Regarding the use of montage, what is the technique of montage?

It is thanks to montage that cinema is transformed from a mechanical record (including images, sounds, and colors) into a creative art.

Scope of Montage:

Methods and techniques for composing a video from a series of shots and sounds recorded on the vocal cords (including dialogue, **, sound).

Use of montage:

In film production, it is first necessary to shoot many shots according to the requirements of the script, and then, according to the artistic conception of the script, these shots are organically and artistically organized and edited, so that they can produce coherence, echo, contrast, hint, association, foil, suspense and form a specific rhythm, so as to combine into various organized pieces and scenes, until it becomes a film that understands and expresses certain ideological content for the majority of audiences. Then, according to the artistic conception of the script, the film was accompanied by a soundtrack. The composition of this sound is combined with the picture according to the method of assembling the sound montage.

Even if the film is recorded and shot at the same time, the dialogue is mainly recorded at the same time.

Montage – undoubtedly one"Lens assembly"Skill. However, it is not limited to technical lens assembly. To put it simply, when a number of bricks are built, they are not bricks, but walls.

The four walls and other materials are combined to form a house, and the role and nature of the house are different from the walls. The same is true of montage, one shot illustrates one meaning, two shots are connected, and another effect occurs, and many shots are connected to form a "group of shots" or "a series of shots.""A new effect occurs that can produce a meaning that they did not have when they existed independently, or give these shots a richer and deeper meaning, and have a special appeal to the audience, which is the core meaning of montage.

No one is so high, is this question difficult?

Montage techniqueIt is a theory and technique of combining shots in a movie. For example, if we put together a mother cooking, doing laundry, taking care of a child, and a father reading a newspaper, we will produce a mother"Busy"feelings.

The result is a contrasting technique that highlights certain specific features of a person or thing, and the interconnection between two different fragments gives an unexpected effect.

Montage refers to the technique of editing different shots to achieve a certain expressive effect. While montage is often equated with "editing," editing is only a means to achieve it. And unlike movies, animation is made.

There is no "editing" step, the montage in the animation is in the storyboard.

It was determined at the design stage.

Montage is essentially a kind of "composition", and the principle is to create connections and conflicts through the combination of different images, pictures and sounds, and finally achieve an expression effect beyond the picture.

Introduction

With the extension of film and television media, the high development of film and television art, colorful film and television art methods emerge in an endless stream, not only many new methods, such as digital technology.

The application in film and television, and some classic techniques are constantly giving new meanings, such as the earliest and most classic montage techniques, the continuous innovation of these techniques provides a solid foundation for the gorgeous film and television stage.

As early as the end of the 19th century, the masters of cinema began to use montage (there was no television at that time), which was a technique that made a leap forward in cinema. Montage was originally used in the creation of the film to present amazing artistic effects and create a touching artistic charm.

The opening sentence of the film master Pudovkin in his classic book "On the Screenwriters, Directors and Actors of Films" is the following sentence: "The art of cinema is montage, and montage is French."

Montag transliteration, originally an architectural term, means composition, assembly.

Montage is a narrative and expression means of film and television creation, which arranges and combines a series of shots shot in different places, from different distances or angles, and in different methods according to certain requirements, to narrate the storyline and portray film and television characters.

Therefore, with the role of montage, film and television works enjoy great freedom in time and space, and can even constitute film and television time and space that are inconsistent with the time and space in real life.

Montage has the effect of creating a unique time and space. The time of each shot of the film is the same as the time in life, but after the assembly, there is a great distance between the time when a film is shown and the actual time of life reflected in the film. A 100-minute film reflects the time of life, which may be hours, days, months, or even years, decades.

This is the function of montage. The assembly of cinema shots can also create spaces that are not possible in real life.

Montage can create different artistic rhythms. The rhythm in the film is closely related to the development of the plot and the rendering of the emotional atmosphere, and the formation of the rhythm is closely related to the length of the shot, the distance of the shot, the speed of the camera movement, and the method of montage assembly.

1. The function of montage is to make the film freely alternate the perspective of the narrative, such as from the author's objective narration to the subjective expression of the character's heart, or to see a certain state of affairs through the eyes of the character, and to affect the audience's psychology through the rhythm of the movement of the camera change.

2. Montage (French: montage) is a transliterated loanword, originally an architectural term, meaning composition, assembly. Often used in three artistic fields, it can be interpreted as an artificially collage and editing technique of time and space with meaning.

It was first extended to the art of electric wheel bending, and then gradually became widely used in derivative fields such as dust core visual art, including interior design and art coatings.

The function of montage is multifaceted, and the use of montage to assemble the scattered shots together not only allows people to understand the content of the film's narrative, but also gives new meaning to the picture.

Montage (French: montage) is a transliterated loanword, originally an architectural term meaning composition, assembly, and after the invention of film, it was extended to "edit" in French. In 1923, Sergei Eisenstein published an article in the magazine "Left Literary Front" entitled "Attraction Montage" (old translation "Juggling Montage").

He was the first to introduce montage as a special technique to drama, and later extended it to film art in his film creation practice, creating the theory of film montage and the Soviet school of montage. In the twenties of the twentieth century, Eisenstein borrowed the French word montage and extended it to English in order to introduce montage (Russian: theory) outside the Soviet Union.

In the early 30s of the 20th century, Chinese filmmakers learned about the montage theory from English film theory, and initially tried to translate it as "weaving" according to the old meaning of French, but later found that "the old word was given a new meaning", so they retained the English transliteration and became a new term.

As an important film theory, Mengruwutaiqi can be described as a hundred schools of thought. Many film directors and theorists, including Sergei Eisenstein, Pudovkin, Béla Balazs, Rudolf Einheim and others, have tried to classify montages. And the definition of montage is even more different.

According to the "Dictionary of Film Art" published by China Film Publishing House, the consensus of montage theorists is that the combination of shots is the source of the appeal of film art, and the juxtaposition of the two shots forms new characteristics and produces new meanings. Montage thinking conforms to the dialectic of thinking, i.e.:

Reveal the inner connection between things and phenomena, and understand the essence of things through perceptual appearances.