The Bodhisattva of Yan Dao 5, the Bodhisattva Barbarian Analysis of Yan Dao

This poem describes the scene of a woman playing a kite in the middle of a feast, depicting her expressions and movements, and showing superb performance skills. "The sound of writing the green of Xiangbo" is a wonderful zither song, which is reminiscent of the rippling green waves of Hunan water. The "slender fingers" highlight the young and beautiful characteristics of the kite girl.

"Hate" is to write the love in the song, but also to write the heart of the kite girl. "When the autumn water is slow, the jade pillar flies obliquely" implicitly writes the smart and dexterous, calm and focused demeanor of the kite girl, and also implicitly writes the soft and self-respecting expression of the kite girl. "Spring Mountain Eyebrows Low" uses an apt metaphor to describe the expression of the kite girl, which is skillfully integrated with the music.

I said, pseudo-father, this kind of answer is available as soon as you check it on the Internet, and you still have to ask. Really, you have to summarize it yourself. (Don't scold me, if you really want to scold, hehe, send the reading comprehension answers together).

1. The sound of the river wave green uses the same feeling technique, and compares the hearing ** to the Xiangjiang River green wave tilting and holding the state, which is smooth and unhindered. The invisible ** sound is transformed into a tangible and colored image in the words, which not only writes the superb performance skills of the player, but also writes the listener's subtle taste. 2. Slow autumn water:

"Autumn water" refers to clear eye waves. "Slow" describes concentration and refers to the player's full attention. Slanted Flying Goose:

In the ancient poems of flying geese, it is often connected with sorrow and hatred, and at the same time, there is the famous Huiyan Peak in the south of the Xiangjiang River. Therefore, although it is said here that the string pillar is like a goose flying obliquely, it can be imagined that the Xiangjiang song played should also be related to the flying geese, and the expression of the soft self-respect of the girl playing the kite is written. 3. The upper part of the word secretly writes the allusions of Xiangling Guse, pointing out "hatred"; Xia Que did not write specifically about hatred, only about the state of the kite, and the hatred was self-evident.

The last film breaks two sentences, which makes people think that the kite player has a deep hatred, and it is not enough to convey it to the fullest, but it can "pass on" the hatred, which shows that he has a high skill. Judging from the tone of the two sentences of "Slender Finger", the lyricist is sympathetic to the hatred poured out by the kite player, and the hatred passed on is shared by both parties. The lyrics are filmed, focusing on the content and mood of the performance.

Jade pillar oblique flying geese", the string pillars on the zither are arranged, like a row of flying geese. In the ancient poems, the flying geese are often connected with sorrow and hatred, and at the same time, there is the famous Huiyan Peak in the south of the Xiangjiang River. Therefore, although it is said here that the string pillar is like a goose flying obliquely, it can be imagined that the Xiangjiang song played should also be related to the flying geese, and the shape of the zither pillar is actually left from the hatred passed on by the kite player.

When it bounced to the broken intestines, Haruzama's eyebrows were low. "Spring Mountain, refers to the eyebrows that are bent and bulging like a mountain, which is inherited from the above "autumn water", and uses the allusion of Zhuo Wenjun's "eyebrows are like looking at distant mountains" ("Xijing Miscellaneous Records"). The woman concentrates and plays carefully, and her expression should generally be calm and calm, but as the music enters the realm of broken intestines, the Zheng girl lowers her eyebrows, and her desolate and sad emotions are still clearly revealed.

The Bodhisattva barbarian Yan made a few lamenting kites and made a song of the Xiangjiang River, and the sound was written in the green of Xiangbo. Fingers thirteen strings, thin will be the hatred of the hand.

When the autumn water is slow, the jade pillar flies obliquely. When it bounced to the broken intestines, Haruzama's eyebrows were low.

Literary Appreciation. This is a song about a songwoman playing a kite, or there is some sustenance, or it is purely written about the people who see it in its eyes and hear it in its ears, and it does not need to be delved into.

The opening first points out the style of the music, first of all, the zither is used, and the sound of the zither has always been desolate and soft, suitable for expressing the mood of grief and sorrow, and the singer plays a sad tune similar to the story of the Xiangjiang River. The music was supposed to be heard by the ears and could not be seen, but the lyricist suddenly turned from hearing to vision, saying that "the sound is written in the green of Xiangbo". This rhetorical device is called "synaesthesia", also known as "transference", that is, the communication of sensations such as hearing, sight, touch, smell and other sensations felt by different senses.

Because the most convenient description of words is visual, and it is relatively difficult to describe the sense of hearing, so the visual sense is compared to the sense of hearing-the clear and blue Xiangliu. From the perspective of traditional culture, it is indeed easy to make people feel sad, so they use synaesthesia to metaphorize zhengqu.

The last two sentences of Shang Yun point out the meaning of synaesthesia, and point out the identity of the kite player - the woman, who is playing the song of "hatred" with the zither.

The opening of the next rhyme is also visual, the focus is changed from the zhengqu to the person who plays the zheng, in the banquet, the kite is played quietly, and the "autumn water" is the clear gaze slowly flowing, indicating that the woman who plays the kite completely integrates the whole body and mind into the zither music played. The eyes of the players who appreciate it have both clear eyes and oblique pillars, and they also merge the zither and the person into one, as if the music is not popping out of the zither, but from the heart of the woman playing the zither. Because of this, at the moment when the sound of the zither was played to the most poignant and heartbreaking, the woman slowly lowered her eyebrows, her expression was integrated with the music, and she vomited out the sadness and resentment in her chest.

The words are clear and graceful, the emotions are sincere and sad, and the style is subtle and deep, which is impressive.

Jiangnan is good is not the name of the word brand, Bai Juyi once wrote three poems of "Remembering Jiangnan", the first of which starts with "Jiangnan is good", but it is only a sentence, not a word brand name.

Examples of other word brand names:

Wen Tingyun's "Bodhisattva Man" fourteen songs.

Jiang Kui's "Yangzhou Slow Huaizuo Famous Capital".

The famous authors of "Sauvignon Blanc" include Bai Juyi, Chen Dongfu, Lin Kui, Yan Jidao, Wan Qiyong, Nalan Xingde, Li Yu, Wang Zhuo, Ouyang Xiu, etc.