Can anyone tell me about the history of the copper galloping horse

Hello dear, I am happy to answer for you, the copper galloping horse is 45 cm long, 10 centimeters wide and 10 centimeters high, made in the Eastern Han Dynasty. In 1969, it was unearthed in Leitai, Wuwei, Gansu. It is the fine sculpture art of the Eastern Han Dynasty, the crystallization of the high wisdom, rich imagination, romantic spirit and superb artistic skills of the artists of the Han Dynasty, and is the rare treasure of the ancient sculpture art of Zhengwei China, representing the highest artistic achievement at that time, and is now collected in the Gansu Provincial Museum.

The bronze horse is vigorous and handsome, with a unique style. The horse neighed with its head held high, its trunk strong and its limbs slender, its hooves tapping lightly, and its three legs soared into the air, galloping forward. The artist skillfully depicts the lightning-like moment of a skyhorse galloping through the clouds, reflecting the spirit of the times of the Han Dynasty.

The work is not only cleverly conceived, but also extremely crafted; It is not only expressive, but also realistic.

It was discovered in October 1969 and unearthed in the tomb of Lei Taihan in Wuwei City, Gansu Province. The Eastern Han Dynasty bronze galloping horse generally refers to the horse stepping on the Feiyan, which is the work of the filial piety wheel in the Eastern Han Dynasty. The Eastern Han Dynasty bronze galloping horse, also known as Ma Chao Dragon Sparrow, Horse Stepping Feiyan, Copper Galloping Horse, Horse Attacking Crow, Eagle Sweeping Horse, Horse Stepping Flying Falcon, Lingyun Galloping Horse, etc., is a bronze of the Eastern Han Dynasty, which is now stored in the Gansu Provincial Museum.

The copper galloping horse is centimeter high, 45 centimeters long, centimeters wide, weighs kilograms, the shape is vigorous and exquisite, making the head high, galloping, showing a kind of heroic ambition of the first circle, is a symbol of the great temperament of the Chinese nation.

The moment when the galloping horse took off with three legs and overflew the birds with one foot, Qiao Qinxin Flying Birds looked back and looked back, and enhanced the momentum of the galloping horses moving forward rapidly, and the focus of the whole body was focused on the one foot that surpassed the birds, accurately mastered the balance principle of mechanics, and had an excellent level of craftsmanship and technology.

Summary. Hello pro, I am happy to answer for you oh pro 3 <>

<>Yes. The Eastern Han Dynasty copper galloping horse was from the feudal period. The copper galloping horse is a bronze handicraft of great value produced under the influence of the social custom of Shang Ma in the Han Dynasty.

Horses were an important means of transportation, military equipment, and agricultural production in the Han Dynasty. The Han Dynasty ** gave Ma Likou a book. I hope mine is helpful to you, and finally I wish you a happy life!

Is the Eastern Han Dynasty copper galloping horse from the feudal period?

Hello pro, I am happy to answer for you oh pro 3 <>

<>Yes. The Eastern Han Dynasty copper galloping horse was from the feudal period. The copper galloping horse is a bronze handicraft of great value produced under the influence of the Han Dynasty society.

Horses were an important means of transportation, military equipment, and agricultural production in the Han Dynasty. The Han Dynasty ** gave Ma Likou a book. I hope mine is helpful to you, oh finally, I wish you a happy life!

Front shed. Use economic and social analysis to analyze the reasons why the state supports the development of individual industrial and commercial households.

3 Using economic and social analysis to analyze the reasons for the poor development of early potatoes in the state's support for individual industrial and commercial businesses, the development of individual industrial and commercial households has facilitated people's lives, increased the output of Shenji, enriched product types, promoted market competition, and improved economic vitality, which is an important initial form of entrepreneurship. The scale of some individual industrial and commercial households has increased.

Summary. 1.The copper galloping horse has a high artistic value.

The exquisiteness of its shape and ingenious conception are rare, and it is also in line with the aesthetics of the contemporary public. This is the consensus of almost all experts and scholars, and the "controversy" of all parties concerned is basically under the premise of this consensus; from this point of view, no matter what the result of the "controversy" is, the copper galloping horse as a "national treasure" is well-deserved, and it is also extremely valuable and unquestionable. 2.

The age of the copper galloping horse is not exact. Because of the special environment and extensive excavation process at the time of excavation, the exact age is not easy to determine. At present, the main views are still concentrated in the Eastern Han Dynasty, the Western Jin Dynasty, and the Qianliang period, and the Eastern Han Dynasty is said to be an earlier view, and the direct evidence supporting this view is obviously not strong enough; The "Western Jin Dynasty Theory" mainly proves that it is very likely that the tomb was later than the Eastern Han Dynasty; The conclusion of the "Qianliang Theory" is relatively clear, especially the tomb robbery cave and other historical records corroborate each other, but the interpretation of the unearthed artifacts and inscriptions is relatively lacking.

Hello dear, the value of the copper galloping horse mainly depends on which era of <> it belongs to

<> copper galloping horse, Xiaosen is also known as "horse stepping on Feiyan", "Ma Chao dragon sparrow", etc., for the Eastern Han Dynasty bronze, national treasure level cultural relics, unearthed in October 1969 in Gansu Province Wuwei City Lei Taihan Tomb, now stored in Gan Qiqiao Mu Su Provincial Museum wide do, for the treasure of Gansu Provincial Museum.

1.The copper galloping horse has a high artistic value. The exquisiteness of its shape and ingenious conception are rare, and it is also in line with the aesthetics of the contemporary public.

This is the consensus of almost all experts and scholars, and the "controversy" of all parties concerned is basically under the premise of this consensus; from this point of view, no matter what the result of the "controversy" is, the copper galloping horse as a "national treasure" is well-deserved, and it is also extremely valuable and unquestionable. 2.The age of the copper galloping horse is not exact.

Because of the special environment at the time of excavation and the extensive process of unearthed slag mu, the exact age of Naizi is not easy to determine. At present, the main view is that Ruchun is concentrated in the Eastern Han Dynasty, the Western Jin Dynasty, and the Qianliang period, and the Eastern Han Dynasty is an earlier view, and the direct evidence supporting this view is obviously not strong enough. The "Western Jin Dynasty Theory" mainly proves that it is very likely that the tomb was later than the Eastern Han Dynasty; The conclusion of the "Qianliang Theory" is relatively clear, especially the tomb robbery cave and other historical records corroborate each other, but the interpretation of the unearthed artifacts and inscriptions is relatively lacking.

Copper galloping horse, also known as "horse happens to be a mu stepping on Feiyan", "Ma Chao dragon sparrow", etc., for the Eastern Han Dynasty bronze, national treasure level cultural relics, unearthed in Wuwei City, Gansu Province in October 1969, now stored in the Kuando Gansu Provincial Museum, for the treasure of the Xiaosen Gansu Provincial Museum.

The copper galloping horse has a high artistic value. The exquisiteness of its shape and ingenious conception are rare, and it is also in line with the aesthetics of the contemporary public. This is the consensus of almost all experts and scholars, and the "controversy" in all aspects is basically under the premise of this consensus.