The Terracotta Warriors and Horses of Qin Shi Huang feel very macroscopic, so where is its weirdness

In fact, the traditional Chinese art style cannot be counted as "freehand" at all, and everyone knows that each has its own goodness, but the realistic style accounts for a large part of Chinese art, so it is not surprising that the terracotta warriors and horses of the Qin Dynasty are grim and realistic.

And not only the terracotta warriors and horses of the Qin Dynasty were realistic, but the Han Dynasty, which was similar in time, was also dominated by realistic style, and the same was true in the Tang Dynasty. The south of the pre-Qin era (Chu State) was mainly non-realistic, with a mysterious style, and the Terracotta Warriors and Horses of the Qin Dynasty naturally did not follow the artistic style of the Chu State.

In addition, the terracotta warriors and horses have their actual function, the purpose is to accompany the burial of Qin Shi Huang, and the terracotta warriors and horses are divided into types of troops and the "pit" occupied by the team is also knowledgeable. Qin Shi Huang really wanted to take an army to another world, so it had to be realistic, grim, and realistic. Corresponding to it are the various cave Buddha statues of the Northern and Southern Dynasties, which are as mysterious as the terracotta warriors and horses, and of course we don't think they exist.

It's useless for you to create him, they're not real people, they're not true Buddhas. But people of that era would not think so, he had already injected his own ideas into it when he was shaping them, and felt that if he made it realistic enough, it would be true. It's like people choosing names nowadays, or looking at horoscopes, and giving this name to their own child is bringing in personal beliefs, thinking that this child will be such a person in the future.

I'm a Pisces, and I've read horoscope analysis, so it's natural to think that I might be such a person, and my horoscope this year may really be like this. That's pretty much what it means. The Terracotta Warriors also had a purpose, Qin Shi Huang wanted to tell the world about his own strength and the strength of the world he ruled.

Therefore, the terracotta warriors and horses of the Qin Dynasty are realistic sculptures, and it is not surprising that realistic sculptures are realistic sculptures in the history of Chinese arts and crafts. The terracotta warriors and horses should be designed and shaped in a realistic style because they have a functional purpose for Qin Shi Huang, which is like the horses of Maoling stepping on the Xiongnu and the six horses of Zhaoling in Zhaoling.

The Terracotta Warriors and Horses of Qin Shi Huang are not only large in scale and large in number, but also neat and imposing, which is very helpful for people to understand the formation of the Qin State.

Many terracotta warriors and horses have traces of being burned, but there is no record in the history books as to why they were burned; Secondly, the hairstyles of the terracotta warriors and horses are also completely different, I don't know why these terracotta warriors with different hairstyles were made at that time; However, with the advancement of science and technology, I believe that these will be answered.

There is nothing strange about the Terracotta Warriors and Horses of Qin Shi Huang themselves, they are just fired terracotta figurines that accompany the burial; The reason why it is given "weird" is precisely because of people's suspicions and rumors that people feel that the terracotta warriors and horses are weird. The so-called weirdness is nothing more than the rumored terracotta warriors and horses that were burned after being coated with mud on living people.

The current terracotta warriors and horses can be clearly seen in many places, there are traces of being burned, so how is this burned, who burned it, there is no record in the ancient historical materials, the only clue is in the last years of the Qin Dynasty, after Xiang Yu entered the pass, not only set fire to the Afang Palace, but also to Xianyang at that time, as well as the mausoleum were set on fire Therefore, many wild history records, this fire was burned by Xiang Yu, and the reason why Xiang Yu set fire to it is said that it is said that seeing these terracotta warriors and horses are lifelike, and splitting a few can also see the white bones of people, Therefore, Xiang Yu was very scared, thinking that this was a Yin soldier who could be resurrected at any time, so he burned it down, but no one knows what the real situation is.

1. The terracotta warriors and horses have burnt marks.

2. None of the terracotta warriors had weapons in their hands.

3. The hairstyles of the terracotta warriors and horses are not uniform.

Know, the first is that the Qin Terracotta Warriors and Horses do not have **, the second is that the Qin Terracotta Warriors and Horses have a different hairstyle, and the third is that the Qin Terracotta Warriors seem to have been burned.

The ** of the Terracotta Warriors and Horses is gone, the Terracotta Warriors and Horses have traces of burning, and the hair buns of the Terracotta Warriors are very crooked, which are very strange.

Because these terracotta warriors and horses look very realistic, and there is folklore that these terracotta warriors and horses are burned with living people, it will create a sense of fear in people's hearts.

Because it's too much like a real person. The costumes of each terracotta warrior are different, and each person's form and expression are different. It seems to be real in front of you.

The Mausoleum of Qin Shi Huang is located at the foot of Lishan Mountain, east of Lintong District, which is more than 30 kilometers away from Xi'an City. World longitude Latitude China Shaanxi Xi'an Lintong more than 30 kilometers east of Xi'an. According to the Terracotta Warriors and Horses of the Mausoleum of Qin Shi Huang "Historical Records".

Qin Shi Huang began to build the cemetery when he ascended the throne at the age of 13, and the planning and design was presided over by Prime Minister Li Si, and the general Zhang Han supervised the construction, and the construction time was as long as 38 years. The Terracotta Warriors and Horses Pit of the Mausoleum of Qin Shi Huang is the burial pit of the Mausoleum of Qin Shi Huang, located 1500 meters east of the cemetery. The terracotta warriors and horses of Qin Shi Huang sit in the west to the east, and the three pits are arranged in a zigzag shape.

The earliest discovery is the No. 1 figurine pit, which is rectangular, 230 meters long from east to west, 62 meters wide from north to south, about 5 meters deep, with a total area of 14,260 square meters, there are slope doorways on all sides, and there is a terracotta warrior pit on the left and right sides, which is now called No. 2 pit and No. 3 pit. The figurine pit layout is reasonable, the structure is peculiar, at the bottom of the pit about 5 meters deep, erect an east-west load-bearing wall every 3 meters, in the hole of the terracotta warriors and horses.

In March 1974, when the villagers of Xiyang Village in Lingdong were fighting drought and digging wells, between Xiahe Village and Wula Village, three miles east of the mausoleum, a large-scale terracotta warrior pit of the Mausoleum of Qin Shi Huang was discovered, and the treasure of the Qin Warriors buried more than 2,000 years ago was uncovered by archaeologists. In 1975, the state decided to establish a museum on the site of the figurine pit. On October 1, 1979, the Terracotta Warriors and Horses Museum began to exhibit to domestic and foreign visitors.

At more than 1 p.m. on June 13, 2009, the No. 1 pit of the Terracotta Warriors and Horses of the Mausoleum of Qin Shi Huang was excavated again, and then in the middle of the northern part of the No. 1 pit, the colorful terracotta warriors and horses were unearthed.

The Terracotta Warriors and Horses Burial Pit is the world's largest underground military museum.

The Terracotta Warriors and Horses of Qin Shi Huang is one of the greatest discoveries in the history of archaeology in the world, in 1978, former French Prime Minister Jacques Chirac said after visiting: "There are seven wonders in the world, and the discovery of the Qin Warriors can be said to be eight miracles." If you don't look at the Qin figurines, you can't be considered to have been to China.

Since then, the Qin figurines have been praised as "one of the eight wonders" in the world, and three figurine pits have been excavated.

Introduction: Terracotta Warriors and Horses of the Mausoleum of Qin Shi Huang.

According to the historical records: Qin Shi Huang Yingzheng began to build the cemetery when he ascended the throne at the age of 13, presided over the planning and design by the prime minister Li Si, and the general Zhang Han supervised the work, and the construction time was as long as 38 years, the project was huge, the spirit was magnificent, and it set a precedent for the extravagant burial of the feudal rulers of the past dynasties. At that time, the total population of the Qin Dynasty was about 20 million, and the number of laborers in the construction of tombs reached as many as 720,000.

Xiuling household soil, taken from the south of the cemetery 2000 meters between Sanliu Village and the county quarry department, there is a multi-level loess cliff of 5 25 meters high. A large number of stones used in the cemetery are taken from Zhongshan and Jun'e Mountains in the north of the Wei River, and they are all transported to Lintong by manpower, and the project is very difficult. It is known as "one of the eight wonders of the world", which shows its magic and rarity.

It is enough to explain the great achievements of Qin Shi Huang.

The brief introduction shows that on March 29, 1974, when there was a bitter drought and no rain in the Qinchuan River for 800 miles, the villagers of Xiyang Village, located one kilometer east of the Mausoleum of the First Qin Emperor, drew an irregular circle on the rocky beach of Persimmon Shuyuan at the foot of Lishan Mountain.

<>1. Qin Shi Huang repaired the tomb. According to folklore, after the unification of the Six Kingdoms, Qin Shi Huang began to build mausoleums on a large scale due to superstitious ideas. The site of the mausoleum was set in the scenic Lishan Mountain.

In order to build the mausoleum, not only nearly 700,000 prisoners were transferred from all over the country, but also a large number of peasants were requisitioned from Henan, Shandong and other places to expand the number of people who built the mausoleum.

Second, Li Si received the order. In addition, Qin Shi Huang ordered Li Si, who was the prime minister of Qin at the time, to ask Li Si to recruit thousands of boys and girls from the people to be buried for him. After receiving the edict, Li Si knew the danger of this task, and a large number of migrant workers had been requisitioned to build the mausoleum, and the people had complained, if thousands of boys and girls were summoned, the world would be in chaos, and the Qin Dynasty would not be protected, if the boys and girls were not recruited, the king of Qin was furious and worried about his life.

3. Suiyu Lisi advises. After receiving the edict, Li Si couldn't sleep at night, and the fish at the bottom of the kettle were anxious. Later, when looking at the clay sculptures placed in the house, I suddenly thought that the terracotta figurines could be used instead of boys and girls for burial.

Therefore, he immediately wrote to the King of Qin to advise the King of Qin to replace boys and girls with figurines, and analyzed the pros and cons in detail from the perspective of the Great Qin Jiangshan. After some persuasion, the King of Qin agreed to use terracotta figurines instead of virgins for burial, so he ordered Li Si to immediately gather capable craftsmen to fire terracotta figurines throughout the country.

Fourth, the burning of terracotta warriors. During the Qin Dynasty, people's lives were relatively simple, and the structure of clay pots and pottery bowls used in daily life was simple. More than 100 craftsmen who were summoned for the first time lost their lives, and one of the old craftsmen who was killed told his son before he was killed that he could try to fire the figurines in sections.

Later, the son succeeded in firing pottery figures and horses using this method, and the son of the old craftsman and the second batch of craftsmen who fired terracotta warriors and horses were able to save their lives.