Can anyone explain to me the different meanings and usage of narrative montage and performance mo

Narrative Montage – Storytelling – Documentary.

Visual Elements How is the lens constructed?

Construct shots according to the chronological sequence of events and logical relationships, based on the continuity and causality of actions.

The clue is single, and the context is clear.

Performance montage – for example – product advertising.

Notice the visual elements How is the shot constructed? - One paragraph ** + multiple clips of footage.

According to the internal logical relationship between things, through the juxtaposition of lenses, specific meanings such as connections, symbols, contrasts, and conflicts are created.

Consciously combine visual elements to express a specific meaning.

Montage. The narrative methods are different, and there is no one fixed pattern. It depends on the director's style, and if the director has a unique style, then the more he has his own unique way of narrating.

Judging from the experience and rules that have been summarized, the more common narrative methods are roughly as follows.

1. The continuous mode takes a plot thread or a continuous occurrence through the action as the main content, and the connection of the shots is based on the continuity and logical causality of the plot and the action.

as a basis. This is the main and most basic narrative method in the film. It has the advantage of having a beginning and an end, a clear context, and a clear hierarchy, which is easy for the audience to understand and accept.

2. The combination of contrasting shots or scenes, with sharp opposition or strong contrast in content, emotion, and shape as the basis for connection. When opposing shots or scenes are linked together, they will have the effect of complementing and emphasizing each other. If the contrast montage is used properly, the effect is more obvious, and if it is not used well, it will often reveal the traces of artificial axes and chisels, so it should be used with caution and should not be abused.

3. Parallel Parallel generally expresses the staggered narrative of more than 2 plot threads, and shows the events that occur at the same time in different places in a staggered manner. This montage narrative method can make two or more events play a role in complementing and complementing each other. Because of the use of staggered narration from one scene to another, one action to another, you can save redundant processes, save time, enrich the plot, and increase the capacity of the film.

4. Analogy: using an object's image or action as a metaphor for an abstract concept, or using the inherent characteristics of another phenomenon to explain a phenomenon (taking advantage of the commonality of the two phenomena), such as the common use of a storm to express anger or excitement; Use mountains and green pines to symbolize the immortality of the heroic spirit; Flowers are used to symbolize love, happiness, and more. However, due to the fact that this kind of technique is used more often, there is a lack of new ideas. The analogue montage should be used appropriately, naturally and orderly, and should not be used too much, because the revelation of the theme of the film is mainly reflected through the characters.

And the character of the character.

The portrayal mainly depends on the behavior of the characters, so the montage means of expression must better serve the behavior and character of the characters, and cannot use too many analogies, symbols, and metaphors, otherwise it is easy to detach from the concreteness of the image and become some purely rational abstract concepts.

Fifth, repetitive repetition can play an emphatic role. In order to emphasize the basic idea of the script or important scenes, the director can repeatedly appear in the film with the same camera position, the same angle, the same background, and the same actor scheduling shots to increase the audience's impression. The use of repeated montage can also make the connotation of the film from shallow to deep, and the artistic conception from light to thickened, so as to strengthen the appeal of art.

It's right to use montage to generate different stories and philosophies. Peeling ants

Montage is an artificially collage editing technique of time and space with meaning.

Montage includes both editing and compositing, and when different shots are grouped together, they often have meanings that each shot does not have when they were alone. It was first extended to film art, and later gradually became widely used in derivative fields such as visual arts.

After the Second World War, the French film theorist Andre Bazin (1918-1958) objected to the role of montage, arguing that montage imposed the director's point of view on the audience, limiting the ambiguity of the film, and advocated the use of depth of field lenses and scene scheduling to shoot films with long shots shot continuously, believing that in order to maintain the integrity of the plot space and the real time flow.

However, the role of montage cannot be denied, and film artists have always used both montage and long shots to create films. Some people also think that long shots actually use camera movements and actors' scheduling to change the scope and content of the camera grip, and call it "internal montage".

The large aspects of montage can be divided into expressive montage and narrative montage, which can be subdivided into psychological montage, lyrical montage, parallel montage, cross montage, repetition montage, contrast montage, metaphorical montage and so on.

Montage is a general term for the form and method of composition of films.

Montage is a transliteration of the French language montage, which was originally a term used in French architecture to mean composition and assembly. Later, it was borrowed, and by extension, it was used in movies to edit and assemble, indicating the assembly of shots.

To put it simply, montage is to shoot a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original concept. In a nutshell: montage is the means by which groups of cut shots are connected.

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From this, it can be seen that montage is a means of connecting the camera with the logic of life, the order of reasoning, the author's point of view and his aesthetic principles. First, it is the means of using the camera, and then the means of using scissors.

Of course. The montage of the film is mainly achieved through the re-creation of the director, cinematographer and editor. The screenwriter of the film designs a blueprint for the future film, and the director of the film uses montage to recreate this blueprint, and finally the cinematographer uses the expressive power of the film to embody it.

In the production of the film, the director shoots many shots according to the script or the theme of the film, and then organizes and clips these different shots organically and artistically according to the original creative concept, so that they can produce coherence, contrast, association, suspense and other connections, as well as different rhythms of speed and slowness, so as to selectively compose a film that reflects a certain social life and thoughts and feelings, and is understood and loved by the majority of audiences.

Summary. This kind of montage is often expressed in the juxtaposition of two or more plot lines that take place in different time and space (or at the same time and in different places), and are narrated separately and unified in a complete structure. Griffith and Hitchcock are both masters of using this kind of montage.

Parallel montage is widely used, first of all, because it is used to process the plot, the process can be abridged to facilitate the summary and concentration, save space, expand the amount of information in the film, and strengthen the rhythm of the film; Secondly, because this technique is a horizontal expression of several clues, complementing each other and forming a contrast, it is easy to produce a strong artistic appeal.

Hello, I have seen your question and am sorting out the answer, please wait for a while This kind of montage is often expressed in the juxtaposition of two or more plot lines that occur in different time and space (or in different places at the same time), and the narrative is unified in a complete structure. Griffith and Hitchcock are both masters of using this kind of montage. Parallel montage is widely used, first of all, because it is used to process the plot, the process can be abridged to facilitate the summary and concentration, save space, expand the amount of information in the film, and strengthen the rhythm of the film; Secondly, because this technique is a horizontal expression of several clues, complementing each other and forming a contrast, it is easy to produce a strong artistic appeal.