What are the basic structural rules of calligraphy?

In calligraphy, the most basic follow the eight rules of internal and external proportionality, stability up and down, symmetry between left and right, balance of light and weight, uniform distribution, contrast and harmony, continuous differentiation, and repeated changes. In addition to this, patience is also required, and calligraphy is not something that will be achieved overnight.

Calligraphy can be regarded as one of the traditional cultures of our country, because of the beauty of Chinese characters, there is calligraphy. But learning calligraphy is actually very challenging. There is a very important law in calligraphy called the basic structure law, which probably refers to contrast, correspondence, and diversity.

1. Three basic structural laws of balance and symmetry. Before learning calligraphy, it is best to have a clear understanding of these structural rules and get a good understanding.

I believe that the structure of calligraphy glyphs refers to the relationship between the collocation, arrangement and combination of dot paintings, and it can also be said to be the law of the beauty of dot painting and line combination. The structural law of calligraphy glyphs is "contrast, correspondence, and diversity."

1. Balance and symmetry".

The structure of calligraphy is made by the structural rules of the text and the aesthetic taste of the author to make appropriate artistic arrangements, these artistic rules have the structure of sparseness, virtual reality, echoing, etc., according to these rules and techniques to express the beauty of the text.

The ten basic knowledge of calligraphy are as follows:

1. If you want to get through, you must first memorize the content.

2. The method of penetrating the qi, dip the ink once to write a few more words, in order to be coherent, the end of the previous word, to immediately do the next word to undertake. If there is no ink in the pen, when the ink is dipped in the ink, or the pen is repeated in the air, continue to write, or the next word and the first stroke are inked.

3. If a chapter is not a book and there are many words, it can be completed in groups, but pay attention to the relationship between folds and matches. grouped or made up of ink. The chapter with few words goes down from the pen to the bottom of the line, and it is completed in one go.

4. Dry and wet should be relative, not dry to dry, wet to wet; The size should be relative, not large to large, or small to small.

5. The line spacing should be dense and consistent, and when learning the chapter at the beginning, do not be sparse and dense.

6. The payment should be coordinated with the text to make people feel the whole chapter.

7. If it is cursive, the horizontal should not be flat, the vertical should not be too straight, and the repeated words should be changed.

1. Horizontal and verticalHorizontal and vertical, the horizontal drawing is stable when writing, and the vertical painting is straight and straight. The angle of the horizontal drawing depends on the situation, and the whole character looks smooth and straight.

2. Horizontal drawing is equidistantHorizontal drawing is equidistant, when multiple horizontal strokes are drawn side by side in the word, try to make the horizontal equidistant and evenly white.

3. Vertical painting is equidistantVertical drawing is equidistant, when multiple vertical pens are juxtaposed in the word, the vertical spacing is basically equal, and the narrow width depends on the word.

Fourth, skim and stretch.

Skimming and stretching, balancing glyphs; The lower part is compact and stable glyphs.

5. Reciprocal and equal shares.

Reciprocal division and remorse means that in the type word of the left and right structure, the left and right parts are evenly sized and equally divided.

Sixth, the upper and lower exhibitions.

The upper part is tightened and the upper part is tightened, leaving room for the lower part; In the lower part, the line of pen is stretched, open and plump.

Seventh, the upper exhibition and the lower collection.

The upper part is open and fluttering, and the lower part is dignified and steady. The line of writing is urgent and then slow.

Eighth, the debate is the same shape three stacks.

Homomorphic three stacks, the three parts are the same, when writing, it is necessary to pay attention to the uniform distribution of each part of the ruler, and the lower part is in a state of left closing and right or left tight and right loose, and the whole is stable.

The structure of calligraphy is composed of strokes such as dots, horizontal, vertical, apostrophes, pinchs, hooks, etc., plus Ge and folds. The dot painting is matched into a word called the frame and the knot. The length of the dot painting, the fineness of the rough and the sparse arrangement of the position can be varied, but this change has its rules and aesthetic requirements.

The "structure" of calligraphy, including the structure of the characters, as well as the size, density, and oblique alignment of each character, all need to be carefully considered, and the echo should be just right. Due to the different styles of calligraphers, calligraphy fonts.

There are many ways in which calligraphy is structured. However, no matter what kind of style or style, its structure should be proportional, following the basic rules of balance and symmetry.

Principles of calligraphy font structure:

1. Chinese characters are composed of a variety of different strokes, and how to combine strokes can be beautiful and produce the artistic skills of structure. The structure is also known as knots, knots or frames. The structure of calligraphy is often based on the structural rules of the text and the aesthetic taste of the author.

2. These artistic laws include sparseness, virtual and real, sideways, symmetry, harmony, gathering and dispersion, echoing, etc. The structure of calligraphy is based on these rules and techniques to express the formal beauty of words, giving the viewer a rich sense of beauty and taste, so as to arouse infinite artistic conception and interest.

Calligraphy font structure rules:

1. Ink is also often valued by calligraphers. The methods of using ink are: thick ink, light ink, dry ink, thirsty ink, wet ink, dry ink, rising ink, etc.

Light ink, the ancients did not use the book of the birds, Ming Dong Qichang loved to use light ink, and in modern times, it was widely used, and in a word, the shade is used interchangeably, and between the strokes, each other penetrates to produce rich interest.

2. There is a difference in the size of the chapter. The small chapter method is how to arrange the dot painting relationship within one word, or how to arrange the relationship between a few words. The big chapter method is not only the planning and arrangement of the relationship between the whole text and the round and cautious words, the line and the line, the text and the payment and the use of the seal, etc., it requires a work between the lines of the echo, expectation, to coordinate and have a sense of wholeness.