cross talk actors.

Of course, it depends on whether there is always a box office. Yes's actors, when they first debuted, they became popular all of a sudden with "Full Belly Jinglun", which attracted a lot of audiences, and the commercial performances were also good. But after a long time, there are no new worksIt's just by lashing out at others to rub off on the heat.

Such a must not be a successful cross talk actor.

Cross talk that can't be sold for money is definitely not good cross talk, this is Guo Degang's view on cross talk. I couldn't agree more. Because only good-looking cross talk can be sold for money, and if it can be sold, it proves to be valuable.

I think so too, because only good cross talk will be listened to, and someone can sell it for money if someone listens to it.

I think there is some truth to this statement, because the acceptance of this kind of real cross talk is actually very low, so I think Guo Degang is really very transparent in this regard.

The acting skills of Guo Degang and the actors of Deyun Club are based on their achievements in the cross talk industry, and comparing them with the old actors in film and television dramas is actually an inappropriate way. No matter what kind of achievements they have in the cross talk industry, and how popular they are in the hearts of the public, they can only be regarded as newcomers in the film and television industry, and newcomers who are still learning. Of course, they are also constantly learning and improving, like Yue Yunpeng, although he is not favored, he can feel obvious progress in every new drama.

Guo Degang wants to enter the film and television industry to create some opportunities for his apprentices, and he wants to use their own works to cultivate and develop step by step, so that Deyun Club has formed its own production and filming of film and television dramas.

In the past few years, Deyun Club has had several sitcoms, although it did not occupy more resources for publicity, but the evaluation given by the audience who watched it was still good. Everything is urged forward step by step, and the evaluation of a person or a thing should not only be determined by inner likes and dislikes, but it needs to be examined with a critical eye, but it cannot be completely denied to see if there is progress. There is a saying that "the right thing is not the right person", and this is the best way to make an evaluation!

Guo Degang is one of the few old-school cross talk actors now, and the traditional life is the best. Of course, this is not because of his absolute ability, but because of the extraordinary change.

China's cross talk actors are basically divided into several types, the first is that they were learned before the founding of the People's Republic of China, and they mainly live traditionally.

Representative figures Yang Shaohua, Ma Zhiming. There is nothing to say about basic skills, mainly traditional work. But the age is too old, the young master is 76, this is the youngest, Yang Shaohua 89, Tian Heli 86, Chen Yongquan 90, Jiang Baolin 83, basically they are all in a state of retirement, so it is relatively simple to pick a job, and it is unrealistic for them to come on stage and say for an hour.

The ability is there, the physical strength is not good, and the age is old, it is inevitable that there will be a phenomenon of forgetting words.

The second category is those who were born in 50-70 years and are now 50-70 years old.

Representative figures Jiang Kun and Feng Gong.

The physical strength is okay, and they can stand on the platform to say a paragraph, but they have caught up with XG since they were children, and no one dares to say that they are old, so the basic skills and traditional work are not good. For example, Jiang Kun has liked cross talk since he was a child, but what he learned was new and improved. The old job is to go to the Northeast to meet Shi Shengjie, Shi Shengjie is a cross talk family and will talk about some old work.

But first, although he would, he didn't dare to perform in public; The second is that family education will not be taught so carefully, after all, it is banned. Later, Ma Ji taught them, and Ma Ji would definitely live in a traditional way, and he would not dare to teach; In addition, within the system, it will not be said that traditional work, at most it is adapted. Knowing how to speak doesn't mean that you can perform, and you can't do it without theater training, otherwise many people will be able to listen to a few paragraphs.

So the basic skills are not solid, plus I haven't acted much, so it's not strange that I can't live traditionally.

The third category is born in 70-90 years, the representative Guo Degang.

Thanks to the liberalization of culture, you can learn from tradition and live. At that time, there were still a lot of masters who could live traditionally, so they could both learn and perform, plus the advantage of age, so the best traditional Chinese cross talk life in a specific era was the post-70s and 80s, not the post-50s. Now Guo Degang's physical strength is obviously not as good as before, and it has gone downhill, but it is still no problem to stand on the stage for two hours.

The post-90s generation represents Guo Qilin. When they grew up, many traditional living masters died, such as Ma Sanli 03, Ma Ji 06, Hou Baolin 93, Hou Yaowen died in 07, to say that they pointed out the post-70s is reasonable, when Hou Yaowen died, Guo Qilin was only 10 years old and definitely couldn't guide.

Therefore, the traditional life they learn is learned from the post-70s, and the performance experience is not enough, so their ability is definitely not as good as that of the post-70s.

can't say top-level, he's just more powerful within the range we know, but there are also many masters in the folk, so it can only be said that it's very powerful, and it can't be said that it's top-notch.

Of course. However, he often said that he was just a primary school student in the cross talk world.

Affirmed, Guo Degang is a master-level cross talk actor.

I think it's okay, but the foundation is still relatively deep.

Guo's weight is not as good as Sun Yue's.

Guo Degang. He is a cross talk actor, but he has always been controversial about Guo Degang, and now Guo Degang also sings Peking Opera, but many people feel that Guo Degang's Peking Opera level is not professional. In fact, Guo Degang is not a blind Peking Opera actor, he is a cross talk actor, Peking Opera is just an amateur for him, but he sings Peking Opera just to promote my country's traditional culture.

Therefore, we should look at Guo Degang's Peking Opera singing level rationally.

Guo Degang's development is very popular, he founded Deyun, and now Deyun Club.

is a well-known existence in the entertainment industry. At that time, Guo Degang's development was not good at all, he got such a great achievement entirely by his own efforts, so Guo Degang also cherished his success, and he treated his apprentices very strictly, but many people said that Guo Degang's cross talk was not mainstream.

Guo Degang doesn't care, he said that cross talk is to make everyone happy and make everyone like it, so he has been changing my country's cross talk, and it is also his change that makes young people accept cross talk.

Cross talk is the traditional culture of our country, but Peking Opera is also the traditional culture of our country, nowadays, many young people do not like to listen to Peking Opera, as a cross talk actor Guo Degang, he thinks that I should promote the Peking Opera of Li Paoguo, so he also brought Peking Opera to the stage, many people think that Guo Degang is a cross talk actor, he sings Peking Opera must not be good, but in fact, Guo Degang sings Peking Opera is also very good, although there is no such professional level, but it gives people a very good feeling.

Guo Degang has always been very successful, he sings Peking Opera not to sing well, but just wants everyone to know how great Peking Opera is in China, so for young people, we should also remember these traditional cultures in our country, and Peking Opera in China should be accepted by everyone, so we should know how to respect Guo Degang, Peking Opera singing level is not high, but his distraction deserves everyone's respect.

It is considered to be a worse level than Suipei, because some professionals once complained that Guo Degang's Peking Opera singing is not worth listening to at all, and he can't stand it after listening to two minutes of guessing the trace, saying that Yu Qian is much better than his.

This is a high level. Cross talk and Peking opera are universal. And Guo Degang usually likes to watch Peking Opera, so he has some foundation.

It should be regarded as a medium level, after all, Guo Degang is talking about cross talk, not Peking Opera. There is still a little bit lacking