Jiaqing How to identify the porcelain of the Daoguang period?

1. Compared with the Qianlong period, the fetal bones of the Jiadao and Dao periods have not changed much, but the fetal quality is a little looser. The whiteness of the fetal bone is a little worse, and the fetal bone is slightly thicker than the anterior face. From the time of Daoguang, the lines of the instrument are stiff, often angular, not rounded and beautiful, and appear clumsy.

2. The porcelain glaze becomes coarse, and "fine orange peel glaze" and slight "wave glaze" generally appear on the glaze. The color of the mortar glaze is still white and flashing cyan, but the whiteness is not as good as in the Qianlong period, and then gradually turns gray. Lying in the bean blue and white porcelain, there are piles of powder and blue and white, commonly known as "blue and white pile powder" or "blue and white plus white", the firing method is to first apply a layer of white powder material according to the general shape of the pattern on the fetal bone under the blue and white flowers, and then paint the blue and white pattern pattern on the white powder, and finally glaze and fire.

The ornamentation of the pile of pink blue and white is convex, the color is bright, beautiful and generous, and it has a three-dimensional sense. This kind of pile of pink blue and white first began in the Kangxi period, to Yongzheng, Qianlong time firing, but the number is not much, and to the Jia, Dao period is more popular.

3.The pattern decoration is still mainly painting, but it retains the legacy of the Qianlong period. The painting is smooth and detailed, and the painted ornamentation is not as vivid and lively as in the Qianlong period, and it has become a more rigid pattern, and there are fewer freehand paintings. Daoguang can copy the calligraphy and paintings of celebrities into the porcelain cup, and one inch can be painted.

Five or six figures, eyebrows are like life, and the work is extraordinary.

The identification is also unreliable.

It's better to find a buyer Someone who buys will naturally give you an appraisal.

1. The quality of the Jiajing fetus is not as good as that of the previous dynasty, and there are various types of vessels, with square and prismatic shapes;

2. The carcass of the cutter is thick, the joints are exposed, and the round ware is mostly concave and collapsed with the bottom center;

3. The glaze of general utensils is rough and uneven, and the small utensils of official kilns and private kilns are delicate and fat, and the blue and white wheel corridor line under the glaze is blurred and fainted;

4. Blue and white glazed utensils are often painted with yellow glaze on the mouth to form the characteristics of yellow mouth;

5. Although the decorative lines are slender and beautiful, the painting style is more freehand but seems to be rough, the picture is more Taoist colors and auspicious blessing content, the circle foot is more inwardly convergent, and the delicate thin tire utensils are generally round and short and narrow round feet;

6, the font, the strokes are thicker, are regular script, generally more than the bottom of the foot to write six characters of double lines, with a double circle, a large character of a throw and a pinch, the word up, the word a throw on the point, the word clothes are less than the knife;

7. When Longqing, the blue and white color cover is purple in the blue and white of the blue and white of the three dynasties of Jiajing, Longqing and Wanli, and the blue and white color is the best in front of the Longqing file;

8. Write more about the Ming Dynasty and celebrate the year, and rarely write words.

1. The early Kangxi blue and white carcass is thick and heavy, the glaze is fat and blue-white, there are shrinking glaze and small brown eyes, and the glaze color of the body is inconsistent with the bottom of the vessel.

2. Kangxi kiln ware common glaze, sticky sand, not smooth phenomenon, the bottom of the glaze is thin and white, common radial jumping knife marks, some foot walls with the same side oblique cutting is sharp, the diameter of the circle foot is large, many bottles, goblet, the bottom foot of the jar appears in the shape of the step, its folded corner is extremely straight, commonly known as "two-layer platform" or "step bottom". Double circle foot is also popular in this period, especially the Kui Long fold along the wash, the printing box is the majority, the inner circle is shorter than the outer ring, the two circles are exposed without glaze, the circle foot is wide and thick.

3. Due to the further increase in the firing temperature of the blue and white in the middle of Kangxi, the carcass is white and hard, and the section is like "glutinous rice cake". There are few impurities, the carcass is thin and moderately thick, and the tire is repaired. There are two kinds of glaze, powder white and pulp white, the powder white glaze has high hardness, the pulp white glaze is slightly loose, there are occasional open pieces, and there is a bright green glaze.

The middle blue and white porcelain circle foot is not as large as the early stage, and some of the foot ends have been polished, smooth and loach-like, but there is no roundness of the late Yongzheng blue and white flowers, flint red is rare, the tire glaze is very tightly combined, and the glaze color of the inner and outer walls of the vessel and the bottom foot is basically the same. At that time, there were also porcelain tires made of finely washed slurry, commonly known as "slurry tires", and the products included water bowls, ink boxes, etc., and the carcass was light.

4. The late blue and white glaze is blue-white, the bright green glaze is the majority, there is also a pink and white glaze, the glaze luster is deep and subtle, the carcass is heavier than the middle period, the hardness is high, the bottom foot is deeper, and the flat cut is generally used, and the cutting is neat.

5. The early blue and white porcelain is painted with Zhejiang materials or Jiangxi and Guangdong green materials, and the color is gray and blue, and the individual hair color is not good, thick gray and blue-black, which is very similar to the characteristics of Shunzhi blue and white.

A blue and white porcelain for hot wine, a three-piece set, made in Jingdezhen, there are two dragons playing with pearls, and there is a child setting off firecrackers on the hot wine utensils, and the strokes are relatively heavy, whether it is true or false.

1. Generally, we should first pay attention to the mouth, abdomen and bottom. Many of the same vessels are very similar in appearance at first glance, and a closer look at these three parts reveals different conclusions. The Imperial Kiln Factory gathered a large number of management talents and skilled craftsmen, so that the level of porcelain burning in the Qianlong Dynasty has improved.

Most of the exterior styling is relatively regular.

2. At this time, it was prevalent to use technical means such as turning the heart and turning the neck on the carving, and the production process was extremely exquisite. Xiangsheng porcelain technology is superb, imitation wood grain, imitation bamboo, imitation lacquerware, imitation metalware, etc., almost chaotic. This is inseparable from the high skill of the porcelain craftsmen of the time, who mastered the preparation of glazes and the control of heat with a high degree of accuracy, so that they vividly imitated the effects of other substances.

3. During the Qianlong period, pastel replaced Wucai, but the quality of the product was not as good as the previous generation. On the pastel vessels, we pay attention to the decorative means of hollowing out and stacking, supplemented by the "rolling process" and the opening of the light, the carving and so on. There is the precious porcelain of "Gu Yue Xuan", which is named after Gu Yue Xuan in the Qianlong Palace, and the well-made plain tires are selected from Jingdezhen to enter Beijing, and the inner courtyard is ordered to enshrine the painting master painting, and the furnace is baked in the capital.

4. The output of porcelain in the Qianlong Dynasty is very large, and the most used in the official kiln is the "Qianlong Year of the Qing Dynasty" three-line six-character seal book is generally written in blue and white, but there are also smeared red letters, and special utensils such as white porcelain, tea powder, coral red are often engraved with "Qianlong Year of the Qing Dynasty" six-character three-line carving.

5. The form of Qianlong folk kiln is also very rich, and the name of the hall and the flower deposit are roughly the same as those of the Zhengchao, so there is a certain degree of difficulty in identification. The Qianlong Dynasty appeared for the first time in the grass note.

6. The Qianlong Dynasty has the most fonts, the most written arrangement, and the fonts of the official and private kilns are easy to confuse. Generally speaking, the official models are more refined, beautiful, fine and moist than the civilian models, while most of the folk kiln models are rougher and sloppy, and there are also imitation Xuande and Chenghua models.

Identification of Qianlong pastel: 62616964757a686964616fe4b893e5b19e31333366303165

Whether it is an imitation or not, mainly depends on the following 5 points.

1. The overall structure of the shape is not harmonious, although the height or caliber is the same as the size on the book, but the curvature of the abdomen of the utensil is not accurate, either expanding or shrinking.

2. Some carcasses are too light and thin, and some are too heavy.

3. The traces of old are prominent, and they are very bright if they are not old. In order to show that it is an old object, some gray-brown mud is smeared on the bottom of the utensil or the mouth of the jar.

4. The traces of old work are prominent.

5. There is a big gap between these phenomena and the characteristics of heirlooms. What's even more ingenious is that some profit-makers have made some Qianlong colored porcelain to confuse people. In several appraisal meetings, there are such as silver-gray carved open bowls, large jars, painted landscape figures in the open light, carved seal body at the bottom of the vessel "Qianlong Year of the Qing Dynasty" model, people feel as if it is Qianlong's silver color ware, in fact, this kind of utensils carcass is heavy, the process is rough, and the level of ornament painting is also very low.

There are too many examples of similar inferior imitations to mention.

Qianlong of the Qing Dynasty (1736-1795 AD, Qing Gaozong Aixin Jueluo Hongli year) was the heyday of the development of feudal society in the Qing Dynasty, porcelain production has achieved unprecedented prosperity, and blue and white porcelain has also reached the peak of the degree. The book "Examination of Bronze Ware" praised the porcelain industry at that time"Since there has been pottery, there is no beauty today"。

The porcelain industry is the culmination of the famous kilns of our country's dynasties, and many exquisite porcelains have been made, not only the achievements of the official kilns are remarkable, but also the private kilns are also prosperous. At this time, the scale of Jingdezhen Imperial Kiln Factory is huge, under the management of the pottery supervisor, all kinds of porcelain are fired every year in more than hundreds of thousands, sent into the palace, and the porcelain fired out has reached the point of perfection and delicacy in terms of craftsmanship and decorative arts. Xu Zhiheng of the Qing Dynasty described the porcelain at that time in "Drinking Liuzhai and Saying Porcelain"."To Qianlong, exquisite, almost more than the magic axe"。

To identify the authenticity of porcelain in the Qianlong period of the Qing Dynasty, we should start from five aspects.

1. Look at the glaze, most of the glaze of Qianlong porcelain has orange peel patterns, and some utensils, such as the blue and white six-character green material part of the card, see a more obvious needle eye feeling. Most of the imitations have no orange peel lines, and the glaze is brighter than the real product, and there is no sense of thickness.

2. Look at the foot, the utensils in the Qianlong period are circled, and the Ji red and Ji blue in the official kiln are generally in the shape of glutinous rice flour loach back. The imitation fetal feet are neat and hard, and the mechanical process is obvious.

3. Looking at the pigment, Qianlong blue and white porcelain is blue and elegant, and the fruits and leaf petals in the decoration are colored by dot dyeing, with different shades of layering. Imitations are mostly colored by the smear method, and there are also those that are dyed with dots, but the blue and white pigment is thinner and floats on the surface.

4. Look at the decoration. The utensils of the Qianlong period are mostly decorated with dragon and phoenix patterns and auspicious patterns. In addition to some of the decorative styles following the Kangxi and Yongzheng relics, there are also a variety of decorations and colorful glazed utensils such as stacking paste, color painting, hollowing, and color glaze, and its color glaze is bright and distinctive.

The pattern of the later imitation is multi-colored and gloomy, dull, and the painting style is godless and sluggish.

5. Look at the words, the porcelain output of Qianlong is more, the writer has changed hands several times, and the changes in the words are also more, among which the strokes of the five characters of "Qing", "Qian", "Long", "Year" and "System" are slightly different. There are also many people who write the Qianlong year number, and also write the six-character seal book of the "Qianlong year system of the Qing Dynasty".

Identification of porcelain in the Jiajing and Longqing periods 1, the quality of the Jiajing fetus is not as good as that of the previous dynasty, and the vessel types are diverse, with square and prismatic shapes. 2. The carcass of the cutter is thick and heavy, and the seams are exposed. Roundware is mostly concave and collapsed with the bottom center.

3. The glaze of general utensils is rough and uneven, and the small utensils of official kilns and private kilns are delicate and thick. It is often seen that the blue and white wheel corridor lines under the glaze are blurred and blurred. 4. Blue and white are made of green material, sometimes added to stone blue, and its hue is a special purple orchid, green gold blue, and there are also light black and gray hair.

5. Blue and white glazed utensils are often painted with yellow glaze on the mouth to form the characteristics of yellow mouth. 6. Although the decorative lines are slender and beautiful, the painting style is more freehand but seems rough, and the picture is more Taoist colors and auspicious blessing content. 7. The glaze at the bottom of the vessel is mostly bright green glaze.

8. The circle foot is mostly inwardly convergent, and some can even be hung with fingers. Delicate thin-tired vessels are generally rounded, short, shallow, and narrow. 9. The font is recognized, and the strokes are thicker, all of which are in regular script.

Generally, it is more than the bottom foot to write six-character double lines with double circles. The word "big" is thrown and flattened, the word "Jing" is up, the word "year" is thrown to the point, and the word "system" is less than the knife. 10. The blue and white color of the orchid is purple in Longqing, thick and gorgeous.

In the blue and white of the Jiajing, Longqing and Wanli dynasties, the blue and white color is the best in Longqing. This can be used as the main basis for identifying and judging Longqing blue and white ware. 11. Write more about "made in the year of Longqing in the Ming Dynasty", and rarely write the word "system".

There are not many utensils handed down during Longqing. Thank you.

Daming Jiajing porcelain, the genuine collection value is very high; Whether it is genuine or not, add ** to see if you know; This is where you can identify it.