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Painted pottery is to paint a variety of natural mineral pigments on the pottery to form a variety of colorful patterns, so that the pottery is no longer just a practical product, but also has the aesthetic function of a work of art. Most of them are painted on the pottery blank first, and then fired in the kiln, and the pigment is chemically changed and integrated with the pottery tire, so that the color of the faience is not easy to fall off, durable and beautiful. There is also a type called painted pottery, which is to paint the pigment directly on the pottery after firing, and this kind of painted painting is attached to the surface of the utensil, which is easy to be damaged and fall off during use.
In the Dadiwan culture, the above two types of painted pottery appeared at the same time, and the former was the majority. There are three technical conditions for the production of painted pottery: first, the primary technical condition for the production of painted pottery is the understanding of natural mineral pigments.
As a faience pigment, it must not decompose when fired at high temperatures, for example, hematite with a higher content has high temperature resistance. In addition, it is necessary to grasp the color development laws of minerals, and what kind of pigment will turn red or black after firing, so that it can be used freely to produce the ideal color. The pigment can only be used after processing and dilution, and the thickness of the powder and the concentration of dilution with water have a process of constantly familiarizing and mastering the performance; Second, the surface of the clay must reach a certain finish before the pigment can penetrate into the clay tire.
This requires careful screening and washing of the clay, and repeated polishing of the surface after the blank is formed. Most of the painted pottery in archaeological discoveries are clay pottery, and even if it is sand-filled pottery such as Xindian culture, the surface of the vessel is relatively delicate. The main body of Dadiwan culture pottery is fine sand pottery, but the surface of the pottery is smeared with a smooth argillaceous layer. Third, the higher the temperature of the pottery, the stronger the adhesion of the pigment and the stronger the ornamentation.
When the firing of painted pottery has developed to a certain stage, human beings have gradually changed the structure of the pottery kiln and increased the sealing of the kiln chamber to achieve the guarantee of the firing process for the production of painted pottery.
Painted pottery represents the achievements of China's production and processing art, and is a unique history book that condenses the wisdom and labor of ancient ancestors.
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1. Painted pottery retains the traces of human life changes in primitive societies for thousands of years, reflecting the development of human history in the Neolithic Age.
2. Painted pottery presents the different characteristics of human life in the Neolithic Age in different regions, and reproduces the unique situation of primitive human life.
3. Painted pottery contains multiple primitive cultural connotations, which provides important information for exploring the origin of human civilization.
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What is the main thing for faience is as follows:
The painted pottery of the early Yangshao culture is mainly red and black or purple. It's relatively simple.
2.In the middle period, it became popular to use white and red paint as the base color, and then add black, brown, and red decorations. There is even a white trim design.
3.The graphics on the pottery are mainly composed of human faces, fish, deer, plants and other animals and plants that humans often came into contact with in ancient times, and abstract geometric shapes, such as triangles and circles.
4.In addition, dots, curves, swirls, arcs and other dots and lines are also widely used.
5.There are a certain number of carved symbols appearing on the pottery body, which may be the prototype of the text. The Banpo type is a typical representative of the early Yangshao culture, which was named because it was first discovered in Banpo Village, Xi'an City, China.
6. The pottery unearthed at present is mainly black in color, and the patterns and patterns are common in ancient times such as fish, frogs, deer, sheep and other animal patterns, human face patterns and geometric patterns such as triangles, wavy shapes, and grids.
6. Among them, the fish pattern is the most important theme in the Banpo faience.
7. According to the different time and artistic characteristics, the painted pottery can be divided into several categories, such as the half-slope type, the temple bottom ditch type, the Majiayao type, the mid-mountain type, and the horse factory type.
8. The shape of the painted pottery is mainly a large mouth and belly, a small flat-bottomed bowl and a large urn.
9. The most common ornamentation on the faience is floral patterns, geometric patterns and animal patterns, among which the petal pattern is the main decoration of faience, mainly black, and red, similar to blooming flowers.
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The significance of the appearance of faience is:
Painted pottery art integrates the artist's various creative thoughts, styles and languages, and creates different styles and colorful art treasures, which is a rare cultural treasure in our country.
Painted pottery: also known as ceramic painting, it is China's long-standing "quintessence" - the art of ceramic art, as early as about 7,000 years ago in the Banpo culture.
During this period, the earliest paintings appeared on pottery.
Identification method (fetal material).
The painted pottery made by the ancient ancestors is made of high-quality clay alluvial by the river, which is pure and free of impurities, and moist as a powder cake; and into the mud has flexibility.
The pottery made of firing has a "glue" texture with the naked eye.
Due to the poor firing technology conditions at that time, the firing temperature was relatively low, and the fired pottery had strong water absorption. Hitting the pottery with your hands will make a low, mute sound; Pottery by hand feels lighter; There should be no heavy pressure on the hand; Wet the pottery with water, and you can smell a faint smell of earthy meat; If you look carefully at the surface of the pottery, there will be a small needle hole.
Ancient pottery, most of them are the living utensils of the ancestors, before being buried in the ground, there are traces of bumps on the body of the vessel, and there is natural wear and tear on the body of the vessel after long-term use, and there is a "shell color paste" produced by contact with air, water, grease and other things. Painted pottery has been buried in the ground for thousands of years, and after a long period of accumulation, the surface of the pottery is full of "scale". The real "scale" can not be washed off with water, and dilute hydrochloric acid is used.
If you try the "scale", you will see that the "scale" emits white smoke and foams.
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Ancient painted pottery
An ancient pottery with colorful patterns Painted pottery Culture Detailed Zhaoyu Explained Ancient pottery with painted patterns. There are two kinds: one is painted before firing, and most of them are Neolithic relics; The other is to paint after firing. Usually the so-called "painted pottery" mostly refers to the former.
Word decomposition Explanation of 彩 彩 ǎ Various colors intertwined: 彩云 . Rainbow.
Rosy clouds. Painting. Painted pottery.
Colored silk. Markers. Floats.
Easter eggs (a handicraft painted on the eggshells of chickens and ducks; B Blind Duan Dialect, Songhua Egg). Lantern. Colorful.
Five-colored silk: ribbon cutting. Refers to * or something won in a contest:
Winnings. Explanation of pottery pottery á utensils fired from clay: terracotta figurines.
Ceramsite. Ceramics. Terracotta tubes.
Pottery. Manufacture of pottery: pottery.
Pottery casting. Yu Education and Cultivation: Pottery.
Tao Yu. Pottery dyeing. Edification.
Happy look, make happy: Tao Ran. Intoxicated.
Tao Tao. Ancient with "Tao", wash. Surname.
Number of strokes:;
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Chinese archaeologists are also trying their best to re-understand the characteristics of Yangshao culture and correct the Chinese faience pottery"West said"。In 1931, Mr. Liang Siyong, a modern Chinese archaeologist, discovered the famous one through the Anyang site"Okada back triad", that is, painted pottery unearthed from the bottom layer of Yangshao culture. The basket of Longshan black pottery unearthed from the Wentao culture and the Jomon pottery unearthed from the late Shang Dynasty culture in the middle point out the direction for solving the problem of the relationship between Yangshoutqingshao culture and Longshan culture, and confirm that the Longshan culture and the Yuxiaotun culture in early 1945 are confirmed.
<> Chinese archaeologists have discovered earth-filled pottery shards from Yangshao cultural tombs in Xiaguangwan, Ningyang County, Gansu Province, from its formation to the demonstration of the period before the Yangshao period. This, in turn, proves the new finds in the tombs of the revised terms and s", scientifically stratigraphing the s-sequence, thus correcting Anson's"West"The most crucial part of the theory lays the foundation for re-exploring the origin of Yangshao cultural faience. It is later than the Yangshao culture and confirms the chronological sequence of the three cultures located in the middle and lower reaches of the Yellow River.
The decoration of early faience in China and the West has undergone different evolutions and developments. The faience decoration of China's primitive society has experienced a history of more than 4,000 years, from the Banpu and Miaodigou types in the early stage of Yangshao culture to the more mature Majiayao culture, and then to the decline of primitive culture. In the course of this long history, the decoration of faience has developed along with the primitive social form and the aesthetic consciousness of primitive people, from the initial simple black or red wide band painted along the mouth of the vessel, to the appearance of straight lines and broken lines dominated by triangular lines or circular folds, and then to the emergence of more realistic animal or human figures.
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When the group ordered some of the Oriental ceramics more have some classical beauty, and rich in orange and some of the Oriental characteristics of China, and some of the Western painted pottery at that time, more prominent for the design of some space, the early painted pottery of the East is more simple and generous, the early painted pottery of the West is very fancy, the Oriental painted pottery is used in some traditional ceramic technology of the East, and the West is used in some of the manufacturing methods of its own country.
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The shape, size, color of these pottery, the core branches, the texture, the floral pattern are not the same, the color of the painted pottery in the East is heavier, calm and atmospheric, generally the animal pattern is changed and merged, it is relatively large, the color of the Western colored liquid pottery is more intense and beautiful, most of them are floral patterns, more compact.
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The color is not the same, the size is not the same, the shape is not the same, the totem painted on it is not the same, and the content of the table width is also completely different.
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The strange shape, simple answer, vivid image, simple portrayal, and simple production are all the characteristics of early painted pottery in the East and West.
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Regarding the statement of painted pottery, one of the incorrect codes and talking about is ().
a.Since the beginning of human records, the best preserved art is faience.
b.There are many styles and patterns of faience.
c.Faience is only an ornament for aesthetic purposes.
d.The production of faience embodies creativity and difference.
Correct answer: c
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