The specific explanation of this passage of Dream of Red Mansions

This passage shows Baoyu's deep love for Daiyu. What Daiyu means is that there are always many variables and choices in things, and what decisions you will make in the face of such a variety of choices. Baoyu said, no matter how many you choose, you are the only one I identify.

Daiyu said that it was like a scoop floating on water, what if she couldn't control her own destiny. Baoyu said, it is not the scoop that floats on the water, the water flows its own, and the scoop also floats its own, each has nothing to do with it. Daiyu said, what if the water no longer flows and the pearl sinks, meaning what if I die.

Baoyu said, if you die, then my heart will take refuge in Buddhism, and there will be no more ripples. Daiyu said that Buddhism cannot be deceived. Baoyu said, "My heart is like the Three Jewels of Buddhism."

The Three Jewels refer to the Buddha, Dharma, and Sangha, and they are generally sworn by the Three Jewels.

Lin Daiyu said: "How are you with Sister Xue Baochai?" What can you do if Sister Xue Baochai is not with you?

Sister Baochai started to be with you, what can you do if you are not with you now? What if I'm with you today and not with you later? How about you want to be with her and she doesn't want to be with you?

What if you don't want to be with her, but she prefers to be with you? Baoyu was stunned for a while, and then suddenly laughed and said, "Let that weak water roll away, but I only need to take one of the scoops and drink it."

Daiyu said: "The old lady is floating in the water, that is, floating in the sea of reluctance, it is difficult to keep changing" Baoyu said: "It is irrelevant, the falling flowers and flowing water are ruthless" Daiyu said:

Daiyu said: "What can I do about the scoop of drifting? "The water of the scoop is different from the water that stops the pearl and sinks, the former refers to the women inside and outside the Grand View Garden, and the latter refers to Daiyu.

Daiyu first said that the scoop is drifting, but there is a sense of worry rather than suspicion, which means that the scoop is floating in the water, that is, floating in the sea of reluctance, it is difficult to keep changing;

Baoyu said: "Non-scoop drifting, water artesian, scoop self-drifting!" Baoyu said irrelevantly, and the falling flowers and flowing water were ruthless.

Daiyu said: "The water stops the pearl from sinking, what can I do?" "The first sentence says that the water flows, and the second sentence says what if the water is still, that is, in case of an accident and we have to separate, although we are steadfast, what should we do?

Baoyu said: "The Zen heart has been stained with mud, don't dance partridges to the spring breeze." "The heart is like stopping the water, and the ancient well has no waves, which is the same as his many confessions - "If you die, I will become a monk." "It's in the same vein.

It's about Daiyu being jealous, and then Baoyu marked his heart and said that he only likes Daiyu alone.

Summary. Jia Zheng's image: upright, humble and kind, good character, and clean voice. Corporal Lixian, helping the weak and helping the needy, has a great ancestral style, but is lost in pedantic.

Reading comprehension about Dream of Red Mansions. Solving.

Dream of Red Mansions", also known as "The Story of the Stone", is a long story in ancient Chinese chapters, one of the four great classics of Chinese classics, with a total of 120 copies. **With the rise and fall of the four major families of Jia, Shi, Wang and Xue as the background, from the perspective of the rich and noble son Jia Baoyu, and with the love and marriage tragedy of Jia Baoyu, Lin Daiyu and Xue Baochai as the main line, it is an epic work that shows the beauty of women and the various states of ancient Chinese society from all angles.

Baoyu was beaten by that one, thirty-three.

Baoyu's beating took place in the thirty-third episode, in Jia Zheng's study, after the summer lunch break. The fundamental reason for it is that he made friends with the rival forces of the Jia family, and committed a big taboo.

Jia Zheng's image.

and whether Baoyu should be beaten.

Jia Zheng's image: upright, humble and kind, good character, and clean voice. Corporal Lixian, helping the weak and helping the needy, has a great ancestral style, but is lost in pedantic.

Answer questions in combination with thirty-three articles.

Baoyu deserves to be beaten. It seems that if such a child is not strictly disciplined and allowed to go on his own, his life will be ruined.

There are three kinds of people in the world: great benevolence, great evil, and mediocrity. Great benevolent people (such as Yao, Shun, Xia Yu, Shang Tang, King Wen of Zhou, King Wu of Zhou, Duke of Zhou, Zhao, Confucius, Mencius, Dong Zhongshu, Han, Zhou, Cheng Yi brothers, Zhang, Zhu Xi and others) should be born according to the fortune of the world, and can appear to rule the world (that is, the prosperous age); The great evildoers (such as Chi You, Gonggong, Xia Wei, Shang Xun, Qin Shi Huang, Wang Mang, Cao Cao, Huan Wen, An Lushan, Qin Hui, etc.) should be born in the world and can lead to troubled times. The great benevolent rule the world, and the great evil disturbs the world.

Qingming Lingxiu, the righteousness of heaven and earth, is possessed by the benevolent; Cruel and perverse, the evil spirit of heaven and earth, is possessed by the wicked. In today's peaceful and prosperous world, benevolent people with the righteousness of heaven and earth abound between the government and the opposition, and the remaining Qingming and delicate qi have no belonging, so they condense into nectar and wind, floating between heaven and earth; And those cruel and perverse evil spirits are not allowed to be in the abyss, and they are hidden in the abyss, and occasionally they will leak out a trace of the wind and clouds because of the urging of the wind and clouds, and when they encounter righteousness, good and evil are incompatible, and they fight with each other to no avail, and they must be given to the same person together before it is over. And this person can neither be a benevolent gentleman, nor a great evil; Among the people of the world, he is smart, handsome, delicate, perverse, and unapproachable.

If this person was born in a wealthy family of princes, he is infatuated (such as Wang Xie Er, Chen Houzhu, Tang Ming Emperor, Song Huizong);

If you were born in a poor family of poetry and books, you are a master of Yishi (Xu You, Tao Qian, Ruan Ji, Ji Kang, Liu Ling, Gu Hutou (that is, Gu Kaizhi), Liu Tingzhi, Wen Feiqing, Minan Gong, Shi Manqing, Liu Qiqing, Qin Shaoyou, Ni Yunlin, Tang Bohu, Zhu Zhishan);

Even if he was born in the cold door of Bo Zuo, he will be a famous advocate for Qiyou (such as Li Guinian, Huang Wanxuan, Jing Xinmo, Hongfu, Xue Tao, Cui Ying, Chaoyun).

The details are as follows:

Not long after its publication, Dream of Red Mansions was circulated in the form of a manuscript for 30 years and was regarded as a treasure. "At that time, every time a good deed person copied it, put it in the temple market, raised its price, and got dozens of gold, it can be said that he was not far away! (Cheng Ke's "Dream of Red Mansions" Cheng Wei Yuan's preface) and printed with movable type, it was immediately popular in the north and south.

According to the sporadic records of some literati in the Qing Dynasty, "Dream of the Red Chamber" had become the center of discussion at that time. The bamboo branch words circulated in Beijing said: "If you don't talk about "Dream of Red Mansions", it is in vain to read poetry and books!

When talking, sometimes because the two sides are in dispute, "they quarrel with each other and wave their old fists a few times".

When the folk opera and lyrics performed "Dream of Red Mansions", the audience "sighed and shed tears" (Liang Gongchen's "Four Records of Exhortation"). Some people even read "Dream of Red Mansions" because they love the characters in the book and are crazy (see "Three Borrowed Words", "Notes on Yong Bedzhai" and other books).

There are many versions:

1. Dream manuscript: "Qianlong Manuscript One Hundred and Twenty Hui Dream of Red Mansions", in the Xianfeng period, the source title is called "Dream of Red Mansions", Yang Jizhen's old collection, also known as "Yang Collection", "Fat Manuscript". At the end of the 78th chapter, there is the words "Lanshu (Gao E) has been read".

It appeared in Beijing in 1959 and was acquired by the Institute of Literature of the Chinese Academy of Social Sciences. The biggest feature of the dream manuscript is that it has a complete 120 times, the original text is very much Wu language, it is a manuscript, but both the original text and the revised text are not Gao E's handwriting. Its revisions were inherited by other lipo and Cheng Ben.

2. Gengchen book: save 78 times (1-80 times, two times missing). This book has the same two-line small print as the Ji Mao book.

In 1933, Xu Xing Department spent eight oceans to buy it in Longfu Temple, and then the Yenching University Library purchased it for two taels, and it is now in the library of Peking University.

3. Zheng Collection: Only two times remained), originally collected by Zheng Zhenduo, and later donated to the National Library.

4. Jiachen Ben: Qianlong Jiachen (1784) Dream Jue Master Preface, also known as "Dream Jue Ben". The title "Dream of Red Mansions" has fewer fat criticisms and simple text, and its text is basically inherited by Cheng Jiaben. It appeared in Shanxi in 1953 and is now in the National Library.

A Dream in Red Mansions (The Story of the Stone).

Dream of Red Mansions", a long story in ancient Chinese chapters, also known as "The Story of the Stone", etc., is listed as the first of the four classical Chinese masterpieces, and is generally believed to have been written by the Qing Dynasty writer Cao Xueqin.

**With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, and from the perspective of the rich and noble son Jia Baoyu, it depicts the life of a group of people whose manners and knowledge come from the eyebrows, showing the real beauty of human nature and tragic beauty, which can be said to be an epic that shows the beauty of women from all angles.