The characters in the oil painting Father are peasants in China?

Bishan County, Chongqing City

Evidence On Chinese New Year's Eve, Luo Zhongli saw a middle-aged farmer who had been smoking dry tobacco from morning to night, numb and sluggish, next to the toilet near his home. Luo Zhongli recalled at that time: "A pair of eyes like cattle and sheep stared at the manure tank.

At this time, my heart shook violently, and sympathy, pity, and emotion ......Coming at me in a frenzy, I'm going to shout for them! Later, he painted a peasant guarding dung, then a peasant who was an old Red Guard in Bashan, and finally painted the current painting "My Father", which was first painted under the title "Every Grain is Hard", and later changed to "My Father" (also known as "Father"). Beijing News).

Born in Chongqing, a native of Bishan County, Chongqing, he studied at Sichuan Fine Arts Institute from 1977 to 1981 and stayed on to teach after graduation.

So Luo Zhongli, his ancestral home is Bishan County, Chongqing City, and he went home for the New Year on Chinese New Year's Eve, which should be in Bishan County

Satisfied with the praise ha

Answer] :d Luo Zhongli, born in 1948 in Bishan County, Chongqing, graduated from Sichuan Fine Arts Institute, artist, educator, and former president of Sichuan Fine Arts Institute. He was promoted to associate professor in 1984 and went to the Royal Academy of Fine Arts in Belgium in the same year to study, returning to the university in March 1986.

He was promoted to professor in 1993. He is currently the president of the China Academy of Contemporary Art, a representative of the National People's Congress, an expert who enjoys the national allowance, an executive director of the Chinese Artists Association, a vice chairman of the China Oil Painting Association, a consultant of the 9th China Artists Association, the chairman of the Chongqing Artists Association, and the chairman of the Chongqing Federation of Literary and Art Circles. In 1997, he was rated as one of the 100 cruise artists of the Ministry of Culture, and in 1998, he was rated as a young and middle-aged expert with outstanding contributions to the country.

His representative works include: "Hometown", "Father", "Lotus Pond" and so on. "Father" is a large-scale canvas oil painting, which uses thick oil paint, subtle and delicate brushstrokes to create an image of an ordinary peasant with sincere feelings, simplicity and honesty.

Even if there are no dazzling gorgeous colors, and there are no agitated and rippling grand scenes, the author still portrays rigorously and simply, fine but not greasy, plump and moist. The background uses the golden color of the land to enhance the sense of space in the picture, reflecting the simple beauty of the characters on the outside and the noble beauty on the inside.

At the end of the seventies, an oil painting "Father" by Luo Zhongli, a young painter in Sichuan Province, became a sensation in China, in addition to the extremely delicate and realistic painting method, but also because of the previous Chinese oil painting portrait creation, most of which had a great influence, also because of the portrait of the leader of the big man. "Father" puts the spotlight on the face of an extremely ordinary peasant. I still remember that the heads of the figures in the oil paintings filled the canvas, and the eyes looked at us with a look that is difficult to put into words.

I don't know Luo Zhongli, but I guess that he must be a farmer's child, and the old man in the painting must also be his father.

Luo Zhongli (at that time, he was still a student at the Sichuan Academy of Fine Arts.

In 1978, he was admitted to the Sichuan Fine Arts Institute for further study. The painting "Father" won the first prize of the 2nd National Youth Art Exhibition, and its picture has a tragic shock, showing the image of an old peasant living in poverty; The realistic depictions of the old peasant's chapped lips, wrinkled faces, and shoddy bowls in his hands remove the barrier between the viewer and the work, and the painter uses them to reflect on traditional culture and ethnicity. Luo Zhongli created "Father", this father is not only Luo Zhongli's father, but also the father of the whole Chinese working people, "Father" is a representative of the image of the peasant, is the crystallization of Luo Zhongli's generation of young people's thinking.

The practical technique skillfully adopts close-up composition, subtle and delicate brushstrokes, and dripping sweat oozing from the pores of the face. created a picture of a sincere, simple and honest father, even if it is not colorful and dazzling.

In addition to this work, Mr. Luo has not produced a second decent work so far.

"Father" is a work created by Luo Zhongli in 1980 based on his experience of living in Daba Mountain and the deep affection he formed with farmers.

In the 70s and 80s of the 20th century, the society was in an era of change, people's values had undergone great changes, the main consciousness began to awaken, and the consciousness of artistic expression deepened, which formed a good objective environment. Reflected in the artistic creation, the artist began to develop a strong interest in the trivial matters around him and the ordinary people, thus changing the creative method of depicting the revolutionary leader as the main object, and "Father" came into being in such a good atmosphere.

The artistic image in "Father" is ** to an ordinary farmer named Deng Kaixuan. In the 70s of the 20th century, peasants went to the city mainly to pan dung and use it as fertilizer. There were often fights between the production teams and the communes over this fertilizer, and it was for this fertilizer that peasants lived in the toilets near the painter, and in every toilet in the city at that time.

The peasants also stayed in that place during the Chinese New Year, so the peasant's demeanor and posture caused a great shock to the author, and after that, he painted the peasants guarding the dung, and then painted a peasant who was an old Red Guard member of Bashan, and finally had the current work, the name of the painting was "Every grain is hard", and then changed to "My Father", and finally removed the word "my" and renamed it "Father".

The historical background of the cultural father depends on who painted Youhua's father.