The basic techniques of Chinese landscape painting, 5 techniques of landscape painting

The basic techniques for the introduction of Chinese landscape painting are as follows:

1. The most important thing in the mountain stone technique is the stone method, which increases the mountain stone from a mountain to a complete painting by outlining and rubbing, dotting and rubbing, and finally adds a point and a point, and the pen is carried out with a cross between the reverse front and the straight front, which will make a natural transition and enrich the picture. The mountains drawn by this method are empty and vivid, far away and close to the mountains, one heavy and one light.

2. Yunshui generally has three kinds of ink accumulation method, ink breaking method and splashing ink method when painting, the more difficult is the ink accumulation method, which needs to be added after the first time the ink is dry, and the second time is a supplement to the first time, not a depiction, focusing on the overall sense.

3. Yunshui generally has three kinds of ink accumulation method, ink breaking method and splashing ink method when painting, the more difficult is the ink accumulation method, which needs to be added after the first ink is dry, and the second time is a supplement to the first time, not a depiction, focusing on the overall sense.

4. Chinese landscape painting.

There are many techniques, which are roughly divided into mountain rocks, trees, clouds, water, etc. There are five kinds of mountain stone techniques: pointing, dyeing, rubbing, creature, and hooking, trees are classified according to varieties, and Yunshui is classified according to the ink accumulation method, the ink breaking method and the splashing ink method.

Mountain stone is the most basic content of landscape painting, stone is the part of the mountain, and the painting of mountain stone must go through several basic steps such as hooking, rubbing, rubbing, pointing, dyeing, etc., or add the procedure of mentioning. The hook is to draw the outline of the stone with the center or side to determine its shape, and the lines of the hook can be flexibly used according to the characteristics of the stone.

The order of hooking stones is left first and then right, small stones can be made of two strokes, and large stones can be hooked by three or more strokes. The lines of the hook stone should not be too simple, and there should be twists and turns.

皴 is the texture of the mountain stone, and the texture or three-dimensional sense of the stone is drawn with various lines or dots. The pen should be concise and not too dense, otherwise the brushwork will not be displayed, and the ink color will be easy to get tired.

Rubbing is to use a dry pen belly according to the yin and yang fluctuations of the mountain and stone, slightly rubbing. Rubbing is a supplement to make the shape of the mountain stone more holistic and three-dimensional. Generally, it is rubbed first and then rubbed, but it can also be wiped while rubbing.

Dyeing is to paint the dark side of the stone with a large wet brush in light ink, and render it according to the original light and shade, so that the shape shows a three-dimensional sense and adjusts the sense of space between the stones.

The five techniques of landscape painting are the creation method, the composition method, the sturdy method, the mountain and rock structure method, and the tree sketching technique.

1. Creation method:

Creation is the comprehensive use of all techniques. Since it is "creation", there is no fixed method or program, and due to the different cultivation, endowment, and hobbies of painters, the methods and methods used in creation will also be different, so there is no need to force uniformity.

2. The basic steps of the composition method:

First, use ink lines to outline the big feeling of the scene, and pay attention to the center of gravity in the composition. The first ink points out the small hills, and the general ink is wet ink with thick and shades, and then the dry pen lines expand outward, and the lines are from simple to complex, from sparse to dense; Finally, add a point, rub, and rub.

3. Method: The so-called 皴 is the texture line of the mountain stone structure; Rubbing refers to rubbing irregular ink marks next to the contour line of the mountain stone to increase the roughness of the mountain stone; Rendering is to use thick and light ink to dye the uneven yin and yang sides of the mountain rocks to increase the texture and light and shade of the mountain stones.

4. Mountain and stone structure method:

After long-term observation, experience and accumulation of mountains and rocks in nature, the predecessors finally summed up the modeling means to express the texture, texture and decent relationship of mountains and rivers. This is a major development in landscape painting.

5. Tree sketching techniques:

When you first learn to draw, you should first learn to draw the main trunk of the tree, then draw the secondary trunk, and then write the branches, so that step by step, after a certain period of sketching practice, you will naturally grasp the characteristics of the object, and the lines can also be concise and concise. "Painting comes from the truth, not limited by the truth".

Introduction: Chinese landscape painting, referred to as "landscape". It is a type of Chinese painting. This is a painting that depicts the natural scenery of mountains and rivers. The following is the technique of Chinese painting landscape that I have carefully sorted out for you, welcome to refer to it!

01. Use a light alum pen and paper, first use a light "little dragon" pen to dip the horizontal rice paper, and prepare the part of the Chinese painting to paint the mountain with thick ink while it is not dry. Hilltop section.

02. After waiting for the ink to dry, use the "Golden Peak Purple Gold Peak" pen to paint the mountain stone and the "Little Red Hair" brush spring.

03. Depict the trees of the Chinese landscape with thick ink painting, and mention the mountain stones, draw the pavilion, soil slope and far sail on the right side of the frame, and then dye the mountain stones with light ink.

04. Dye the mountain stone with a "color" pen dipped in ochre, and the splashed part of the ink is dyed grass green and cyan.

05. Use a "big color" pen to dye stone green, stone blue and flower blue on the splashed ink part, and lift the animation surface to let it flow and mix naturally.

06. Dip the moss and leaves in the flowers, and the ochre is stained. And on the stone wall on the upper left side of the stacked spring, the branches are painted with burnt ink, the cinnabar leaves and the moss points on the top of the mountain, and finally the inscription and seal are made on the Chinese landscape painting paper.

The basic techniques of landscape huai boxing painting.

1) Brushwork: The requirements for the use of brushes in Chinese painting are very high and strict, and these strict requirements are the so-called "brushwork".

1. The principle of penmanship.

Since ancient times, the pen has been used to talk about "pen meaning", "pen theory", "pen method", "pen interest", "meaning" is subjective feelings and cognition, "reason" is the objective law, "meaning" and "reason" are combined to produce "law" and "interest", "law" is the product of subjective and objective dialectical unity.

2. Several requirements for using the pen: flat, staying, round, heavy, and changing.

1) flat, such as "cone sand stroke" (strength is uniform, no knots and no stagnation) 2) round, such as "folded hairpin strands" (plump, round, elastic) 3) stay, such as silver stupid "house leakage" (height control, accumulation points into a line) 4) heavy, such as "high mountain falling stones" (force through the back of the paper, into the wood three points) 5) change, such as "a hundred rivers return to the sea" (extreme changes, complex lead branches return to unity) <>

2) Ink method.

The use of pen and ink are inseparable, so it is called "pen and ink".

3) Color method:

Color and ink overlapping method, color and ink contrast method, color and ink mixing method.

The Chinese painting landscape painting technique tutorial is as follows:

Hook the line, divide the primary and secondary, and summarize the hook line. Rubbing, replenishing the skeleton, expressing the vein. Dotted dyeing, rich layers, complementary to the pictureAdjust, add details, draw white eyesThe coloring is done.

Expansion: Landscape painting, abbreviated as "Shanshui", is a type of Chinese painting, which depicts the natural scenery of mountains and rivers as the main body. Landscape painting occupies an important position in the history of Chinese painting, which can be divided into green landscapes, ink landscapes, shallow landscapes, green landscapes and boneless landscapes, etc., which are extremely distinctive arts in oriental painting.

Representative painters include Zhan Ziqian, Wang Wei, Fan Kuan, and Zhang Hong.

Landscape painting is one of the traditional classifications of Chinese painting, the early landscape is mainly the background of figure painting, the Wei, Jin, Southern and Northern Dynasties gradually became independent from the figure painting, the Sui and Tang dynasties formed a separate classification in Chinese painting, Wu Daozi, Li Sixun, Wang Wei and others are good at painting landscape painting. Since the Tang Dynasty, the painters of landscape painting have been divided into two schools, the north and the south, the founder of the northern school is the Tang Dynasty painter Li Sixun, who makes good use of color, mainly paints the landscape of the Guanluo area on both sides of the Yellow River, Li Cheng, Fan Kuan, Zhang Zeduan, Li Tang, Ma Yuan and other people Hongbo belong to the northern school.

Wang Wei, the founder of the southern school, is good at using ink, less color, Mi Fu, Wang Ximeng, Zhao Boju and others belong to the southern school. Mi Fu father and son created a rice point landscape to express the state of the smoke and rain in the south of the Yangtze River, Wang Ximeng, Zhao Boju and others are good at painting green landscapes. In the Song Dynasty, landscape painting was very popular, from princes and nobles to literati and merchants, all of whom were willing to decorate the hall with landscape paintings.

The landscape painting of the Yuan Dynasty focused on freehand, and the famous painters were Huang Gongwang, Wu Zhen, Ni Zhan, and Wang Meng, known as the four families of the Yuan Dynasty. During the Ming and Qing dynasties, landscape painting continued to develop.

Chinese Painting Landscape Painting Technique Tutorial:

1. First of all, the sketch first outlines the outline frame, and the brush of the mountain stone should pay attention to the texture of the line, and the water in the pen should not be too much, so as to draw with a slightly dry stroke, and do not be restrained with the pen.

2. Then draw the trees next to the pavilion, the trunk should not be too smooth with a brush, and the texture of the slightly dry strokes should be the same as the painting of the mountain stone, showing the roughness of the bark and conforming to the natural state of matter.

3. Continue to draw a few trees by the pavilion in turn, pay attention to the relationship between the front and back, and outline the rocks behind the trees.

4. Then draw a group of rocks on the left side of the picture, always pay attention to the overall composition ratio, and at this moment be optimistic about the relative position and angle of the rocks on the left.

5. After the mountains and rocks in the foreground are basically drawn, the mountains in the middle ground begin to be outlined, and the internal structure is rubbed out. In a group of rocks, the rubbing should be based on the principle of repentance. And draw the mountain rocks that are blocked behind, outline the outline and keep the center with a pen, so that the strokes can ensure the strength and not slenderness.

6. Continue to draw the mountains and rocks in the middle scene layer by layer, first draw the nearest, the most front, and gradually draw the far-reaching rocks. And use the brushstrokes to express the structure of the rocks, as well as the relationship between each rock, pay attention to the texture of the brushstrokes, and control the moisture is the key.

7. Then add a distant view to make the picture richer, Chinese painting is the position of the front of the ink color is thick, the position of the far ink color is faint; When drawing a distant scene here, use light ink to draw it.

8. Then depict the vista and details, such as boats on the water, dwellings in the mountains and miscellaneous trees, which can not only add layers, but also make the picture more vibrant and interesting.

9. Continue to depict the details, add the moss points and leaves of the mountain rocks, and the moss spots and miscellaneous trees need to be separated from the shade layer, and use thick ink and light ink to paint separately to make the ink color richer; At the same time, the water surface is rubbed out of water ripples.

10. This group of trees is painted in two forms, clamp leaf and point leaf, and they are painted in contrast. Leaf trees, the painted leaves, should be sparse and interspersed, the outer contour should not be too uniform, and there should be uneven beauty; Follow the direction of the brushstrokes, dye the mountain stones with light ink; The key part can be dyed several times, pay attention to the ink color must be light, and wait for the ink line to dry before dyeing.

11. Then the color part: the mountain stone is dyed with light ochre ink; Toning method - use ochre to add ink, add a large amount of water to adjust the thin dyeing, try to avoid the ink line; The stones in the water and the side of the boat, light ink stained with ripples.

12. Finally, the miscellaneous trees and moss spots on the mountain are dyed pale green, and the color method is to add a little light ink and a lot of water to the green of the grass, and slightly add a little stone green; The stone pavement is thinly dyed with a very light stone green, and the leaves are dyed with a thick stone celery to sell the green and delicate; The water surface can be slightly changed from the green of the painting tree to pale cyan and dyed horizontally. Tree trunks, houses, and boats are stained with pale ochre ink.

1 corrugation method.

The water pattern sketch is different from the cloud pattern sketching, the cloud is flexible and loose, and the water spirit is soft and sticky. Therefore, when hooking the water pattern, the pen is combined with agility and stability, and the hook line is strong and refreshing. Complexity, stability, and error are determined by the requirements of the work, and the line organization structure is flexible and played in a trendy manner.

2. Water dyeing method. The water potential is calm, and the water dyeing method can be used unevenly. The water patterns dyed by the water dyeing method are rendered into watery with ink or color. When rendering, it is necessary to pay attention to the ink connection between water and other objects, and to be harmonious and unified. The water dyeing method is mostly used to express the calm water surface, but it cannot be painted flat, and there must be a virtual and real change to show the meaning of water.

For the first time, the water in the pen does not have to be saturated, and the appropriate fly white is left naturally in terms of speed and slowness, light and heavy, and then the effect is grasped dry and wet, and then counterdyed, the depth of color and ink, cold and warm, should be bright and refreshing in harmony.

3. Reflection method. The reflection method is to draw water, dip the ink with a soft brush, and draw the reflection of the object from top to bottom with the side front, and use the pen to be decisive and generalized. Not all objects should be painted with reflections, but should be expressed selectively. The reflection of the main part can be clearer, and the reflection of the secondary part can be blurred, and it is not necessary to be very specific.