-
Sichuan Opera: "The Legend of the White Snake", "Bashan Xiucai", "Cabinet in the Edge".
There are many Sichuan opera repertoire, and there has long been a saying that "three thousand Tang Dynasty, eight hundred Song Dynasty, and countless three countries". Among them, the heritage of the high-cavity part is the most abundant, and the artistic characteristics are also the most significant, the traditional repertoire includes "five robes" ("The Story of the Green Robe", "The Story of the Yellow Robe", "The Story of the White Robe", "The Story of the Red Robe", "The Story of the Green Robe"), the "Four Pillars" ("The Pillar of the Touching the Sky", "The Crystal Pillar", "The Cannon Pillar", "The Five Elements Pillar"), and the "Eighteen Books of the Rivers and Lakes", as well as the "Four Books" recognized by the Sichuan opera industry ("The Story of the Pipa", "The Golden Seal", "The Story of the Red Plum", "The Notes of the Vote"), many of which are lost to other dramas. After 1949, after sorting, a number of excellent Sichuan opera repertoire appeared, such as "The Story of the Willow Shade", "The Story of the Jade Hairpin", "The Story of the Color Building" and so on.
-
After the founding of the People's Republic of China, the art of Sichuan opera has made brilliant achievements, after the 80s of the 20th century, it is vigorous development, and has achieved remarkable results, among which Wei Minglun, known as the "ghost talent" of Sichuan opera, has excellent works almost every year, such as "Bashan Xiucai", "Pan Jinlian", etc., which caused a sensation throughout the country.
His new Sichuan opera "Chinese Princess Turandot" was staged in Beijing at the same time as Zhang Yimou's opera "Turandot", which was well received. Chengdu Sichuan Opera Theater transplanted Brecht's plays and performance system to Sichuan Opera's "Sichuan Good People", Panzhihuachuan Theater's modern drama "The Legend of Panzhihua", Ni Guozhen's public case series "Guqin Case" and "Marriage Change Case", ** Jia Shamei's piano accompaniment high-pitched drama "Red Plum Gift to Jun's Family" and Xindu Sichuan Opera Troupe's light song and dance "Hibiscus Flower Fairy", etc., have aroused strong repercussions, making Sichuan Opera tenaciously express its vitality.
In addition, the grafting of Sichuan opera and TV series has also achieved remarkable results. All these show the vigorous vitality and innovative spirit of the Sichuan opera industry.
-
The most famous Sichuan opera should be "The Legend of the White Snake --- Jinshan Temple"!
-
Sichuan opera is a major feature of Sichuan culture, and its main surface is in the following aspects: First, it has a long history As early as the Tang Dynasty, there was a saying that "Shu opera crowned the world". During the Qianlong period of the Qing Dynasty, on the basis of the local car lantern opera, it absorbed and integrated the vocal cavities of Suzhou, Jiangxi, Anhui, Hubei, Shaanxi and Gansu, and formed a "Sichuan opera" sung in Sichuan dialect with five vocal cavities: high-pitched, huqin, kun dialect, lantern opera and danxi.
Second, the characteristics of the tone Sichuan opera is rich in high-pitched songs, beautiful and moving, the most local characteristics, and is the main singing form of Sichuan opera. Sichuan opera gang tone is the collar tone, the chorus, the accompanying singing, the duet and other methods, which means timeless and fascinating. 3. Language Characteristics The language of Sichuan Opera is lively, humorous, full of distinctive local colors, rich life atmosphere and a broad mass base.
Fourth, the characteristics of the repertoire There are hundreds of repertoire commonly found on the stage, singing, doing, reading, and playing are complete, the witty words are humorous, and the instrumental music helps to set off, and the "changing face", "breathing fire" and "water sleeve" are unique.
-
The characteristic is that the high-pitched music cards are very rich, and the way to help the voice has a variety of ways such as chorus, accompaniment, duet, etc., the language is very lively and lively, and it is very funny and humorous, and there are many repertoire. Of course I know, I've already said it before.
-
I know. The characteristic of Sichuan Opera is that the singing form is very special, with a unique dramatic expression technique, and it is very creative. It can fully embody the aesthetic characteristics of Chinese drama.
And the makeup can also reflect the styling and character characteristics of the character. There are also many musical instruments. It has great historical value and significance.
-
I know that first of all, Sichuan opera brings together the characteristics of many places, and the music is generally relatively short, and at the same time, the sense of rhythm is particularly strong, and it is particularly distinct, and then it is also very relaxed, especially lively, and the melody is also very bright.
-
The characteristics of Sichuan opera are that the high-pitched music cards are very rich, the singing is particularly beautiful and moving, the repertoire is very varied, and it is very local characteristics.
-
There are more music cards, and the singing is also very moving, there are more repertoire, and there are also face-changing, fire-breathing performances, and the characteristics of juggling, which are more lively.
-
The representative repertoire of Sichuan opera includes "Five Robes" ("The Story of the Green Robe", "The Story of the Yellow Robe", "The Story of the White Robe", "The Story of the Red Robe", "The Story of the Green Robe"), the "Four Pillars" ("The Pillar of Touching the Sky", "The Crystal Pillar", "The Cannon Pillar", "The Five Elements Pillar"), and the "Eighteen Books of the Rivers and Lakes", as well as the "Four Books" ("The Story of the Pipa") recognized by the Sichuan Opera industry.
The Golden Seal Late Eyes", "The Red Plum Record".
Such as the old "Cast Notes"), many of which are lost to other dramas. After 1949, after sorting, a number of excellent Sichuan opera repertoire appeared, such as "The Story of the Willow Shade".
The Story of the Jade Hairpin", "The Story of the Color Building" and so on.
-
According to historical records, the origin of Sichuan Opera can be traced back to the pre-Qin period, and at the beginning, there was already a foundation for Sichuan Opera, which also laid a certain foundation for the formation of early Sichuan Opera. By the time of the Tang Dynasty, it was the heyday of Sichuan opera, when Sichuan opera had become famous all over the world, and it also formed the earliest opera troupe in the history of Chinese opera. The artistic characteristics of Sichuan opera are mainly composed in the vocal cavity, which is also very rare in other dramas, and the performance is very close to life and has a deep breath of life, so it is also loved by many people.
Moreover, there are many unique skills in Sichuan opera, such as changing faces and hiding knives, etc., which are all stunts that take the character of some unique characters, which are very artistic.
Sichuan opera is mainly popular in the southwest region and integrates the five major vocal chambers, which are Kunqu Opera, Huqin, Danxi, Gaocao and Sichuan Folk Lantern Opera, which together form a traditional drama with very artistic characteristics. Sichuan opera is divided into Xiaosheng, Xu Sheng, Dan, flower face, harlequin 5 states Liang traveling, Sichuan opera in the face is also very meaningful, the face will change according to the twist of the plot, it is also a very important part of the Sichuan opera performing arts, the face is also different in different lines, this is the treasure inherited by the past generations of Sichuan opera artists.
The face-changing in Sichuan opera is very interesting, the formation of the memory of face-changing was only developed in the 20th century, and it was only operated in the process of evolution at the beginning, and then it slowly became a very big feature of Sichuan opera. Because the tragedy of Sichuan Opera is very artistic, once it encounters emotional twists and turns or the inner mood of the characters in the play fluctuates, they will change their faces, and they will show the emotional expression in the hearts of the characters through some seemingly very hideous faces, which is a very unique expression technique, which also makes the expressive sail bench of Sichuan Opera very attractive.
Finally, Sichuan Opera is a very unique type of opera in our Chinese culture, and the repertoire of Sichuan Opera is also very rich.
-
Sichuan opera is an art form produced during the prosperous period of the Qing Dynasty, which is one of the traditional drama culture of the Han nationality and an indispensable one of the Chinese opera culture. There are more than 360 kinds of Chinese opera culture, and Sichuan opera stands out among many dramas with its own unique art form. Today, let's take a look at how Sichuan opera was formed and what kind of artistic characteristics it has.
How was Sichuan opera formed? What are the characteristics of art?
Sichuan Opera, one of the opera arts in southwest China, was formed in the Qianlong period in the middle of the Qing Dynasty and was popular in Sichuan Province, Chongqing Municipality, and some Laohuai Yu areas of Yunnan, Guizhou and Hubei provinces. Sichuan opera has five kinds of vocal cavities, including high cavity, Kun cavity, huqin, bullet cavity, and light tone. The most famous technique of Ming Dou in Sichuan opera is to change his face, which is well known to people.
Sichuan opera is a major feature of Sichuan culture. Chengdu is the hometown of drama. As early as the Tang Dynasty, there was a saying that "Shu opera crowns the world".
During the Qianlong period of the Qing Dynasty, on the basis of the local car lantern opera, it absorbed and integrated the vocal cavities of Suzhou, Jiangxi, Anhui, Hubei, Shaanxi and Gansu, and formed a "Sichuan opera" sung in Sichuan dialect with five vocal cavities: high-pitched, huqin, kun dialect, lantern opera and danxi.
-
Sichuan opera is one of the opera genres in southwest China, the sedan car was formed in the Qianlong period of the Qing Dynasty, on the basis of the local car lantern opera, absorbing and integrating the essence of singing in different regions, in the efforts of generations of artists, the formation of the "Sichuan Opera" sung in Sichuan dialect with five kinds of vocal cavities: high cavity, huqin, Kun dialect, lantern opera, and play.
If the main dialect of Sichuan opera is performed in Sichuan dialect, it is full of local color, humorous language, and full of life. In addition, Sichuan opera is divided into 5 lines: Xiaosheng, Xusheng, Dan, Flower Face, and Harlequin, each with its own characteristics.
-
Mainly on the basis of drama, it condensed the tone of all aspects, and finally formed Sichuan Opera. The tone of the singing cavity will be accompanied by various musical instruments, forming different systems and different industry requirements. Dan noisy mausoleum.
-
Answer]: a, b, c, pin macro d
The representative repertoire of Sichuan Opera includes "Demolition of Willow Shade Potato", "White Snake Loss Handbook", "The Story of the Jade Hairpin", "Lalang Match", "Mandarin Duck Spectrum" and so on.
-
Sichuan opera is one of the Han Chinese operas, popular in eastern and central Sichuan, Chongqing, Guizhou, and parts of Yunnan.
In terms of the vocal cavity of opera, Sichuan opera is composed of four major vocal cavities, including high cavity, Kun cavity, Huqin cavity, and Danxi, plus a folk lantern opera in the province. Sichuan opera mask is an important part of Sichuan opera performing arts; It is an artistic treasure created and passed down by generations of Sichuan opera artists.
Sichuan opera has the research and cognitive value of Bashu culture, art, history, folk customs, etc., and has a very unique position in the history of Chinese opera and the development of Bashu culture. It was inscribed as an intangible cultural heritage in 2006.
Sichuan opera is mainly popular in Sichuan, Yunnan and Guizhou provinces. As early as the Ming Dynasty, Sichuan has a local opera to make the class popular, to the Qing Dynasty Yongzheng, Qianlong, with the rise of the flower department, the foreign Kun cavity, high cavity, Bangzi cavity, leather spring cavity passed on to Sichuan, plus the local lantern opera, formed the prototype of Sichuan opera.
The main genres of Sichuan opera are the four major schools formed along the four rivers: the western Sichuan school, the Ziyang school, the northern Sichuan school, and the eastern Sichuan school. The performing arts of Sichuan Opera have a deep foundation in life, and have formed a perfect set of performance programs, real and delicate, humorous, and strong local flavor, especially good at using stunts such as lifting, opening eyes, changing faces, drilling fire rings, and hiding knives to portray characters.
The traditional repertoire is extremely rich, only the Sichuan Opera Research Institute has a collection of more than 2,000 kinds, belonging to the high-cavity system of "five robes", "four pillars", "eighteen books of rivers and lakes", and the promotion of the bureau and the "four books" recognized by the Sichuan opera industry. In addition to the above traditional dramas, the modern dramas "Sister Ji Jianjiang", "Four Girls", "Dead Water Breeze", "Changing Face", "Gold", as well as the new historical drama "Bashan Xiucai" and "Yi Daring" have all had a great influence.
1 Moonlight Beethoven's world-famous piano music. 2 Beethoven-Symphony of Destiny (piano). 3 Classical - World Famous Songs - Violin Romance No. 1 in G major (Beethoven). >>>More
The Art of Swearing (Essay Collection) 1927, Crescent.
Essays by Yashe (collection of essays) 1949, Taiwan. Center. >>>More
Stars (poetry collection), "Spring Water" (poetry collection), "My Refrigerator", "Memory Beads" (creation talk).
Su Shi's representative works include "Title West Forest Wall", "Drinking on the Lake after the Rain", "Hui Chong Spring River Evening Scene", "June 27 Wanghu Tower Drunken Book", "Gift to Liu Jingwen" and so on. >>>More
Kiln site: The largest and most concentrated kiln site of Dingyao kiln site, distributed in the north of Jianci Village, Quyang County, there are more than a dozen tall accumulations, the highest 15 meters, piled up with many porcelain pieces, kiln furniture, slag, porcelain clay, etc. From the perspective of the stratigraphic relationship of the site, the site is divided into three periods: the late Tang Dynasty, the Five Dynasties and the Northern Song Dynasty, and was listed as a national key cultural relics protection unit in 1986.