I use my mutilated palm to appreciate what is reasonable in the unreasonable

"I Use a Broken Palm" Appreciation:The poem is conceived in two parts, the first part of which describes the poet's attention and imagination of the fallen land of China, and the infinite pain and deep concern are poured into the "damaged palm", and the author wants to explore the vast land of the motherland with blood and mud. The surreal technique expresses the most realistic emotions, and the most realistic image from the imagination.

Whether it is the place where the palm of the writing hand touches the hometown or the north and south of the motherland, I feel the specific vividness of the imagery and the cohesion of emotions. The static imagination is extremely moving.

The second part is still carried out in the imagination, the author uses the sentence "the invisible palm sweeps the infinite rivers and mountains", carries out a turning point, and touches "that distant corner", where is "warm, bright, strong and vigorous spring", writing here, the poet describes with infinite tenderness and full strength, is not afraid of the direct expression of feelings, and adds a series of analogies and similes, singing and praising to the fullest, so that the patriotic feelings are sublimated.

Original text: I groped this vast land with my broken palm.

This corner has turned to ashes, and that corner is nothing but blood and mud.

This lake should be my hometown.

In spring, the flowers on the embankment are like brocade curtains, and the young willow branches are broken with a strange fragrance.

I touched the algae and the slight coolness of the water;The snowy peaks of Changbai Mountain are cold to the bone.

The water of the Yellow River slid out of the mud and sand between the fingers.

The paddy fields in the south of the Yangtze River, the grass that was born in your year.

It's so fine, so soft......Now there are only basils.

The lychee flowers in Lingnan are lonely and haggard, and over there, I dip in the bitter water of the South China Sea, where there are no fishing boats.

The invisible palm swept across the infinite rivers and mountains, the fingers were stained with blood and ashes, and the palms were stained with darkness.

Only the far corner is still intact, warm, bright, solid and vigorous.

On it, I caressed it with my broken palm, like a lover's soft hair, and a baby's breast in his hand.

I put all my power in the palm of my hand. Stick it on it and send love and all hope.

For only there is the sun, and there is spring, which will drive out the darkness and bring rebirth.

Because only there we don't live like animals, and die like ants.

There, Eternal China!

The work conceals the subjective feelings and the image of the lyrical protagonist to a certain extent, placing them on a life-like image and corresponding actions, that is, "damaged palms" and "groping" with palms. The wounds of the heart turned into a broken palm; The love for the motherland and the regret for the fall of the rivers and mountains turned into affectionate exploration, like a mother caressing a child, and like a child caressing his mother. It is through these images and actions that are both transcendent and very life-like that an aesthetic distance is formed between the author and reality.

When "the invisible palm of the hand sweeps over the infinite rivers and mountains", when "I caress with the broken palm", when "I carry all my strength in the palm of the hand", it is as if a soul is looking at this suffering, attachment and belief from a higher place. In this way, two seelis appear in the poem: one self is a member of life in the vast land, the cruel war and life give him a pair of broken palms, he is the experiencer of life; The other self is the wounded soul of the Chinese nation, universal and eternal, who transcends time and space and looks at this page of history with a deep gaze, seeing both suffering and hope and strength.

Carefully experiencing the latter self, one can faintly feel a hint of mysticism that is in common with the author's earlier works. [4] The poet's sophisticated modernist approach to poetry is still reflected in this poem. The poet replaces the sight with the sense of touch, which in turn replaces the whole feeling, and replaces the most subtle emotional experience.

The poem does not shy away from the direct expression and direct evaluation of things, the soft hair of the child, the milk in the hands of the baby", the aptness of the metaphor, and the richness of the feelings it contains, which has been repeatedly praised by people. "Broken Palm" became the best way for him to depict his profound self-experience, and became a unique opportunity to obtain the mutilation, tragedy, and sublime beauty of this poem. Dai Wangshu's masterpiece can be said to be written in a supersensory way.

2] [3] As for the constant change of the two sentences and one rhyme in the poem, we can clearly understand how it makes the flow of emotions produce ups and downs, and deepens the strength of feelings step by step. Dai Wangshu believes: "The rhythm of poetry is not in the modulation of words, but in the modulation of the mood of poetry, that is, in the degree of poetry."

"Dai Wangshu's Poetry Collection: On Poetry Zero") He also said something that seemed to contradict this: "Poetry can't borrow **, it should go to the ** component." Combined with the poem "I Use a Damaged Palm", what he pursues is not the ** beauty formed by the literal tone curve, but the rhythm of the inner emotion.

The image of a damaged palm refers to China in dire straits.

When the author Dai Wangshu wrote this poem, he happened to be imprisoned and tortured by the Japanese invaders, and the author used his scarred palm to think of China scarred under the iron hooves of the Japanese invaders.

With the help of the intention of "palm", the author expresses the poet's thoughts when he strokes the land of the motherland with a "damaged palm", and reproduces in his imagination the scenes of his hometown, Changbai Mountain, the Yellow River, Jiangnan, Lingnan and the liberated areas that he has never experienced in person, and shows the intersection of his inner emotions with the feeling of the palm. The poet was sad and angry at first, but then eagerly looked forward to it, pinning hopes on the liberated areas for national rejuvenation.

First of all, the superficial meaning refers to the poet's injured and mutilated palm in the war, and the deeper meaning refers to the poet's wounded heart that worries about the country and the people.

Groping for this vast land:

This corner has turned to ashes, and that corner is nothing but blood and mud.

This lake is supposed to be my hometown, and in spring, the embankment is full of flowers like brocade curtains, and the young willow branches are broken with a strange fragrance.

I touched the algae and the slight coolness of the water;

The snow-capped peaks of the Changbai Mountains are so cold that they are bone-chilling, and the water of the Yellow River is filled with sediment and sliding out between the fingers;

The paddy fields in the south of the Yangtze River, the grass that was born in your year.

It's so fine, so soft......Now there are only basils.

The lychee flowers in Lingnan are lonely and haggard, and over there, I dip in the bitter water of the South China Sea, where there are no fishing boats.

The invisible palm swept through the infinite country, the fingers were stained with blood and ash, the palm was stained with darkness, and only the far corner was still intact, warm, bright, strong and vigorous.

On it, I caressed it with my broken palm, like a lover's soft hair, and a baby's breast in his hand.

I put all my power in the palm of my hand.

Stick it on it, and send it to love and all hope, because only there is the sun, and it is spring, which will drive out the darkness and bring resurrection, because only there we do not live like cattle, and die like ants......There, Eternal China!

"How my palm is missing"