When did the gilded Buddha statue appear? How is it made? What is the cultural significance?

It appeared in the Han Dynasty, and it was made by gilding technology, and the image was formed after being shaped by high temperature, and finally it was for the better development of culture, and it was also for the promotion of Buddhism, which brought a substantial help.

The gilding process has been in China since the Warring States period. It is a mixture of gold powder and mercury that is heated and rolled while being painted, and the mercury evaporates, leaving the gold and rolling it on the surface of the bronze ware. Buddhism was introduced to China between the Han Dynasty and the Han Dynasty, and at the same time there were gilded Buddha statues.

The earliest Buddha artifacts are ancient Indian gold coins from the 1st and 2nd centuries AD, but they are pure gold. The earliest gilded Buddha statue in India is not recorded. Buddhist legend has it that the Buddha ** is golden, so gold is used to decorate the Buddha statue.

It appeared during the Han and Han dynasties. Mercury is added to the yellow essence to melt it, and finally applied to the surface of the living phase, and then made at high temperatures. It expresses that the respect for the Buddha statue has a very historical value, and it can also contain a lot of history, and many people believe in Buddhism very much.

Gilded Bronze Buddha Statue The dating and identification of gilded bronze Buddha statues is a relatively difficult matter, but if it can be scientifically verified and analyzed, it will be able to identify the true and false. Look at the characteristics of the statues to determine the generations, the characteristics of the statues of the Buddha statues in each period. This is an important basis for us to judge you.

Here's a few ways to do it:

1. In the Han Dynasty and the Sixteen Kingdoms era, the Buddha statue has a square face, a gentle face, and straight hair, which is a sitting style. The Buddha of this period was mostly single and small in size.

2. In the Northern Dynasty (after the Northern Wei Dynasty), the head of the Buddha statue is a bowl-type cover, with a long face and thin face, a high nose and big ears, closed eyes and concentrating, a clear face, a high bun, a spiral type, a robe, and a right shoulder. Some sit cross-legged, while others sit cross-legged with their palms facing up. The Buddha seat is either a Sumeru seat with a short waist or a foot square seat.

Some of the heads are light, and some of the backlights behind them are all pointed, and the surrounding areas are made of flame patterns. Another obvious feature of the statue of the Northern Wei Dynasty is that the main Buddha is often a bodhisattva on both sides, and most of them are standing.

3. Bronze forging statue in the Sui and Tang dynasties, with a lotus crown on his head, a round face, fat cheeks, a high forehead, a monk's branch, a robe, a pleated skirt under a wide coat, hanging down on his feet. There is a double-height bed or a single-layer foot under the seat, and the neck or backlight is a thicker pointed frieze.

4. Most of the bronze Buddha statues in the Song Dynasty are Bodhisattva statues, some with high hair buns, fat faces and pointed bottoms, and tall and long figures. Some legs are arched and fallen, the left arm is placed on the arched leg, and the right hand is lowered and pressed flat on the seat. The skirt is slightly pleated and falls behind the legs, with the left hand crossed over the leg and the right hand stretched forward on the abdomen.

Wearing a tassel, sitting on a thin waist round seat with two layers of lotus flowers. In the Song Dynasty, bronze statues of Fuxian, Manjushri, and Guanyin emerged, sitting on a rectangular four-legged seat or on the back of a statue, a lion's back, and a raccoon back. There is a bronze Bodhisattva statue of great compassion in Longxing Temple in Zhengding, Hebei.

5. The bronze Buddha statue of Clam Qing is mostly thorny, some have sarcoma on the top of the thorny head, big ears, a meat fold on the chin, and one to four meat folds on the neck, the more meat folds, the closer the age. Some of the chests are cast with the word "", draped robes, chest-topped, cross-sitting, palms generally facing upward. The lotus-shaped or mountain-shaped seat is relatively high compared to the previous generation, and the base has no file marks.

The inscription may be in front of the seated leg. The sitting posture is varied, and the legs are either crossed and fallen, or arched and fallen. Songkhapa wears a "" hat.

The color is red, and the gold water is yellow and thick.

6. Tibetan Buddha and Han Buddha are also different, Tibetan Buddha has a high chest and large breasts, and Han Buddha has a flat chest and small breasts. Most of the turquoise stones are Tibetan Buddhas, and those who prickly their heads are Han Buddhas. The Gansu Provincial Museum treasures this face Guanyin is a model of Ming and Qing Tibetan Buddhism gilded bronze statues.

First of all, because the material of the Buddha statue itself is generally made of bronze and plaster, both of which are not easy to melt, it is a great challenge for gilding.

Secondly, the Buddha statue itself is complex in filial piety, and it is difficult to control the hail in many places, and in the process of gilding, if the temperature and time are not controlled, it may lead to the loss of metal source, thereby affecting the integrity of the Buddha statue.

Finally, during the gilding process, harmful gases may be generated, and the Buddha statue itself is sacred, therefore, it may affect the sacredness of the Buddha statue.

Summary. Hello, the method of gilding Buddha statue aging is usually through manual processing and the use of chemicals to simulate the age and history of the Buddha statue. Here are some common ways to do it:

1.Artificial wear: Through the use of sandpaper, stones and other tools, the surface of the Buddha statue is artificially worn, simulating that the Buddha statue has experienced hundreds of years of wind and rain and people's worship.

2.Chemical treatment: The use of chemicals, such as acids, alkalis, etc., to treat the surface of the Buddha statue to make it appear rusty, corroded and aged.

3.Grinding and painting: By polishing the surface of the Buddha statue and applying special paint, the surface of the Buddha statue shows the traces of time and a sense of history.

4.Antique carving: Antique carving of the Buddha statue to make it look like an ancient work, thereby increasing the sense of history and value of the Buddha statue.

It is important to note that the method of making old Buddha statues needs to be handled with care to avoid causing damage and injury to the Buddha statues. At the same time, old Buddha statues also need to comply with relevant laws and regulations to ensure the legitimacy and compliance of Buddha statues.

Gilded crafts, worn-in method?

Hello, the method of gilding Buddha statue aging is usually through manual processing and the use of chemicals to simulate the age and history of the Buddha statue. Here are some common ways to do the worn:1

Artificial wear: Through the use of sandpaper, stones and other tools, the surface of the Buddha statue is artificially worn, simulating that the Buddha statue has experienced hundreds of years of wind and rain and people's worship. 2.

Chemical treatment: The use of chemicals, such as acids, alkalis, etc., to treat the surface of the Buddha statue to make it appear to be rusty, corroded and aged. 3.

Grinding and painting: By polishing the surface of the Buddha statue and applying special paint, the surface of the Buddha statue shows the traces of time and a sense of history. 4.

Antique carving: Antique carving of the Buddha statue to make it look like an ancient work, thereby increasing the sense of history and value of the Buddha statue. It should be noted that the method of infiltrating the old Buddha statue needs to be handled with caution to avoid damage and injury to the Buddha statue.

At the same time, old Buddha statues also need to comply with relevant laws and regulations to ensure the legitimacy and compliance of Buddha statues.

Hello, there are many ways to make gold-plated crafts, and here are some of the common ones:1Use pickling:

Soak the gold-plated handicrafts in a potato-resistant acidic solution for a period of time, and then rinse them with clean water to slow down the lack of acres. This removes some of the metal layers from the gold-plated surface, making it look even older. 2.

Use of chemicals: The use of some special chemicals, such as sodium hydroxide, potassium hydroxide, etc., can make the surface of the gold-plated handicraft oxidation reaction, so that the surface presents some old effects. 3.

Use sanding tools: Using sanding tools to frost the surface of gold-plated handicrafts can make the surface produce some abrasive effects, so as to achieve the effect of aging. 4.

Use dyes: The use of dye to dye gold-plated handicrafts can make the surface produce some old colors, so as to achieve the effect of aging. It should be noted that when carrying out distressing treatment, it is necessary to pay attention to protecting the quality of the gold-plated handicraft and the metal layer on the surface to avoid damage to it.

Hello, dear, very happy to answer for you! Under the mold is the content of the answer, please check the dry rent God to see! Gilded Buddha statue old method:

Answer: Treated with fire and chemicals. Analysis:

There are usually two methods for gilded Buddha statues to be aged, one is to burn them by fire and the other is to treat them with chemicals. Fire burning is to put the Buddha statue on the charcoal fire, and then use sandpaper to scrape the surface to make it look old, and some places will deliberately make some uneven treatment. Chemical treatment is the use of chemical agents, such as sulfuric acid and hydrochloric acid, to corrode the surface of the Buddha statue, making it look more ancient and old.

Extension and expansion: The gilded Buddha statue is one of the Buddhist statue art, which is a process of gold jewelry processing after the surface of the Buddha statue is coated with metallic paint. When making a Buddha statue, the gilding process is essential, which not only beautifies the Buddha statue, but also enhances the value and sacredness of the Buddha statue.

However, due to the pursuit of antiquity by some merchants or individuals, they will adopt the method of distressing to make the Buddha statue look more old on the surface. Although this behavior is criticized by people, there is still a market for old Buddha statues. Therefore, for people who want to buy Buddha statues, it is necessary to pay attention to distinguishing the authenticity and age of Buddha statues.

At the same time, in an attitude of respect for Buddhist culture, such illegal acts should not be supported. Your questions have been answered! I hope to be able to help you, if there is something wrong, you can continue to consult, bear with me!

Summary. Hello, glad to have a question for you. The method of aging gilded Buddha statues is to simulate the oxidation and aging process of metal by chemical methods, so that the surface of the Buddha statue presents a sense of history and age.

Kiss, the specific steps are as follows:1First, apply vegetable oil to the surface of the Buddha statue to make its surface moist and facilitate the chemical liquid to drip evenly.

2.Then the sulfuric acid is dipped in cotton, and the sulfuric acid is dropped on the corresponding position on the surface of the Buddha statue, and the more concentrated sulfuric acid can make the surface of the Buddha statue show metal patterns and mottled lines. 3.

Soak it in an alcohol solution for a while to give its surface a yellowish-brown mottled effect. 4.Chemicals such as patina and copper nitrate copper oxalate are used to decorate some localized areas to give them the effect of green rust.

5.Finally, a layer of gold leaf is applied to the surface of the Buddha statue to give it a golden effect. It is important to note that this method requires a high degree of chemical knowledge and skill, and it is necessary to wear gloves and masks to avoid ** and respiratory injuries.

At the same time, the use of this method on Buddha statues for distressing needs to be handled with caution to avoid irreversible damage to Buddha statues.

Hello, glad to have a question for you. The method of aging gilded Buddha statues is to simulate the oxidation and aging process of metal by chemical methods, so that the surface of the Buddha statue presents a sense of history and age. Kiss, the specific steps are as follows:

1.First, apply vegetable oil to the surface of the Buddha statue to make its surface moist and facilitate the chemical liquid to drip evenly. 2.

Then the sulfuric acid is dipped in cotton, and the sulfuric acid is dropped on the corresponding position on the surface of the Buddha statue. 3.Soak it in an alcohol solution for a while to give its surface a yellowish-brown mottled effect.

4.Chemicals such as patina and copper nitrate copper oxalate are used to decorate some localized areas to give them the effect of green rust. 5.

Finally, a layer of gold leaf is applied to the surface of the Buddha statue to give it a golden effect. It is important to note that this method requires a high degree of chemical knowledge and skill, and it is necessary to wear gloves and masks to avoid ** and respiratory injuries. At the same time, the use of this method on Buddha statues for distressing needs to be handled with caution to avoid irreversible damage to Buddha statues.

What else is the way.

Yes, there are some other ways to gilt Buddha statues. First, the mechanical wear method uses some machine tools and sandpaper and other tools to wear and tear the Buddha statue to make it show the effect of wear and rust to achieve the purpose of aging. The method is simple, but it requires patience and skill to avoid causing excessive damage to the Buddha statue.

In the second feast, the sun-drying method places the Buddha statue in the sun for a period of time, so that its surface is exposed to sunlight and natural oxidation to achieve the effect of aging and mottling. This method has less damage to the Buddha statue, and it is also in line with the concept of nature, health preservation and health. However, kissing, you should pay attention not to cause too much damage to the Buddha statue, and try to protect the integrity and authenticity of the Buddha statue on the basis of doing the old sailing.