Traditional folk tunes Little Five know more about one

Jiangsu Province's "Big Nine Links", Northeast China's "Look at the Love Lang", and "The Moon Bends to Shine on Kyushu", "Song of Changgong", "Meng Jiangnu", "May Movement", "Ten to the Red Army".

The Book of Songs is also a collection of folk tunes.

During the Wei, Jin, Southern and Northern Dynasties, there were folk folk songs such as "Midnight Four O'clock Song", "Five Shifts from the Army", and "Song of the Moon Festival Folding Willows", which were the beginning of folk tunes.

In the middle of the Qing Dynasty, there were 6,044 kinds of folk songs that had been published (see Liu Fu and Li Jiarui: "General Catalogue of Chinese Folk Songs"). Most of them belong to the minor key genre.

The most influential publications include "The Continuation of Ni Dress", "The Last Voice of White Snow", "Fashion North and South Minor", "Cantonese Style", "Cantonese Praise" and so on.

In the process of circulation, the tune of the minor key has changed to different degrees due to the singer's personality, aesthetic habits, new words, singing methods, etc., thus forming different variants and containing different emotions and expressive properties. For example, "Meng Jiangnu" and "Dresser", "Ten Glasses of Wine", "Crying Seven Seven"; "Wuxi View" and "Exploring the Qingshui River"; "Cutting Indigo" and "Pier Tune", "Kite Flying", "Song of the Four Seasons", etc., not only maintain a derivative relationship with each other, but also form a song of its own, each with its own characteristics. In general, the wider and longer the circulation of a minor key, the more variations there are; Moreover, the relationship between the various variants and the original song is also far and near, complex and diverse.

Playing cherries", "embroidering purses", "selling groceries", "small New Year's greetings", "grinding tofu", "watching the lanterns", "mending the tank", "picking tea", "traveling spring", "flying kites", "playing swings", "cutting leeks", "rushing to the temple", "traveling lanterns", and the minor tunes evolved from the Ming and Qing folk songs. Such as "Hillside Goat", "Parasitic Grass", "Five Watches", "Playing with Children", "Silver New Silk", "Stacked Broken Bridge", "Jujube Pole"; Qing Dynasty such as "Cutting Indigo", "Yu'e Lang", "Inverted Oar", "Flower Tune", "Huguang Tune", "Yimeng Mountain Minor", "Tongcheng Song", "Production Busy" are all folk tunes.

Folk tune refers to a genre of Chinese folk songs, generally referring to folk songs and dances that are popular in town fairs.

In 2011, it was included in the third batch of national intangible cultural heritage lists.

Features:

Most of the folk tunes belong to the form of stanza songs, with multiple verses in one song, often using the four seasons, five watches, twelve o'clock and other temporal sequences, multi-faceted, and more detailed statements. In order to meet the needs of multiple paragraphs, its melody is summarized and concise to express a certain mood (or soft, or sad, or cheerful), with strong melody, smooth melody, tactful twists and turns, rich and changeable melody lines, and strong expressiveness.

A song with multiple paragraphs, often using the four seasons, five watches, twelve hours and other chronological styles, multi-faceted, more detailed statement content. In order to meet the needs of multiple paragraphs, its melody is summarized and concise to express a certain emotion (or soft, or sad, or cheerful), with strong melody, smooth melody, tactful twists and turns, rich and varied melodic lines, and strong expressiveness.

The rhythm is rich and varied, and the singing form is mostly solo, followed by duet and leading the crowd. The city minor key has the accompaniment of silk string instruments, the use of introductions and passages, as well as the flowering decoration of the instruments in the accompaniment, the cushion cavity, etc., which make the minor key more beautiful and moving.

In addition to seven-character sentences, there are also long and short sentences, in addition to two sentences, four sentences are common, there are also often non-dual three-sentence, five-sentence and other structures; Coupled with the richness and variety of lyrics and rhythmization, the structure of the minor key is more mature and varied than that of the trumpet and mountain songs.

Folk tunes generally refer to folk songs and dances that are popular in town fairs. After the circulation of the generations, it has undergone a lot of processing in art, and has the characteristics of balanced structure, regular rhythm, delicate tune, and gentle melody. There are many folk common names, such as small songs, slang songs, lane songs, village songs, city customs, small songs, seasonal tunes, silk tunes, silk string songs, etc.

In 2011, it was included in the third batch of national intangible cultural heritage list.

The production and development of the minor key has gone through a long period of time, and certain narrative passages in the Book of Songs have given birth to certain elements of the genre. The Xianghe Song of the Han Dynasty is a singing form that uses silk and bamboo accompaniment, and the ballad of the same disciple (a cappella song) is obviously different, and the Xianghe Song can be said to be one of the sources of the minor key. During the Wei, Jin, Southern and Northern Dynasties, the folk appeared "Midnight Four O'clock Song", "Five Shifts from the Army" and "Month".

Folk tunes. Yuefu folk songs in chronological form, such as the Song of the Willow and the Willow, can be seen in the structural principles of several traditional minor tunes that were widely spread in later generations, such as the four seasons, the fifth watch, and the twelfth month. By the time of the Sui and Tang dynasties, more folk songs were selected, refined, and became part of rap cabaret performances, called tunes, which were also an early form of the minor key genre. After the Song and Yuan dynasties, along with the increasing prosperity of China's urban economy, the minor also entered a mature stage of all-round development.

On the one hand, many folk songs that have been imported from the vast rural areas to the cities have been sung and processed by artists and turned into part of minor tunes. On the other hand, in the process of dissemination, in order to meet the needs of the citizen class, the small order that emerged in the Yuan Dynasty gradually parted ways with the strict north-south song, and became a kind of easy-to-understand, smooth and beautiful song, which still retains the name of the song. This part of the piece is incorporated into a minor key to make it more colorful.

During the Ming and Qing dynasties, there was a trend of compiling folk song lyrics among some literati and scholars. According to statistics, in the middle of the Qing Dynasty, there were 6,044 kinds of folk songs that were printed (see Liu Fu and Li Jiarui, "General Catalogue of Chinese Folk Songs"). Most of them belong to the minor key genre.

The most influential publications include "The Continuation of Ni Dress", "The Last Voice of White Snow", "Fashion North and South Minor", "Cantonese Style", "Cantonese Praise" and so on.

The minor tune is quite widely distributed in almost most Han areas of China. Among them, Shandong, Hebei, and Jiangsu in the lower reaches of the Yellow River are more representative in terms of quantity and category.

Folk tune: "The magpie branch is chirping, and there is a happy event to my house today".

Minor tunes, also known as small songs, folk songs, etc., are folk songs that are widely circulated in rural areas and urban market towns. The differences with the labor trumpet and the mountain song are:

1. The circulation and development of minor tunes reflect the interaction and close connection between urban and rural cultures. The minor tunes have spread to different strata in urban and rural areas, and a wide range of social strata have directly or briefly participated in the creation and processing.

2. There are fixed lyrics and singing books in minor keys;

3. In addition to the general public, there are professional and semi-professional artists singing commercially in lively public places, often accompanied by musical instruments.

Minor keys are often used in the form of four seasons, five watches, and December to be interspersed into multi-section songs. Its melody is melodic, rhythmic, and structured.

It is neat and symmetrical, the artistic techniques are rich and diverse, the expression of emotions is more euphemistic, and the lyricism is placed in the narrative.