What is the name of the Taoist priest in the book Cultural Journey?

Wang Yuanqi: I'm right, he's a sinner in the Mogao Grottoes.

Get very little money for foreigners to take our treasures.

On the top floor, there is Wang Yuanji.

Give the first floor extra points.

What makes the vast majority of Chinese know the Dunhuang Hidden Scripture Cave is Yu Qiuyu's prose with resentment, the author expresses a heavy review of Chinese culture through the dispersal of Dunhuang documents, and the author gives an image of an ignorant Wang Taoist through the rendering of Wang Daoist.

This ignorant Chinese, who once gave the vast majority of Chinese great pain in their hearts, actually has another flesh-and-blood appearance and personality, which is very different from what Yu Qiuyu himself described. This is also a flaw of Yu Qiuyu in this article, venting many historical grievances to a fragile individual in a way unique to literati, which is unacceptable to the vast majority of people with rational thinking.

Wang Daoshi has made unimaginable efforts to protect these cultural relics several times, including sending these ancient books to the local **, and finally risking death to write a chapter to the Empress Dowager Cixi, which Yu Qiuyu did not reveal to the readers of this article, that is, such a person who risked his life to protect ancient books, but failed again and again, relied on his own firm religious beliefs, in order to clean up the caves at that time, he sold the precious Dunhuang documents.

Yu Qiuyu did not carefully describe that bumpy history, but with the special preferences of literati, he put Wang Daoist to death - this also has the advantage of "Yu", because Wang Daoist will not argue with him, even if he comes out of the Taoist Tower, he can't argue with such a so-called literati who suffers and thinks for literature, and uses knowledge as a shield.

The whole article revolves around the Mogao Grottoes in Dunhuang, saying that at the beginning of the 20th century, the Mogao Grottoes were in charge of an ignorant Taoist priest, because of ignorance, he cleverly painted the precious murals in the caves, and even dug them, replacing them with statues of Lingguan; Because of his ignorance, he exchanged the priceless national treasures in the cave for a handful of silver dollars from Western scholars who admired him; Because of ignorance, the treasures of the motherland have been trampled and unfortunately lost, leaving infinite regrets for our descendants.

The owner of the Taoist Pagoda is a Taoist priest surnamed Wang, who is the Mogao Grottoes.

The sinner (recorded in history), who was originally a peasant, fled to Gansu and became a Taoist priest, and finally this Taoist priest Bibi actually became a Buddhist.

When it seemed to be a fierce move, only greedy eyes were left ......

Since Mogao Grottoes is a royal Taoist.

The "home" can only be inadvertently modified and changed by its own owner: the Taoist priest hired someone to paint the cave with white ash, and the seriousness may make modern people sigh to themselves, but we all know what it means to paint a new cultural relic! The aesthetics and harmony of traditional virtues also have a strong irony here:

The Taoist priest used a hammer to smash the original sculpture and build a celestial master and a spiritual officer.

In order to make the whole environment "match" with his identity as a Taoist priest. The reason why the rest of the caves were not painted was because the Taoist priest took into account the cost, and he would not do anything that cost too much......

May 26, 1900, is an ordinary day, but also a great day, Taoist priests on this day inadvertently opened the treasure of Mogao Grottoes, but this treasure was opened in that era, opened by Wang Daoshi, so it was doomed to its fate ......

When archaeologists, explorers, sinologists, and scholars from all over the world rushed to China, Daoist Wang was taking out a few cultural relics and sending them to ...... in the officialdomAt that time, some people realized the importance of these cultural relics, but they had to let it go for ...... due to the cost of freight

When many foreigners arrived at the Mogao Grottoes, they did not encounter the imaginary strict guards, only a brick outside the cave, a lock on the door, a Taoist priest and the key in the Taoist priest's waist ......They only used a small amount of their own silver dollars or the items they carried with them to exchange them for cartloads and boxes of items in the Mogao Grottoes from the hands of Wang Daoist......Daoist Wang secretly rejoiced that he had gained a lot more than what he had gained! No wonder those foreigners said that they saved Dunhuang.

Culture! Those dignitaries and nobles would never have thought that just because of the problem of freight, thousands of years of cultural heritage quickly moved away from their own nation and their motherland ......

Daoist Wang was still standing alone beside the cave, looking at the wheels that had gone away, and there should be confusion on his face......He did not and will not realize that our nation is dripping blood......

Wang Daoist is a sinner in the Mogao Grottoes with a name and surname, and we can spit on him, but what about those sinners who have no name and no surname? They are more knowledgeable, financial, and capable than this peasant-born Taoist priest, but they are indifferent, they are the sinners of our nation, and that Taoist priest is only a clown at best......

The Taoist Pagoda "tells the sorrow of that era and the sorrow of our entire nation......

The most wonderful original text in the whole article: I really don't know how a dignified Buddhist holy place can be taken care of by a Taoist priest. China's civil officials have all gone to repentance**, why do they never mention the reason for Dunhuang?

It was the beginning of the 20th century, and European and American artists were brewing a breakthrough in the new century. Rodin was sculpting in his studio, Renoir, Degas, and Cézanne were in the late stages of creation, and Manet had already exhibited his Lunch on the Grass. Some of them have cast envious eyes on Oriental artists, and Dunhuang Yihui is in the hands of Wang Daoshi.