How to speak Song Ci!! There is something new. Wanghai Tide Liu Yong

The lyricist uses fresh pen and ink and layout techniques to vividly depict the magnificent and extraordinary scene of Hangzhou from different angles. The magnificence of the Qianjiang tide, the beautiful scenery of the West Lake, the prosperity of Hangzhou's urban area, and the beauty of the people's life are all collected by the lyricist. On the one hand, this poem expresses the author's love and praise for Hangzhou, and on the other hand, it praises the local magistrate here for his good governance and outstanding political achievements.

Look at the tide of the sea. Liu yong.

The southeast shape wins, the three Wu metropolises, and Qiantang has been prosperous since ancient times.

The smoke willow paints the bridge, the wind curtain is green, and there are 100,000 people.

The clouds and trees surround the embankment sand, the angry waves roll frost and snow, and the moat is endless.

The city is a jewel, the household is profitable, and the competition is luxurious.

The heavy lake is stacked on top of Qingjia, there are three autumn laurels, ten miles of lotus.

Qiang tube clear, Lingge flooded the night, frolicking and fishing lotus baby.

Thousands of horsemen have high teeth and make noise, listen to the flute and drum while drunk, and enjoy the smoke.

Hail will accompany the picture of the different day and return to Fengchikua.

"Looking at the Sea Tide" is a famous passage widely recited in Liu Yongci.

Qiantang (now Hangzhou, Zhejiang) was a famous city in history from the beginning of the Tang Dynasty, and it developed further in the Song Dynasty. Liu Yong lived in Hangzhou for a period of time, and has personal experience and deep feelings for Hangzhou's landscapes, scenic spots, customs and customs, so in this poem, he can depict Hangzhou as rich and extraordinary with vivid pen and ink. The beautiful scenery of the West Lake, the magnificence of the Qianjiang tide, the prosperity and wealth of Hangzhou, the pleasure of the local upper-class people, and the labor life of the lower-class people are all injected into the pen of the lyricist, and the beautiful and magnificent and vivid pictures are painted.

The value of this picture lies not only in its depiction of the beautiful mountains and rivers of Hangzhou, but more importantly, in its face the local customs at that time.

Liu Yong's "Looking at the Sea Tide" uses the technique of narration, with points and surfaces, light and shade intersecting, and vividly depicts the beautiful scenery of Hangzhou and West Lake.

1. From the structural point of view, this poem is divided into two parts (pieces), the upper part focuses on describing the natural scenery and prosperity of the city, and the second film focuses on the beautiful scene of West Lake. At the beginning of the film, the whole picture of Hangzhou is taken with a bird's-eye view, pointing out that Hangzhou has an important location and a long history. In the next film, the beauty of the lake and the mountain is written, and the lyricist first uses the word "Qingjia" to summarize, and then writes about the cinnamon on the mountain and the lotus in the lake.

The most beautiful features of West Lake and even the whole of Hangzhou are summarized.

2. From the content point of view, the above film from the "smoke willow" below, it depicts the shape and prosperity of Hangzhou from different angles. "Smoke and willow painting bridge", write the beauty of the street, lane and river bridge; "Wind curtain green curtain", writing the elegance of residential buildings. The sentence "100,000 uneven households" turns a weak tone into a strong tone, showing the prosperity of the entire urban household registration.

In the next film, "heavy lake" is used to write about the inner lake and outer lake in the West Lake, and "stacked" is used to write about Lingyin Mountain, Nanping Mountain, Huiri Peak and other overlapping mountains, which is concise and concise.

3. From the point of view of technique, this poem uses the technique of laying out to write the wealth and beauty of Hangzhou, but each has a focus. The upper film writes Hangzhou, and the next film writes West Lake, with points and surfaces, light and dark intersections, paved with Xiaochang, and decently described. The grandeur of the scene and the agitation of the tone are amazing.

In particular, the use of words composed of numbers, such as "Sanwu Metropolis", "100,000 Families", "Sanqiu Guizi", "Ten Miles of Lotus", "Thousand Horses with High Teeth", etc., is either written in reality or as a virtual finger for walking meditation, all of which have an exaggerated tone and highlight the characteristics of the narrative.

1, "Looking at the Sea Tide":

This poem reverses Liu Yong's usual style, with a wide opening and closing, undulating brushwork, and showing the prosperity and magnificent scene of Hangzhou, which can be described as "Chengping Weather, Describing the Song".

He is good at narrating, and his works select the most typical and expressive scenes, and vividly depict the prosperous scene of Hangzhou from the most distinctive perspective. In particular, the description of Qiantang Chao and West Lake is very sufficient, with a high degree of generalization and a very specific image. There are a lot of lyrics that reflect urban life since the Tang Dynasty, but the life is very narrow and the angle is very one-sided, and most of them are limited to the song and wine life in front of the bottle.

As for the prosperity of the city, it is not covered in the literary field of words. However, this poem fully describes Hangzhou with strong ink and color, showing a prosperous scene. "Chengping weather, full of description.

Chen Zhensun's "Zhizhai Shulu Inscription Solution") Fan Zhen said: "Renzong was peaceful in the forty-second year, and the town was in Hanyuan for more than ten years. (Zhu Mu's "Fang Yu Shenglan").

Good at spotting. From the perspective of the whole article, the first three sentences are points; Then it is depicted in detail from several aspects, and it is dyeing. Looking specifically at the description of the West Lake, "Heavy Lakes and Stacked Qingjia" is the point; "There are three autumn laurels and ten miles of lotus.

Qiang tube clear, Lingge flooded the night, frolicking and fishing lotus baby" is dyed. Among them, the dyeing is carried out from three aspects, one is the beauty of the mountains, the second is the victory of the lake and lotus, and the third is the good cultural style.

Full of emotion, exaggerated moderately.

The language, the rhythm, and the intonation are also well integrated with the content of the word. "Wanghai Tide" is also the first creation of Liu Yong, and the word plate is closely combined with the content of the word and the regional characteristics.

With the brushwork of opening and closing, the ups and downs of the penmanship, the rich ink and color show the prosperity and magnificent scene of Hangzhou, which can be described as "Chengping Weather, describing the end of the song" (see Chen Zhensun's "Zhizhai Shulu Solution"). The linguistic characteristics of this poem are: the slow and long tone and the ups and downs of the lyrics correspondingly, the rhythm is harmonious, and the feelings are tactful, which is a masterpiece of Liu Yong.

The regional slow voice long tune and the ups and downs of the lyrics correspondingly, the rhythm is coordinated, and the feelings are tactful, which is a masterpiece of Liu Yong.

In the first three sentences, start with the topic, and cover the whole article with a broad momentum. The next film focuses on West Lake. The West Lake, clean and sinking, round like a treasure mirror, as for the beginning of the Song Dynasty, it has been very beautiful.

Then the lyricist wrote the scene of the dignitaries and nobles playing here, and the beauty of the West Lake was highlighted with the unwillingness of the dignitaries to leave. This poem is about the wealth and beauty of Hangzhou. In terms of artistic conception, the ingenuity is far-reaching, the upper film writes Hangzhou, and the next film writes West Lake.

The grandeur of the scene and the agitation of the tone are not far from the eastern slope. In particular, the use of phrases composed of numbers, such as "Sanwu Capital", "100,000 Families", "Sanqiu Guizi", "Ten Miles of Lotus", "Thousand Horses Embracing High Teeth", etc., in words, either as real or imaginary fingers, all have an exaggerated tone, which helps to form Liu Yong's bold style of words.

A southeast shape wins, three Wu metropolis, Qiantang has been prosperous since ancient times. It points out the importance of Hangzhou's location, its long history, and reveals the theme of the song.

b Mainly narrated, interspersed with the activities of the characters, and there is movement in the stillness.

c clouds and trees around the embankment sand, angry waves roll frost and snow, the sky is endless" is an exaggerated rhetorical technique to write the tide of the Qiantang River.

d different day picture will be a good scene, return to Fengchi Kua" means to praise the two Zhejiang transport envoys at that time Sun He, which means that when Sun He is called back, he will draw a picture of the good scene and present it to the imperial court.

E under the words of the West Lake, from the cinnamon, lotus to the fishing lotus, so that the beautiful West Lake is full of vitality, full of joy, full of harmony, forming a beautiful realm.