I use a broken palm to analyze, I use a damaged palm

Aggravates the rendering of emotions.

Hello, landlord!

I use a broken palm.

Groping for this vast land:

This corner is reduced to ashes, and that corner is nothing but blood and mud;

This lake is supposed to be my hometown, and in spring, the embankment is full of flowers like brocade curtains, and the young willow branches are broken with a strange fragrance.

I touched the slight coolness of the algae and the water;

The snow-capped peaks of the Changbai Mountain are so cold that they are bone-chilling, and the water of the Yellow River is filled with sediment and sliding out between the fingers;

The paddy fields in the south of the Yangtze River, the grass that you were born again.

It's so fine, so soft......Now there is only basil;

The lychee flowers of Lingnan are lonely and haggard, and over there, I dip in the bitter water of the South China Sea where there are no fishing boats......

The invisible palm swept through the infinite country, the fingers were stained with blood and ash, the palm was stained with darkness, and only the far corner was still intact, warm, bright, strong and vigorous.

On it, I caressed it with my broken palm, like a lover's soft hair, and a baby's breast in his hand.

I put all the power in the palm of my hand.

Stick it on it, and send love and all hope, because only there is the sun, and it is the spring search shed, which will drive out the darkness and bring resurrection, because only there we do not live like cattle, and die like ants....Which letter ....

There, eternal China!

I hope you are happy, hope.

I use a broken palm. Dai Wangshu

Groping for this vast land:

This corner is reduced to ashes, and that corner is nothing but blood and mud;

This lake is supposed to be my hometown, and in spring, the embankment is full of flowers like brocade curtains, and the young willow branches are broken with a strange fragrance.

I touched the slight coolness of the algae and the water;

The snow-capped peaks of the Changbai Mountain are so cold that they are bone-chilling, and the water of the Yellow River is filled with sediment and sliding out between the fingers;

The paddy fields in the south of the Yangtze River, the grass that you were born again.

It's so fine, so soft......Now there is only basil;

The lychee flowers in Lingnan are lonely and haggard, and over there, I dip in the bitter water of the South China Sea, where there are no fishing boats......

The invisible palm swept through the infinite country, the fingers were stained with blood and ash, the palm was stained with darkness, and only the far corner was still intact, warm, bright, strong and vigorous.

On it, I caressed it with my broken palm, like a lover's soft hair, and a baby's breast in his hand.

I put all the power in the palm of my hand.

Stick it on it, and send love and all hope, for only there is the sun, and there is spring, which will drive out the darkness and bring resurrection, for only there we do not live like cattle, and die like ants, ......

There, eternal China!

Dai Wangshu (, a native of Hangxian County, Zhejiang Province (now Hangzhou), is a modern poet and a representative of the modern poetry school, and is known as the "Rain Alley Poet" because his "Rain Alley" has been widely praised. In his early years, he studied at Shanghai University and Fudan University, and was known for propagandizing the revolution. Both theory and creative practice have had a considerable impact on the development of Chinese new poetry.

The poetry collections include "My Memory", "Wangshu Grass", "Wangshu Poems", "The Years of Disaster", "Selected Poems of Dai Wangshu", "Dai Wangshu Poems", and many other translations.

"I Use a Broken Palm" is a work of "Rain Lane Poet" Dai Wangshu expressing his nostalgia to the suffering motherland under the iron window of the Japanese invaders. "Crippled.

"Damaged Palm" is not only a portrayal of realism, but also a portrayal of the poet's unyielding will. On the one hand, the poems are written from the ground up, describing the gloom of the occupied areas and expressing their deep concern for the fate of the motherland. On the other hand, it depicts the brightness of the liberated areas, focuses on freehand, and expresses affectionate praise for the land that symbolizes "eternal China".