How to sweep the guitar with the right hand to sound good?

Practice the exercises, sweep 2, 3, 4 such ways, the sound is even and full.

At the same time, practice the string sweep, skip the string that does not sweep and pay attention to the left hand suffocation, and also require the sound to be even and full.

As for the question of "soft" or "hard" voice, it depends on how you usually treat your beloved woman, haha, it's not that you can't"Hard"It's just that you have to know when to be hard and when to be soft.

I suggest you learn music theory briefly. If you learn music theory, you can understand the rhythms of 4 4 4 4 3 on the guitar.

And one more is. Listen more to which song you want to learn Listen carefully. Then according to your own understanding. Practice slowly. It's a stupid idea.

Other seniors have said very well I don't know the guitar But I like it I think the strumming should have the effect of sweeping one by one instead of one at a time In fact, I personally think it is very difficult to sweep the strings I don't understand what I don't understand after 10 years of sweeping Thank you You are wrong, don't laugh at me I'm a pure layman.

Wrist force, don't arm force, it will be very hard, and the sound will not sound good.

If you don't need to pull out the piece, the thumb and index finger of the right hand are pinched, and the fingers of the right hand should not be too hard, so take it easy.

Strumming is like your right hand swinging your hand, using your wrist as a fulcrum and flicking your right hand around, something like that, but not as fast as your hand

1. When you first start practicing, hold the strings with your left hand and don't let him make a sound, because it's hard to hear, the right hand is completely relaxed below the wrist, sweep up and down, the strength should be even, don't care about any rhythm type or anything like that, first practice the strength evenly, it's boring, but practicing like this is helpful for your future strumming.

2. When you are proficient, you can try to add chords and rhythmic patterns.

3. The most basic things must be practiced persistently, and any master is trained from the basics.

The guitar is a fine job for the door. Any change in dynamics, position, technique, and speed will produce a different color sound. So how do you strump the guitar to sound good? Let's learn together:

Fingers

There are generally three ways to strum

1. Thumb strumming fingers are naturally extended, slightly arc-shaped, all strumming actions are completed with thumbs, this technique is full of sound and good integrity, and the disadvantage is that the timbre is not uniform enough and the brightness is poor.

2. The thumb and index finger are crossed into a "cross", and the rest of the fingers are stretched out in the shape of a flying bird (naturally close together), and the back of the index fingernail is used when hitting down, and the back of the thumb is used when hitting up. This strumming sound is crisp and bright, with a uniform timbre, and the disadvantage is that the sound is slightly thin.

3. The index finger is half grasped, the index finger is relaxed, and all the strings are strummed with the index finger. The advantage of this method is that it is flexible and fast, but the disadvantage is that it is difficult to achieve timbre uniformity.

Timbre

Merit is an important criterion

There are two main mistakes that guitar enthusiasts like to make when strumming the strings

The sound is fragmented, the timbre is muddy, and the timbre varies greatly from one to the other, especially when the strings are turned up, the first string sound is particularly prominent, giving people an abrupt feeling.

When strumming the strings, the fingers of the right hand do not eat the strings or do not eat the strings enough, the sound is frivolous, lacks tension, and even the strings are strummed intermittently.

PositiveAccurate strumming

When strumming the string, the movement of the right hand should be dominated by the wrist, and the forearm of the right hand is driven by the wave of the wrist. The wrist must be relaxed, but it should have some control, which is a difficult point. You have to shake your hand in the mirror repeatedly to feel it.

Until your wrist posture is chic, loose and elastic, and well controlled, you are qualified. (You can refer to it in the mirror).

The angle at which the back of the finger touches the string is also important, this should not be a right angle, but an acute angle of about 60 degrees. Figuratively speaking, the index fingernail (or thumb pad) is slightly inward when the string is pulled downward, and the thumb nail is also slightly inward when the string is struck upwards'The aim is to make sure that the back of the nail is touched, not the tip of the nail.

The trajectory of the back of the fingernail should be arc-shaped, not straight up and down. Draw a circle with your finger in the direction of the headstock when you play the string downward, and circle your finger in the direction of the saddle when you exit the string upward.

The depth of finger contact with the strings also has a big impact on the timbre. Touching the string too deep is easy for the finger to stumble on a certain string, resulting in the breakage of the sound, too shallow will not be able to eat the string, the sound will be frivolous and lack of tension.

Remember, the acoustics of the chords should be whole, and the feeling of strumming should be "piece by piece" rather than "one by one". It takes a lot of brains and practice.

There is no such requirement at all - some textbooks are a snake supplement!

How comfortable to play.

Remember to cut your left hand and keep your right fingernails a little longer.

Practice left-handed essentials:

First: the classical guitar is a foreign instrument (mainly a Caucasian instrument), and it should be said that Caucasian people have eaten relatively well than our Chinese for hundreds of years, so they grow taller (I personally think that people are not born tall), so most Caucasian hands are relatively Chinese larger. Therefore, the guitar made according to this standard will be half the effort for people with small hands, so that it feels like progress is very slow, and even it is already doomed to play difficult tunes in the first place, so that they lose confidence in practice.

For those with small hands, choose a smaller guitar, such as a piano with shorter string lengths, a fretboard with a smaller thickness and width, and a narrower string spacing.

Second: The wrist of the left hand should be relaxed at all times during the performance, so that the fingers will be flexible, and this can be achieved through the adjustment of the body.

Third: guitar tutorials usually require our left fingers to press the strings as perpendicular as possible, which is indeed the most labor-saving method (especially obvious when hooking the strings), but not any fingering we have to try to perpendicular the fingerboard, sometimes "lying down" to press the strings will be very comfortable, this depends on the mutual pulling force between the fingers to minimize the pressure, in other words, if several fingers press the strings at the same time, to choose an angle to make the strength of each finger press the strings is basically the same.

Fourth: to know how to use the "inertia" of the large joint of the left hand, you can find this feeling of relaxation from the percussion string of the left hand, the principle of the left and right hands is basically the same, they are all large joints, but the left hand does not need to pluck the string often, only when the hook string is like the right hand to pluck it (the principle of the hook string is basically the same as the principle of the right hand pluck, there is also a process of touching the string, pressing the string, stretching the string, and releasing the string).

Fifth: When changing fingering of the left hand, the free fingers should be prepared in the air in advance, and move with the rhythm of **, and there should be no sudden movements (there are very few fingerings that change suddenly).

Sixth: The guitar is an instrument that is played with the right and left hands, so the coordination of the left and right hands is the key. When we practice the piece, we should pay attention to the left hand and the right hand should be as "synchronized" as possible, that is, the left hand and the right hand should be plucked at the same time, you can refer to the feeling of piano playing, the piano keys and the sound appear at the same time, and the guitar left hand press the strings and the sound should be the same, except that the piano is one finger, and the guitar is two fingers at the same time.

The "synchronization" of the left and right hands should be the most coordinated state, of course, sometimes it is difficult to achieve absolute synchronization, it doesn't matter, with this idea is actually not far from "relaxation".

Seventh: Adult piano friends with small hands can do some finger expansion exercises moderately, the principle of finger expansion exercises is similar to the principle of muscle training, that is, to strain the original structure, and then let it grow again, so the finger expansion exercises must be carried out regularly, so that the parts that have been expanded have enough regeneration for a long time, otherwise it will be counterproductive.

If you have already used the tuba and don't want to change the piano for the time being, you can only think more about the second to seventh points, and your left hand will definitely improve.

The mark on the book is very clear, that is, there are not six vertical strings on the top of the six lines, which represent the six strings. The dot on the top is where the finger is pressed. If it's a letter, you can look it up on the Internet and you'll be able to find the chord that corresponds to that letter.

Left and right are pressed by the corresponding chords Good luck.

You can see, do you know the chords? Simpler chords C, EM, G, DM, D, BM, F, etc., which require chord shifts to play and sing.