How to move the pen in Chinese painting? Chinese Painting Brush Movement Skills Tutorial Basic Chine

Painting and holding the pen is roughly the same as calligraphy, and it is necessary to master the essentials of finger solidity, palm weakness, wrist level, and five fingers together, but it is more flexible than calligraphy brush. Calligraphy pen generally requires vertical palm, painting pen can lie horizontally, can be slightly higher, so that with the wrist, elbow, shoulder, body with each other, the pen can be both flexible and effective. There are ways to move the brush of landscape painting, such as the center, the side, the Tibetan front, the open front, the reverse front, and the straight front.

The center moves the pen, the barrel is vertical, and the tip of the pen is in the center of the ink line; The lines drawn with the center are sharp and sharp, and they are mostly used to outline the outline of objects. Move the pen on the side, the palm is tilted to the left, and the tip of the hand is to the left; Because the side of the front is the side of the pen, the pen line drawn is thick and spicy, and this method is mostly used for rubbing the mountain stone. Zang Feng moves the pen, the pen blade should be hidden and not exposed, the rampant "no return", the vertical line "no hanging and no shrinking", the ancients called it "a wave of twists and turns"; The lines drawn by Zang Feng are calm and subtle, and they are often used to draw the outlines of houses, boats, and bridges, and are also used for the outline of mountains and rocks, and the double hooks of tree trunks.

Lu Feng makes the edge of the dot painting exposed, which looks very beautiful and vigorous, and the painting of bamboo leaves and wicker is Lu Feng's brush. Reverse the front of the pen, the pen tube tilts forward to the right, the tip of the pen advances against the trend, so that the pen blade spreads, and the brushstrokes produce flying white (a kind of dry brush white line in Chinese painting), this point, line has a vigorous and spicy pen interest, can be transported in the trunk, the outline of the mountain stone, rubbing. Shunfeng pen is the opposite of the reverse front, using the drag pen to run, the lines drawn are light and smooth, delicate and lively, hook clouds, draw water often use this method.

Chinese painters attach great importance to the method of brushwork and have accumulated rich experience. Mr. Huang Binhong, a master of landscape painting, summed up the experience of his predecessors and put forward the theory of "five strokes", which is "flat, round, retained, heavy and changed." The so-called "flat" refers to the average force when moving the pen, the beginning and end are clear, and the pen is delivered, neither weak, nor picky and frivolous, but "like a cone to draw sand".

The so-called "circle" refers to the turning point of the pen to be round and powerful, not to give birth to corners, to be "like folding hairpin strands". The so-called "heavy", that is, calm and weighty, should be like "high mountains and falling stones", not like "the wind blows the leaves", that is, the ancients said that "the pen can carry the tripod" meaning. The so-called "change" refers to the change of the pen, or the use of the center or the side, according to the different objects of expression and change, can not be the same.

The second refers to the pen to echo each other, the ancients compared it to the "burden man contention", Huang Binhong's explanation is: "Cover the burden of the man can bear things, both its strength, that is, dozens of bearers meet on the way, or let the left, or let the right, although they come and go with each other, one after the other, do not collide." This is also a wonderful contract with the pen.

In addition, the pen should also pay attention to the coherence of momentum, the predecessors proposed to "realize the pen", "the pen is continuous", these are important experience talks.

With a good pen, you can get dizzy as much as you want? How do you want to draw, how do you want to go?

1. Center: The pen barrel is perpendicular to the paper, and the tip of the pen is in the center of the ink line. The lines drawn with the center are sharp and sharp, and they are mostly used to outline the outline of objects.

2. Side forward: the pen barrel is inclined to the paper, and the pen tip and the pen belly are in contact with the paper. The pen force is uneven, sometimes fast and slow, sometimes light and sometimes heavy, and the pen tip is often biased to one side of the line, so that the effect is hairy, astringent, and rich in variety.

Since the side of the brush is used to carry the head and side of the brush, it is possible to draw thick lines.

3. Zangfeng: The pen should be hidden without chain silver dew, and the lines drawn should be calm and subtle, and the force should penetrate the back of the paper.

4. Lu Feng: Contrary to Zang Feng's pen, it touches the paper with the tip of the pen, deliberately exposes the pen edge, and gradually lifts the pen when collecting the pen. The lines drawn with this brushwork are flexible and elegant.

5. Reverse front: When the pen is moving, the tip of the pen advances against the trend, so that the pen edge spreads out, and the brush strokes can produce flying white. This kind of dot and line has a vigorous and spicy brushwork.

6. Shunfeng: The pen is hidden in the opposite side of the front, and the drag pen is used to run, and the lines drawn are light and smooth, smart and lively.

The use of the brush in the center is the primary feature of the brush method of Chinese painting.

There are many ways to use the brush in Chinese painting, and how to figure out and comprehend the characteristics of the brush is the main topic for us to learn Chinese painting well: 1. Center. The tip of the pen is perpendicular to the paper surface and always runs in the middle of the ** bar, such as "cone painting sand" and "folding hairpin strand", the lines are round and thick, and the thickness is uniform.

2. Flanks. The barrel is slanted sideways, at an acute angle to the paper. The tip of the pen is biased to the side of the line, and the effect of the line is not as round as the pen used by the center, but one side is light and one side is hairy.

3. Scattered fronts. Pinch or knead the gathered brush tips to make them neat or scattered, this method is more flying, more likely to reflect the characteristics of the brush and expressive.

Pen method: hook, rub, rub, point, dye.

The hook of the fine brush, mainly in the center, requires neatness and rigor, similar to the regular script in calligraphy.

Erase: The stroke is not clear, called erase. Rubbing is a continuation of the process and a supplement to the process, the purpose of which is to make the picture effect more vigorous.

Point: It is a facial expression technique, and the use of freehand painting is more common, and there are also boneless dot dyeing methods in gongbi painting. The point of the fine brush is inseparable from the vertical and the dyeing, so it is called point dyeing.

Dyeing: It is another way to enhance the picture effect. The dyeing in Gongbi painting can be divided into two types: hook dyeing and baking dyeing.

Brushwork is formed by the line of brushwork. The line of the pen includes three parts: starting the pen, moving the pen, and closing the pen, and the line of the pen should be strong.

There are six kinds of brushwork in Chinese painting, namely the center, the side, the reverse front, the drag front, the folded hairpin strand and the house leakage mark, and the flying white front.

Center: The center is the tapered brush tip in the running process of the brush, always in the center of the pen. The use of the brush in the center is the primary feature of the brush method of Chinese painting.

Side: As the name suggests, the side is to tilt the brush, and the center of the brush tip is biased to the side. Its characteristics are: the pen is rich in variety, there is a strong tension of the cherry blossom with the pen, and the mountain dew is shown in the refreshing.

Reverse front: Reverse front is the opposite direction of the brush running Changsong stool method relative to the anterograde direction of the forehand position. The resistance of the pen against the front increases, the pen edge gathers and disperses, and the change of tightness is different from the meaning of the pen.

Drag front: Drag front is to pour the brush on the paper and drag it. It is characterized by natural conversion, fast and slow. Under the requirements of accurate figure painting, Tuofeng is easier to do than other methods, and the method is practical and simple. The disadvantage is that the pen is relatively floating, and there is no feeling of force penetrating the back of the paper.

Folded hairpin strands and house leakage marks: the method of using the pen pursued according to the phenomena and traces in nature is the variation of the center's pen, thus enriching the performance of the center's pen.

Fei Bai Feng: This brushwork is transformed from the Fei Bai in the calligraphy pen. It is characterized by loose and hairy brushes, which seem to be dragonflies and water, but in fact they are powerful and powerful, masculine and internal, loose and spiritual, and have a feeling of vastness.

The techniques of Chinese painting brushwork are as follows:

1.With the pen in the center.

The pen is either vertically erected or centered. The advantage of the center is that it is rich and strong, and there is no bias and weakness. The painting requirements are different, it drags horizontally and vertically, and has many functions, so it can not erect the pen forever, and sometimes the pen is lying down, but also to achieve the effect of the center.

Our so-called center, requires the tip of the pen to always be in the middle of the ink marks of this pen, rather than deviating from the edge of the ink marks, so that no matter the vertical pen lying pen, dragging the pen and the reverse pen, it is the center.

2.Use a pen to be round.

The saying that there is no definite way to hold the pen, in the final analysis, is just that there is no definite way to use the pen. However, there is also a certain point in the indefiniteness, that is, to use the pen to be round. The opposite side of the circle is thin and dry, stiff and not glutinous, intermittent and airless, and vainly born Guijiao.

To be round, the first stroke must always be in the center of the inkmark, that is, the center. The stroke is the center, but when it turns a corner, the edge of the pen deviates from the edge of the ink mark, it is not round, it is not the center, so the pen must be changed, and the pen back to the center of the ink mark, or the center. Whether it is a vertical pen or a horizontal pen, it is the same.

3.Line size.

Chinese painting with soft sharp edges. A pen head has three parts: the nib, the belly and the root. When using the nib, it should be able to lift it and keep it.

Draw a line and use the strength of your whole body to send it to the end. When sending, the middle finger is pressed down, and at the same time, the arm and wrist are dragged inward, and the middle finger is slightly flicked, swaying, not flat.

So that there is something in the line, and if there is something, it can be kept. As we often hear, it is said that someone has a big pen and someone has a small pen. It's not that if the lines are thick, the pen is big, and if the lines are thin, the pen is small, you must know that people with a big pen are still big even if they draw a line as thin as a hair.

4.Press with a pen.

The pen must not only be able to lift it, but also be able to put it down. In the pen method, it is said that the upside down press is these two aspects. If you can afford to lift it, use the tip of the pen, and if you can pull it down, you must use the belly of the pen and the root of the pen.

Use the belly of the pen for the small pinch, and use the root of the pen for the big puff. To the end, to the end, to kill, no matter how much water is on the pen, wet or dry, to be decisive, no doubts.

There are six types of Chinese brushwork. They are the center, the flank, the reverse striker, the drag striker, the folded hairpin, the house leak mark and the flying white front.

1. Center: During the operation of the brush, the tip of the pen is always in the center of the pen. The characteristics of the center are: full pen power, soft on the outside and rigid on the inside, and expressive.

2. Side forward: the brush is tilted, and the center of the brush tip is biased to the side. Flanking is one of the most common methods in figure painting. The characteristics are: the pen is rich in variety, and there is tension. The disadvantage is that it appears thin and shallow.

3. Reverse front: It is the opposite direction of the brush running method relative to the anterograde direction of the forehand position. The resistance of the pen against the front increases, and the pen edge gathers and disperses. It is characterized by the rigidity of the pen and the force through the back of the paper, but the lack of softness.

4. Drag: The brush is poured on the paper and dragged and run. It is characterized by natural conversion, fast and slow. The disadvantage is that the pen is more floating.

5. Folding hairpin strands and house leakage marks: It is the variation technique of the center line.

6. Fei Bai Feng: Transformed from the Fei Bai in the calligraphy pen. It is characterized by loose and hairy brushes, and there is a feeling of vastness.

There is such a sentence in Chinese painting: What does it mean to be white as black? That is to say, in Chinese painting, there are places where art is done without art.

In Chinese painting, the brushwork includes, dry brushwork, and the dry brushwork makes the painting look strong and powerful, while the wet brushwork is to find the vertical town moist from the dry life.

In the Chinese painting, it is divided into outlines of the fiber digging, rubbing, rubbing, and pointingdyeing, etc.

In Chinese painting, each of our painters has different techniques, but they all have different appreciation values.

It's just how you look at it.

The brush used in Chinese painting should have brush and ink, shade, shade, and strong sense of layering.

Chinese painting to write painting! Have a taste for writing! It's not how to use it comfortably

I think it's comfortable to use.

But I think the brushstrokes are very important.