Briefly describe the characteristics of ancient Chinese design

The artistic characteristics of ancient Chinese gardens.

First, the art of gardening, learning from nature.

The teaching method of nature contains two layers of content in the art of gardening. First, the overall layout and combination should be natural. The relationship between mountains and water and the combination of various scene factors such as peaks, streams, slopes and caves in rockeries should conform to the objective laws of landscape generation in nature.

Second, the image combination of each landscape element should conform to the laws of nature. For example, the rockery peaks are made of many small stones stacked together, and the veins of natural rocks should be imitated when stacked, so as to minimize the traces of artificial stacking. The pond is often in the form of natural twists and turns, high and low ups and downs.

The arrangement of flowers and trees should be sparse and dense, and the form should be natural. Trees and shrubs are also intertwined, pursuing natural wild interest.

2. Separate the space and blend in with nature.

Ancient Chinese gardens used various methods to separate spaces, mainly using buildings to enclose and separate spaces. The separated space strives to break through the limitations of the limited space of the garden entity from the perspective, so that it can be integrated into nature and express nature. To this end, it is necessary to properly handle the relationships between form and spirit, scene and emotion, intention and context, void and reality, movement and stillness, cause and borrowing, truth and falsehood, finite and infinite, law and impossibility, and so on.

In this way, the space in the park is integrated and expanded with the natural space. For example, the use of leaky windows makes the space circulate and the vision is smooth, so it is isolated and inseparable, and plays a role in mutual penetration in the space. Looking at the leaky window, the exquisite and transparent flower ornaments and colorful patterns have a strong national flavor and aesthetic value; Through the leaky window, the bamboo trees are blurry and swaying, the pavilions and pavilions are hidden from time to time, and the blue sky and white clouds fly in the distance, creating a deep and wide space realm and interest.

3. Garden architecture, conform to nature.

In the ancient Chinese gardens, there are mountains and rivers, and there are halls, corridors, pavilions, pavilions, buildings, platforms, pavilions, pavilions, pavilions, houses, boats, walls and other buildings. Artificial mountains, stone patterns, stone caves, stone steps, stone pinnacles, etc. all show the beauty of nature. The artificial water, the shore twists and turns, and the ripples in the water are progressive, which also shows the natural scenery.

All the buildings, their shape and god are consistent with the sky, the underground natural environment, and at the same time make all parts of the garden naturally connected, so that the garden embodies the natural, indifferent, quiet, subtle artistic characteristics, and receive the ornamental effect of changing the scenery, gradually getting better, and seeing the big in the small.

Fourth, trees and flowers, expressing nature.

Different from the Western systematic garden, the treatment and installation of trees and flowers in ancient Chinese gardens paid attention to the expression of nature. The pines and cypresses are towering into the clouds, the willow branches are graceful and hanging on the shore, the peach blossoms are in full bloom for several miles, and even the branches are bent freely, and the flowers are fragrant in the face.

Learning from nature, blending with nature, conforming to nature, and expressing nature - this is where the ancient Chinese garden embodies the national culture of "the unity of heaven and man", which is the greatest feature of the forest independent of the world, and is also the fundamental reason for the eternal artistic vitality.

Exquisite layout, exquisite colors, cumbersome architectural structure.

Ancient Chinese typography has a profound traditional cultural heritage, a long history, complex styles, and has reached a high level of achievement in the history of world design art: the oracle bone layout has laid the foundation of Chinese typography, and the simple layout has an extremely important role in the writing format of words, and the invention of papermaking and printing has a great influence on modern typography design. Due to the influence of modern Western typography design culture, in the process of Western learning to the East, Chinese typography in the modern sense is widely used, and modern typography is gradually developed in the imitation, reference and integration of some Western design art schools, showing an obvious Westernization tendency.

The domestic panel design industry is becoming more and more bold.

Western society advocates humanized design and encourages innovation, and the art schools that have risen and fallen one after another in the past hundred years have also influenced the design art of the same period; There are still many different styles. With the development of industrial technology and the protection of intellectual property rights, the West has supported the quality, research and development and diversification of designs from the technical link.

Hello <>

The items with postmodernist design style and characteristics in China's ancient design are: 1. Ming and Qing court porcelain ingenuity: the court porcelain of the Ming and Qing dynasties has a strong postmodernist design style, delicate ornamentation, exquisite painting, and exquisite carving skills, which fully demonstrates the design spirit of postmodernism. 2. Qing Dynasty cloisonné:

Cloisonné uses delicate blue paintings, blending oriental art and postmodernist design, with a strong classical atmosphere. 3. Classical furniture: Classical furniture design also has the characteristics of postmodernism, with their exquisite carvings, exquisite outlines, and extremely meticulous workmanship, and the smiling limbs fully demonstrate the design style of postmodernism.

In ancient China, a concept similar to the ancient Western "design" was "management".

As an extremely important concept in ancient Chinese art and architectural theory, "management" has been discussed by ancient artists and theorists. The most fundamental meaning of "management" is actually design.

Brief introduction. Human business activities can be divided into two categories, namely, two business activities at the level of Bizhen and the coarse level of the hands and cherry blossoms.

The first type is people's management activities for the world other than human beings, that is, mainly for the natural world, and this kind of business activities are mainly for the management of material materials, the purpose of which is to enable human beings to obtain more material benefits, and to expand the quantity and quality of materials.

The second type is people's management of human beings themselves, which is mainly to regulate people's consciousness, behavior and interests, and its purpose is to standardize people's consciousness and behavior, and Pingsong balances the conflict of interests between people, maintains social stability and maintains social justice. We call the former type of operation economic, that is, the management of material materials, and the latter type of operation as political, that is, social management.

business. In the ancient West, design was the father of the three arts (architecture, painting, sculpture). In ancient China, the concept of "design" similar to that of the ancient West was "management", and as an extremely important concept in ancient Chinese art and architectural theory, the term "management of Shouzai" has always been discussed by ancient artists and theorists.

The most essential meaning of "management" is design.

How did you come up with the idea of asking such a question? Ancient Chinese graphic design was mainly decorative, and it was previously pointed out that there was little such a concept as advertising; In addition to the ancient graphic design used in daily necessities, architecture, sacrifices, rarely used in publicity, the ancients for propaganda are only Tong to text, calligraphy and painting, can only be said to be art, can not use design. There are few abstract elements in the image of ancient graphic design, and most of them are based on concrete objects, such as people, animals, plants, etc., as well as images of clouds, dragons, phoenixes, etc.

Ancient graphic design is the need for beauty and cultural inheritance, and it is mainly hand-drawn.

Modern graphic design is developing towards diversity and utilitarian practicality, and modern graphic design as a decorative content is only a small part, mostly for advertising and image expression. Due to the progress of science and technology and the continuous exploration of materials, the expression of modern graphic design is becoming more and more abundant. Modern graphic design basically belongs to the graphic design of computers, mainly based on computers.

Coupled with the related machine production, the efficiency is greatly improved, and the streamlined plane drawing makes the graphic design no longer unique. As a result, the value of art is constantly decreasing. Modern graphic design is for business.

Summary. The artistic origin of traditional culture is very deep, not only from the ornament throughout the evolution process, but also need to be aware of the ideological roots that gave birth to them, which is also in the treatment of modern design needs to think and research. The roots of traditional Chinese thought to the differentiation have formed the treasure house of the entire traditional art, and we should go deep into the simple terms, combine the characteristics of the times, and strive to create an art design that belongs to the new era of China.

How do you view the significance of ancient Chinese design ideas to modern design?

The artistic origin of traditional culture is very deep, not only from the ornament throughout the evolution process, but also need to be aware of the ideological roots that gave birth to them, which is also in the treatment of modern design needs to think and research. The roots of traditional Chinese thought to the differentiation have formed the treasure house of the entire traditional art, and we should go deep into the simple terms, combine the characteristics of the times, and strive to create an art design that belongs to the new era of China.

Very glad to be able to solve your problem, hope mine is helpful to you.