When The Old Tavern ended, why did you give the camera to a mysterious knocker who only heard its

In order to create a mysterious atmosphere and raise the audience's expectations for Part 2, it also laid the groundwork for the beginning of Part 2.

I think it's an expression of good wishes, and it is also an expression of the old brother who may be Chen Huaihai's expectations.

There are two mysterious people in the old tavern, they are not left and right, but they are all the time, one is the daughter-in-law of the third master, and the other is the old mushroom who is gone, and he is with Banlazi in the kitchen of the restaurant.

After the mushroom was driven away, Hanlazi replaced him as the head chef.

The six brothers in the old tavern, none of them were idlers, and they each practiced their skills in the difficult daily life of Kanto Mountain. After the old tavern opened, Chen Huaihai arranged a hard job for them according to his own characteristics. The third master is the tent, Leizi and Liangzi are running the hall, and the three in the kitchen are half-pulled and old mushrooms cooking.

Because placing the banlazi and the old mushrooms together in the kitchen of the restaurant shows that the hanlazi itself also has cooking skills, but it does not have the skills of the old mushrooms.

The restaurant kitchen for more than 6 years of Ban Lazi and old mushrooms, has long been quietly learned how to cook old mushrooms, after the old mushrooms left, he took over the parts of the restaurant kitchen. Once, when the mushrooms were gone, the trade at the B&B inn became even more popular, and once Xiao Qingtian told the guests that the fried croquettes were a must for his own shop, indicating that Hanlazi had not only learned the cooking skills of the old mushrooms, but also mastered his foundation.

The more popular the transaction is, the more busy Ban Lazi is, and Chen Huaihai is not a small family, he has undoubtedly found an assistant or an apprentice for Ban Lazi. If you want to find an assistant or two in the streets of Dalian, you have to find an assistant or two in an old tavern.

However, this assistant was only an assistant, and he did not assign them an additional real identity, and there was no short story to impress the audience, so he did not participate in the performance. Another character who is not in love is the daughter-in-law of the third master.

There is another daughter-in-law of the third master, not long after the six of them arrived at Haohan Street in Liangshan, the old tavern business was on the right track, and Chen Huaihai gave the third master Li a room of daughter-in-law. Therefore, Chen Huaihai sighed that since the third master has a daughter-in-law, he doesn't even say much to the person who speaks after he closes the door every day.

He Lao Mushroom can often succeed in attacking the third master, and because he knows the third master's way back very well, and the third master must return home every day after the restaurant closes, so that the old mushroom can fly through life.

The third master's injury is relatively serious, and being able to contact Gu Sanmei and Baitou Lao Bai is also the contribution of his daughter-in-law. The third master was injured so much that he almost lost his life, how could he let Gu Sanmei and Lao Baitou grow old in a short period of time, and cooperate with him to carry out a plan to lure the snake out of the hole, so that the old mushroom can completely expose his desires?

The daughter-in-law of the third master plays the role of threading needles. This kind of character who played a key role in the past has not been produced in the play, not to mention the chef helping the chef in the restaurant kitchen.

Therefore, in the restaurant kitchen of the old tavern, there are actually people who have been cooking with Hanrazi, and this person alone has no effect on the promotion of the storyline, so it does not happen to him.

The person who knocked on the door may be a blind old brother that Chen Huaihai once met, because this old brother is very affectionate and righteous, and because this old brother is very obsessed with him, so he will come to him.

I don't know. Because this plot is not performed in the TV series, and there is no end, it is mainly to lay the groundwork for step 2.

I don't know who this person is, because he is usually more stable, and he is always very scary.

Presumably everyone has finished reading the old tavern by nowThen in the finale, there are many people's evaluations that are different, and from the perspective of word of mouth, the old tavern has a trend of high and low. Many netizens said that there were no more than 20 episodes in the back of the TV series in the old tavern, and the first 20 episodes were attractive, and they felt that the first few episodes were the most colorful. Maybe everyone has already guessed the finale, that is, the neighbors who are called on to take a picture of the whole street, which may be the attractionOverall, the old tavern is still a relatively good-looking conscience drama.

In the finale of the old tavern, why did you give the camera to a person who only heard itAnd then what about the knocker who made Cheng Chen Huaihai burst into tears? We can only hear the voice from the camera, but we don't know what she looks like, which means that this is specially arranged by the program team, and they don't want us to see the appearance of this mysterious person, but they also want our rich imagination to leave suspense. This may be one of the things that the director left for the audience.

Because the shout of knocking on the door contains a lot of truth, and we need to savor it ourselves.

The finale of the old tavern, the knock on the door came early,The sound is like a bell, very bold and energetic. Chen Huaihai burst into tears after hearing this knock on the door for so many years. The old brother has always stayed in Cheng Huaihai's heart, and it is the scar that has moved to her heart that cannot be recovered, and she is very excited to hear that voice.

In fact, the knock on the door of the finale of the old tavern represents the voice of people's cry for the new eraAnd the person who knocked on the door represents the heroes who sacrificed for the light, and it is because of their sacrifice that they bring us light.

The knockers represent the heroes who have sacrificed, which is very touching.

In fact, this is a reflection of the heroes who sacrificed, thanking them for the light they bring.

The main purpose is to leave a suspense and let the audience imagine for themselves, so that they can remember this drama more deeply.

Perhaps it is a nostalgia for those who gave and sacrificed.

There should be a sequel, so there will be this finale.

Characterization.

"Old Tavern" not only deeply portrays the character of Chen Huaihai, but also presents historical changes and group portraits of characters in an era through a series of experiences of Chen Huaihai opening a tavern, which has a great charm.

From the episodes that have been broadcast, I have seen vivid characters with different identities, although there are only ten episodes, and even the heroine has not really been on the road, I have already seen a vivid historical picture-

A gold digger who came back from the east of the country and died at the end of the world. Ambitious students who have returned to Japan to start their own business. A storyteller who is high and poor and likes to brag.

The country is not there, but the momentum of the Manchu Qing Dynasty is not overwhelming. A master who walks the streets and alleys, sharpens scissors and kitchen knives. A lonely old man with white hair and an unknown background.

There are also those ordinary people who often come to the tavern to eat, rest, and can't name them, their class, clothing, and conversation are very realistic, as if flesh and blood people have jumped out of the dust of history, and I can feel the heat through the screen. I live in the south, I don't know the Northeast, and I haven't gone through that era, but I can have a real and strong sense of experience of the life and encounters of the people of that era played in the play, and I am happy and sad with the ups and downs of the characters' fate.

Let's talk: sublimated theme.

The feelings of family and country in the play, the humility and courtesy in the play, and the sentiment of righteousness are all amazing.

After the opening of Chen Huaihai Tavern, whether it is a low-status knife sharpening master or a poor old man who can only afford two taels of wine for a meal, as long as the guests are warmly welcomed, they do not add cold eyes because of poverty, which reflects the "benevolence".

After drinking, the sharpening master forgot to bring the money, and would rather rush home late at night to get it than take credit, because he felt that the wine that was in charge of the debt was tasteless, which reflected the "festival".

The old man of the Manchu nationality and the bold and righteous man saw that there were bullies bullying people, and he took action with righteousness and flattened the bullies, reflecting the "righteousness".

The various characters displayed in the old tavern seem to be ordinary but have their own characteristics, and each of them shows the spirit of the Chinese nation to a greater or lesser extent, all of which show the brilliance of human nature.

The ratings of "Old Tavern", which is being broadcast on Beijing Satellite TV, continue to rise, and the local ratings in Beijing have broken 8. Liu Jiang, director of "Old Tavern", admitted frankly in an interview that when he saw the script of "Old Tavern", he was hit at once: although the tavern is small, it condenses all kinds of things, "I saw suspense, I saw romance, I saw the flavors of life, and I saw the national righteousness.

In director Liu Jiang's view, the pattern of "Old Tavern" is very large, "It is both linear and unitary, and each character is independent and has a unique umbrella structure." At first glance at the outline of "Old Tavern", a biography of a character caught Liu Jiang's eyes: the generous and benevolent Chen Huaihai, the heroic Gu Sanmei, the fast-talking and benevolent storyteller Mr. Du, the anti-Japanese hero Lao Beifeng, and the iron-clad Northeast Volunteer Army Horse Brigade Commander ......In Liu Jiang's eyes, "Old Tavern" is a "Qingming Riverside Picture":

Each character has a shining point, they all pay attention to people, and they are emotional, chivalrous, and righteous. ”

The characters in the play are exquisite, and the actors outside the play are even more exquisite. The first time he cooperated with Chen Baoguo, Liu Jiang said bluntly: "I can't admire it more!"

I will often tell my friends around me, why is Mr. Baoguo popular for 40 years? He's too serious, and that's the real thing. "The lines of more than 600 scenes, Chen Baoguo went to the scene the next day to perform off the script," not a word has changed, but it is all his own tone.

This is not a matter of memory, it is a question of comprehension, a matter of foundation, and the effort has already come to that. Not only that, sometimes Chen Baoguo's rigor and meticulousness make Liu Jiang, who is already very careful, sigh to himself: "My habit is to think very carefully, but it turned out that Mr. Baoguo was more detailed than I thought, and he reminded me in many places, otherwise I would almost go wrong."

For example, the plot of Chen Huaihai's revenge in the jungle in the play, the characters go from the city to the deserted mountains and forests, and the script does not describe the psychology of revenge too much, but Chen Baoguo himself proposed that in the cruel living environment at that time, the characters' personalities will become cold and sensitive, which can be described as waking up in a dream.

Every actor is acting on the set, and as a director, you don't need to use extra energy to say anything else, just look at the actors coming together to add icing on the cake. Recalling the filming process, Liu Jiang said that not only Chen Baoguo went off the script, but also Cheng Yu and Qin Hailu, and other actors also did not slack off, and the 83-year-old old actor Niu Ben insisted on walking barefoot in the rain and ice in order to show the toughness of the role. Actors Han Qing and Wang Xiaolong play a pair of deaf and mute brothers in distress in the play, from the beginning of receiving the role task, one of them pretended to be dumb and did not speak, and the other pretended to be deaf and could not hear, soak in a specific environment to experience life, and persisted for more than two months, and the results were very remarkable.

Such a conscientious cast of actors made Liu Jiang admire and grateful.

Qin Hailu has a heroine in the front, and what do you want to do when you add two women in the back, because they are all second-generation stars? Do you want to fill a lot of water because the number of episodes is not enough? Or three little women robbing an old man? Does the screenwriter think it's not bloody enough?

2.Did the stand-up comedian played by Fang Qingping have his brain kicked by the door, and he desperately wants the Japanese to give him a gun to eat, then hurry up and become a soldier What kind of cross talk, the key is that you just die, the people around you who listen to your cross talk have to be suddenly burst out by the devil with machine guns, if these hundreds of people listening to cross talk all fall, do you also have to call Fang Qingping a hero?

3.In order to inject water, use two episodes to play the Japanese like to drink Chinese roast knives? And then the tavernkeeper's son also took a fancy to a Japanese girl??? Or was it the period of the Anti-Japanese War? nm, the screenwriter ate it, and the number of episodes is so adaptable.

4.The heroine Gu Sanmei obviously knew that she was an underground party, and going to the old tavern was to bring great danger to the lives of others, but she really didn't leave the old tavern with a dead face, this is the true portrayal of the underground party back then? How did a person like a screenwriter join the party?

If you say yes, don't you take a stitch from the masses? Treating the lives of the masses as a child's play for their own interests?

5.He Yitang, a high-achieving student of a dignified Japanese medical school, was written by the screenwriter as a Japanese dragon bag, who sees who is annoying, how did such a mentally handicapped and straw bag become a top student to study abroad?

6.The male protagonist Chen shopkeeper, you say that he is benevolent and kind-hearted, he put the red envelope in his pocket in front of Bai Ye, and he didn't give Bai Ye a penny. You said he was for his brother, the third master was stabbed into a transparent hole, he ignored it, and let the ** go, just to leave another adult favor for himself?

May I ask the screenwriter, what is a brother in the eyes of the male protagonist? Which green onion is counted?

7.His own son has a small nail on his back, and he has to chase him to the ends of the earth, and nothing can stop him from taking revenge. Numb, his brother who was born and died was stabbed into a transparent hole, and almost died in Huangquan, but he was cold on the side, and he put the **?

On the one hand, it is for a small nail to chase to the ends of the earth, never to die; On the other side, the brother was stabbed into a transparent hole, but he let the ** go, is this selfish or righteous? Please ask the screenwriter to answer me.

8.and this inexplicable oil pockmark, Since you have asked your subordinates to kill Chen Badhai, why did you suddenly want to commit suicide again, I have not regretted it for fifty or sixty years, as soon as the male protagonist appeared, he suddenly wanted to commit suicide, and he suddenly regretted it, it makes no sense, screenwriter, why don't you jump off the building and commit suicide to thank the audience.

9.Chen Badhai, who is full of benevolence and morality, what does it mean to throw the blind old hunter in the forest and wait for death?