When the guitar is in charge of strumming the accompaniment, how can the piano play with it?

When the guitar is responsible for strumming accompaniment, the piano can work with the guitar to create a wonderful **. Here are some suggestions:

1.Rhythmic coordination: The rhythmic coordination of the piano and guitar is very important. The piano can be accompanied by chords, arpeggios, etc., on the basis of the guitar strumming. When playing, pay attention to the rhythm that is consistent with the guitar.

2.Difference in registers: Pianos have a wider vocal range than guitars, so they can provide more layers of sound. You can play chords, melodies or submelodies with the piano according to the strumming rhythm of the guitar to add layering.

3.Timbre matching: The guitar has many different tones, such as finger strumming, plucking, strumming, etc.

The piano can also be played in a variety of different ways, such as soft legato, skipping notes, or cadenza ornamentation. According to the timbre characteristics of the guitar, the appropriate piano playing method can be selected to create a harmonious timbre match.

4.Dynamic control: When playing in an ensemble, pay attention to the handling of dynamics. Depending on the needs, the piano can be amplified or downed in time to accentuate the strumming rhythm of the guitar while also adding more dynamic variations.

5.Tacit understanding of cooperation: When playing in an ensemble, the piano and guitar need to cooperate with each other to establish a good understanding. You can do some rehearsals before playing and familiarize yourself with each other's playing styles and habits to achieve better cooperation results.

In short, when the piano and guitar play in an ensemble, they need to cooperate with each other and complement each other to create a wonderful ** together. With the right rhythm, range, timbre, dynamic control, and tacit coordination, you can create a memorable piece.

Hello! If someone sings, then the person who sings is the main theme, and the strumming of the guitar is the chord part of the piano. You can try to play the piano with the melody of the person who sings, or you can follow the guitar and play a harmony that is two keys higher or lower than the guitar (sometimes three, anyway, according to the main melody of the song, the other two notes are raised or lowered).

I haven't studied music theory much, so I don't know if you can understand whether these terms are correct or not, but the piano is very simple and boring if it is used as an accompaniment in an orchestra.

If it helps you, hope.

1. You can use strings to lay the foundation.

2. Use timbres such as wind chimes and marimba to do chord decomposition (guitar strumming) 3. When the guitar is decomposed, you can use the piano tone to play the column chords.

In short, it is better to have different rhythms for piano and guitar.

The piano plays the accompaniment plus the melody.

The guitar does some harmony or flowering.

Or a melody like cadenza so that you can tell the difference.

The piano plays the accompaniment and the melody is played on the guitar, and the guitar does some harmony or flowery or cadenza or something like that, so that you can tell the difference.

If you have just learned to play and sing, the brain needs to control the voice and the left and right hands, and for those who have just learned the guitar, the reason is still due to the chord transitions and the familiarity with the chords and the beat. In the final analysis, chord conversion is still a matter of accuracy and speed of pressing the strings, the left hand climbs the grid, the scale practice should be practiced more, and then the chord conversion should be practiced more: c g am em f c dm g, and the 15634125 of d key, if you are not familiar with the chords, the conversion of chords is not subconscious but to think, and the lyrics and beats will naturally be messed up; The chord conversion practice is the problem of the right-hand strumming, the right-hand strumming is not every chord, each sweep is a sweep of 6 strings, not every sweep of the strength is the same, so there is no sense of hierarchy, 456 strings can be understood as the bass area of the guitar, 123 strings are regarded as the treble area, grasp the strength of each strumming and the range of strumming, that is, precision, in order to make the sound have a sense of hierarchy, this is the principle of strumming, of course, other essentials of strumming believe that your teacher will teach you; You can't be so meticulous in playing and singing, but you must be familiar with the sweeping method of each rhythm type in order to use it well. When you turn the control of the voice into the subconscious, and the movement of the left and right hands of the piano becomes a subconscious action, you can not be bound by technical things, and you can explore the charm or deeper value.

Hope mine can help you.

Don't be in a hurry to play and sing As long as you are proficient in playing, it is easy to sing and you can keep up Don't sing yourself, play along with the song.

It should be that the basic tune does not match, well, control the time, don't rush.

As long as you practice diligently, after a long time, you will become proficient.

What should I do if I don't have the right rhythm and pitch? Before playing, use CD *** to compare the score, remember the rhythm, pitch, and then sing the score (it is best to look at the six lines of the staff, that is the only way to succeed) Sing with a roll call, and then play it without singing, just follow it in your heart After sweeping, you will naturally form a sense of musicality and practice it, you can ask me if you don't understand, I hope to adopt! Truman.

The main thing to sweep the strings is the rhythm, usually listen to the accompaniment, quite a sense of rhythm, and learn to have feet to beat. If you feel it, you will play the strings, and you will sing it after you slam the strings.

Beat on the heel. Get the pace right. The lyrics and strumming are on the same beat, how can they not be sung. "Childhood" beats 4 times with a chord. When the breakdown came, 53231323, 4 beats. Just sweep the string by 4 beats.

Yes, there is a little more difficult, and you should know the "Hotel California" of the Eagle Band to play the guitar

Breakdowns or column chords are the choice of texture. As long as the chords are correct, they will all be harmonious. However, there are different expressiveness in different textures, and they are selected according to the needs of **emotion.

A piece can also use different textures in appropriate places to enrich the expressiveness of the accompaniment. This requires practical experience, and the landlord can try different methods of accompaniment and choose the right way to interpret the music.

Choose according to the mood of the song, and according to what you say, most of it is okay.

In guitar tabs, the u refers to the upstroke (upward strum) and the d refers to the downstroke (downward strum). Strumming simply means playing all the strings with your fingers quickly from top to bottom or bottom up.

Strumming is widely used in guitar accompaniment, its movements are stretched, chic, and the sound effect is warm and unrestrained, which is with the expression of cheerful and passionate emotions, and has a strong artistic appeal. Thumb and forefinger sweeps.

There is a division of labor when it comes to special strings: the index finger is responsible for sweeping downwards, and the thumb is responsible for sweeping from the treble string to the bass string. When strumming the strings up and down, the wrist joint should be the axis, the wrist must be elastic (similar to the action of a fan), and the index finger and thumb should try to avoid perpendicular to the string when touching the string, but touch the string at a certain angle of about 45 degrees, which makes the nail more fluent and smooth when passing through the string.

U is the process of pushing the strings to reach a certain pitch and then playing with a pick, and D is the process of pushing the strings to revert, which is very common in Kobayashi Shinichi's textbooks, if the u answered upstairs is to push the strings, then why bother to have multiple cho or use it to indicate that it is pushed a whole tone or a semitone?

U is to push the string, and D is to release.

Novices don't have enough sense of the piano, so it is not recommended to practice.

u stands for up slide (left hand finger hold slide from bass to treble, i.e. slide from low frets to high fret) d stands for down slide (high frets slide to low fret).