What are the characteristics of brush technique and ink technique in Chinese painting?

The selection of materials for China's pen is different from weak and strong; The production method of the pen head is different in length, short, fat and thin, so it has its own characteristics in calligraphy and painting. The sheep is round and supple, with a moisture content.

Strong, the brush is slow, the use of dry ink and wet ink, has its specialty, when painting, the color of the ink is called, the changes are complex, and it is beyond his reach. Purple hair, deer hair, badger hair strong, water content is slightly poor, the pen tip out of the water is fast, call the ink color, relatively simple, easy to flat.

Scholars can choose the most suitable ones according to their habits and different types of paintings. Holding the pen should be real and empty, and the pen is at the fingertip, which can make the pen up and down, left and right, flexible and free. And must hang the elbow to move the pen, then the whole body qi.

It can be from the shoulder to the arm, from the arm to the wrist, from the wrist to the finger, from the finger to the pen, then the strength of the whole body can reach the paper from the pen edge, and from the paper to the back of the paper.

The main points of the pen are connected to the dots, and the drawings are connected to the paintings. The points are connected more densely, that is, the principle that the accumulation of points is formed into a line and the points are set into a surface. The dots are connected more sparsely, the distance is corresponding, the sparse and dense are taken care of, the positive is oblique, the color is chaotic, and it becomes one.

The line is connected more densely, that is, the dense line that forms the line and the line and the long line that connects the line. The line and the line are connected more sparsely, such as the veteran soldier, the past and the future, the sound of the east and the west, irrelevant and coherent, vertical and horizontal, into a whole. Make the dots and lines on the picture in one go.

Ink is not just the color of ink. It has an extremely rich variety of ink colors and expressiveness. China's ancient paintings, colorful and colorful; However, the main color is Danqing, so it is called Danqing.

After the Tang and Song dynasties, it gradually developed towards ink painting, and reached the main color of ink painting. If the smoke quality of the ink is not excellent, the workmanship is not pure, although there is good paper and pen, under the use of experts, it is also dull, and it is difficult to produce good products.

There are two points to pay attention to when using ink: one is to "grind ink to be thick". The second is that "the pen and water used should be pure".

Clean the pen with clean water, dipped in thick ink, and there will be no gray and colorless problems. It is difficult for painters to use ink than to use a brush, and China's paintings, from the Wei and Jin dynasties to the Sui and Tang dynasties, are dominated by thick ink lines and Wu Daozi.

The same is true for landscapes. Since Wang Mojie, he began to use shade, and Wang Qia began to use splashed ink. However, the pen is the bone of the painting, the ink is the flesh of the painting, and there is no ink without the pen.

It is not true that there is ink without a pen. The painter uses the pen to draw the air, the ink to rhyme, and the coke, accumulation, and breaking to take the heaviness. Broken ink must seek clarity in ambiguity, ambiguity in sobriety, ink accumulation must seek clarity in chaos, and confusion in clarity.

Splashing ink must seek unevenness in the peace, and seek great peace in the unevenness. However, we must pay attention to the combined application of splashing ink, breaking ink, and accumulating ink, so that it can be clear and changeable.

When painting with a brush, you must not get too much ink, keep the brush tip clean, and the brush for painting is mainly lying on the side, mainly emphasizing natural smoothness, and the transition has obvious changes.

The so-called similarity between Chinese calligraphy and Chinese painting lies in the use of brushes. The ancients said that "calligraphy and painting have the same origin", but the same origin does not have the same meaning, and the same principle is also different. In calligraphy and traditional Chinese painting, various lines are used as a means of expression, consisting of brushes in the center, sideways, standing and holding of the brush.

The sculpture is based on the intensity of the ink's color and the variation of dry and wet colors. Pen and ink. There has been more variation in the use of the brush tool, while the use of ink has undergone more complex and creative changes.

As a result, there are still many differences between the two in the use of pen and ink.

With the pen technique, less ink is used, mainly through the line to paint, with the ink technique, a large amount of ink is used, through the ink itself emanation, smudge painting.

There are six types of Chinese brushwork. They are the center, the flank, the reverse striker, the drag striker, the folded hairpin, the house leak mark and the flying white front.

1. Center: During the operation of the brush, the tip of the pen is always in the center of the pen. The characteristics of the center are: full pen power, soft on the outside and rigid on the inside, and expressive.

2. Side forward: the brush is tilted, and the center of the brush tip is biased to the side. Flanking is one of the most common methods in figure painting. The characteristics are: the pen is rich in variety, and there is tension. The disadvantage is that it appears thin and shallow.

3. Reverse front: It is the opposite direction of the brush running method relative to the anterograde direction of the forehand position. The resistance of the pen against the front increases, and the pen edge gathers and disperses. It is characterized by the rigidity of the pen and the force through the back of the paper, but the lack of softness.

4. Drag: The brush is poured on the paper and dragged and run. It is characterized by natural conversion, fast and slow. The disadvantage is that the pen is more floating.

5. Folding hairpin strands and house leakage marks: It is the variation technique of the center line.

6. Fei Bai Feng: Transformed from the Fei Bai in the calligraphy pen. It is characterized by loose and hairy brushes, and there is a feeling of vastness.

The Chinese brush and ink techniques are as follows:

1. Flat cherry painting: It is to use a basic ink color to evenly paint on the picture, which is generally used for a certain object and picture to avoid chaos and fragmentation. The ink color is generally lighter.

2. Ink accumulation: first use different shades of ink to dye or point out the required part of the picture, and then use different shades of ink to dye after drying, so repeated many times, although the number of ink accumulation, the ink color can not be stiffened. It should be both dark and transparent, with rich layers:

At the same time, in the process of accumulation, it is necessary to pay attention to the staggering and overlapping changes of the pen and the change in the size of the dotted area.

3. Breaking ink: that is, using one ink to break another ink. It is different from the ink accumulation, when it is not dry, it has a thick and thin method and a light and thick method.

4. Splash ink: used for freehand, the method is to use a large pen to dip it in water, and then dip the nib in thick ink, slightly mix the thick ink, and then dip the tip of the pen in thick ink, scorched ink, so that the ink color on the pen naturally transitions from scorched ink to clear ink, and then the big pen is swayed, horizontal and vertical wipe, as much as you want, and the ink is dripping. This ink method is easy to produce the effect of both dry and wet, and if it is insufficient, it can be broken with ink.

5. Ink flushing: There are water flushing and ink flushing. Water flushing ink is to first draw the general idea of the object with heavy ink, and then pour or pour water or light ink on the picture to make the original black as much as possible, and use a hot air blower to shape when the effect is ideal.

Ink flushing is first used to draw or drench on the picture, and then use thick and light ink to drench or rinse it.

6. Ink absorption: It is to draw an image on the glass or non-absorbent paper with a pen, and then let it flow on it to create the effect of the origin of the muscle spine branch, and then lay the rice paper flat on it to absorb it, and then draw the picture according to the situation. There is also a kind of painting the image of the object with water on rice paper, and then dipping the pen in thick ink, the water should be very small, and the paper is smoothed, and the dry ink will be absorbed where the water has been painted, and it will permeate naturally, and then process the dot painting.

Characteristics of Chinese painting.

1. Pay attention to "vividness", not stick to the appearance of the object, but emphasize the subjective taste of the author. Chinese painting emphasizes "depicting the gods in form", and pursues a sense of "wonder between the similar and the unlike".

2. Pay attention to the charm of pen and ink, and the brushwork requirements: flat, round, stay, heavy and change. The ink method requires that the ink is divided into five colors, burnt, thick, heavy, light and clear.

3. Pay attention to the "bone method with a pen", do not pay attention to the focus perspective, and do not emphasize the influence of the environment on the light and color changes of the object.

4. Pay attention to the layout of blank space and the "momentum" of objects. Be careful.

The five methods are as follows:

1.Dot dyeing method: Use a brush dipped in ink and lightly dot on the rice paper to form a dot. Dotting is one of the most basic methods in Chinese painting.

2.Finger drawing: Use your fingers to depict lines and patterns with ink to create a clear and smooth effect.

3.Method: Apply the ink to the rice paper, and then slowly spread it with a wet pen or paper towel to create a gradient of ink color from the tung cracked sail.

4.Black and white gradual penetration method: use ink to paint the whole picture into one color, and then gradually paint another color, so that the two colors gradually penetrate and mix, forming a delicate layering.

5.Dry brushwork: After the brush is dipped in ink, first dip some ink on the waste paper, and then draw it on the rice paper, so that the lines are dry and wet, showing the effect of ink color gradient and ink line becoming dry and wet.

1. Jiao Mo - that is, the juice of the ink key book is volatilized in the inkstone pond for half a day, and then used to paint the extremely heavy and prominent part of the painting. It is a particularly dark part of the whole painting, black and shiny.

2. Thick ink - refers to the blackness of the ink. Second only to Jiaomo. The burnt ink may be shiny, and the thick ink is black and not shiny due to the addition of water.

4. Light ink - the water is added more, and the gray one is called light ink.

5. Clear ink, which is only a few pale gray shadows on the ink color posture, this shadow to express the blurred image of morning fog and sunset.

The characteristics of the splashed ink painting technique are as follows:

The ink color is infiltrated and changing, the atmosphere is hearty and happy, and the ink is dripping and splashing freely, which can express a kind of unbridled and unbridled emotion, and realize the freehand picture effect through special techniques.

Splash ink painting, the name of Chinese painting technique. Legend has it that Wang Qia of the Tang Dynasty poured paper with ink, wiped with his feet, followed its shape as a stone, for the clouds, for the water, should be at will, the picture of the clouds, dyed into wind and rain, as if a miracle, looking down on the traces of its ink.

Li Rihua of the Ming Dynasty "Bamboo Painting Beauty": The ink splasher uses subtle ink, and there is no handwriting, such as splashing out of the ear. Qing Dynasty Shen Zongqian "Mustard Boat Study Painting Edition":

The ink is splashed with ink, the mountains are splashed with green, the grass is splashed with green, and it is used for splashing, and the most full of charm in the painting. Later generations refer to the pen full of ink, or point or brush, ink dripping, magnificent, all called splashing ink. In modern Zhonglin splash ink painting, there is also a longitudinal brush painting method based on color, which is called splashing color.

Splash ink painting is a special artistic effect produced by the interaction between rice paper and ink in Chinese painting, and the splash ink technique is to use the natural flow and infiltration of ink on raw rice paper to form a large structure of the picture, and then use the pen to organize and supplement into a complete work.

Finger hook, rub and other methods.

Chinese painting (a traditional Chinese painting form).

The term Chinese painting originated in the Han Dynasty, and the people of the Han Dynasty believed that the Chinese version of the country was the right to live in heaven and earth, so it was called China, and Chinese painting was called "Chinese painting", referred to as "Chinese painting". It mainly refers to scroll paintings painted on silk, rice paper, and silk and framed. Chinese painting is a traditional form of painting of the Han nationality, which is painted on silk or paper with a brush dipped in water, ink and color.

Tools and materials include brushes, ink, Chinese painting paints, rice paper, silk, etc., and the subject matter can be divided into figures, landscapes, flowers and birds, etc., and the techniques can be divided into figurative and freehand. In terms of content and artistic creation, Chinese painting embodies the ancients' understanding of nature, society, and related politics, philosophy, religion, morality, literature and art.

Brush brushes can be divided into long-edged, middle-edged and short-edged pens according to the length of their strokes, with different performances. The long front is easy to draw graceful lines, the short front is easy to be dignified and thick, the center and the short front are both, and it is appropriate to use the center to paint landscapes. According to the size of the pen, the brush is divided into small, medium and large models.

The methods of using ink in Chinese painting can be roughly divided into splashing ink and blending.

The technology of spatial zoning lags behind me.

Try it and you'll know that there is little point in talking on paper.