How to write the dry pen in calligraphy? What are the writing requirements?

In the traditional art of calligraphy, dryness and dryness are the phenomenon of the operation of the ink pen, and it is the most important expression of the ink pen language in Chinese calligraphy and painting。According to this way, the overlap of ink and water is mainly expressed, which causes the calligraphy and painting to cause the melody fluctuations of similar songs, and also shows the emotional expression of the calligrapher in artistic creation. It is a combination of ink and water in the soft pen and the replacement of the speed of writing and moving the pen.

Show. <>

Naturally, as far as the art of calligraphy is concerned, the main cause is the difference in the proportion of ink and water in the bristles. Less water, Mozi.

If there are more, the pen will dry up. In the case of actual writing, in addition to taking into account the amount of ink in the pen and the dry bristles of the pen, at the same time, it is also necessary to have both the speed of the pen. There is also a situation in which the pen is also related, Zhongwei.

The flank is weaker, so the flank is prone to dry strokes.

There are many techniques in the art of calligraphy, but the application of the dry pen has improved the diversity of the calligraphy art. In fact, the dry pen application, behind it is the problem of the method of applying the dry humidity of the light ink. Naturally, the dry pen applied by a skilled calligrapher of course looks "natural".

There are several factors that can lead to a dead pen: First, the pen is faster. The second is to move the pen to a certain level.

The third is to grasp the ink absorption.

The application of dry brushes must be mastered at the same time to grasp the method of holding the pen and mixing ink, and must also master the pace and rhyme of the whole text, so that not only the texture of the work will be more colorful, but also more able to express the rhythmic beauty of calligraphy and painting. After understanding the writing method of the dry pen in the art of calligraphy, everyone understands that the dry pen is generally used in cursive writing, and in cursive style.

It occurs more often in large grasses. And the application of the dry pen basically occurs in the latter part of the whole work, and in the case of a detailed pen holding cycle time close to the end.

He is not a pure skill. He is a kind of presentation under the rapid turn of the pen after the combination of silence and water components. Very artistic, is he a specialized technique? The right thing to do is to regulate it with natural writing. It's not a deliberate practice.

I think you should hold your little finger down with your thumb. Be sure to hold your head high when you write. Also, be sure to exert yourself.

I think writing is not just about the hands and fingers, but the strength of the wrists. And also with heart, intention, gas and force. The sum of qi, will, and force is only applied to the end of the pen.

The relationship and essentials of writing skills and breathing training:

The thumb and index finger are as close as possible to maintain the strength and hardness of the fingers. Since the two fingers of the thumb and index finger are already tight, the pen can only be clamped by the combined force of the fingers that are not together under the two fingers and the side of the middle finger (the middle of the first joint of the middle finger to the nail root).

With a tight grip and a clamp, you can hardly feel the pinch pen when writing. In this way, in the process of writing, the tip of the pen (nib) will be rotated by the friction resistance of the paper, and it is precisely because of this rotation that the alternation of the center and the side can be realized. Whether the stroke can achieve alternating changes is here:

thumb and index finger) and (middle finger) clamping force (you can't feel the pen), at this time you will find that the pen shaft is very obediently leaning on the tiger's mouth. The rest of the task is very simple, keep lifting the pen and putting the pen down, and you can write beautiful brush words!

For example, when writing "apostrophe", natural inhalation without the slightest force, when writing "squeeze", natural and uniform exhalation, deep breath is always accompanied by the movement of the nib, after writing, exhalation, and then start another stroke of one exhale and one inhale, do not leave the pen, concentrate on the stroke, breath transmission.

The pen is slow and steady, the center of the pen is slightly fast, and the pen is in the chest. In short, when the dantian is sunk and I forget about it, I will happily devote myself to it, and there will be flowers at the bottom of the pen.

The starting pen of regular script is divided into two types: Tibetan Feng and Lu Feng.

The first is to start writing. It is divided into two kinds of brushwork: starting from the opposite front, returning to the pen and adjusting the front and starting the brush with the front, and then returning the pen to hide the sharp edge in the painting. Tang Kaizhong Yan Zhenqing used the first type, and Ouyang Xun used the second type.

The second is to start writing. That is, the stroke is opposite to the direction of the peer pen, and the strokes can also see the traces of the sharp edge. I feel that Jin Kai, that is, the small Kai system represented by Wang Xizhi, mostly uses Lu Feng to start writing. That is, Zang Feng is also the second way mentioned above.

How to make various strokes when putting down the pen, expressing different styles of calligraphy, there are many changes in the process, as well as the way of putting down the pen and starting the pen, the priority of the stroke, the connection and break between strokes or words, and the transition.

The regular script should be decisive, the pen should be smooth, and the pen should be completed in one go. There should be no hesitation when writing.

The pen must be held steadily when starting the pen at the first point, the strength must be paid attention to when the pen is carried at the second point, and the pen must be lifted up when the pen is closed at the third point, which is the basic essentials and must be mastered.

Stroke stroke: In the Yan Ti Kaishu, we can see that the horizontal paintings are particularly slender, so there is basically no change when moving the pen, lift the tip of the pen to maintain the strength of the pen, which is also different from the Ou Kai horizontal painting pen movement, learning Yan Ti should pay special attention.

Closing the pen: Yan Ti Kaishu horizontal painting is very distinctive, compared with the European style Kaishu horizontal painting of the pen is more complicated, that is, Yan Ti Kaishu horizontal painting pen needs to start a new stroke, at the end of the horizontal painting to write a square stroke, this is the characteristics of Yan Ti, but also Yan Ti Kaishu horizontal painting pen is an essential.

The key is to be sharp when writing, and to be crisp when the pen is down, so that the ink will be full the moment the pen touches the paper.